9/11 is a documentary about the September 11 attacks in New York City, in which two planes crashed into the buildings of the World Trade Center from the point of view of the New York City Fire Department.It is an extraordinary record of that fateful day in New York City.Telecast to coincide with the six-month "anniversary" of the horrific terrorist attack on New York's World Trade Center,it was directed by Jules and Gedeon Naudet, and FDNY firefighter James Hanlon.This one-of-a-kind documentary was originally conceived as a portrait of 21-year-old Tony Benetatos, a firefighter trainee at Manhattan's Duane Street firehouse, located seven blocks from the World Trade Center. By the time filming was finished, brothers Jules and Gedeon Naudet had captured history in the making, including the only image of the first jetliner striking Tower 1, and the only footage from within the tower as it collapsed. This is not, however, a film about the murderous nightmare of terrorism. It's the ultimate rite-of-passage drama, more immediate and meaningful than any fiction film could be with Benetatos and his supportive colleagues emerging as heroes of the first order involved it became an important journalistic work by simply capturing a moment in time.This documentary will endure forever as a tribute to those, living and dead, who witnessed hell on that sunny Tuesday morning on September 11,2001.

Incredible documentary captured all the frenzied chaos and misery which loomed over NYC on that fateful morning of September 11th. Intense, personal, and completely riveting, 9/11 is perhaps the greatest documentary ever made by accident, which kind of gives it an even greater appeal. Up until that morning, filmmakers Gideon and Jules Naudet had been following around a New York firefighter team, concentrating specifically on one new recruit in a little piece they were shooting dealing with the rigorous training to become a fireman. Out with the team that morning filming yet another simple routine cleanup, Jules lifts his camera up to the sky just in time to record one of the only known images of the first plane hitting the World Trade Center, and from there a simple documentary was no more.Viewers are given a first hand account of what it was like to be in and around ground zero, as the amazing group of fire-fighters and one profoundly bewildered cameraman attempt to navigate this disaster. Without hesitation, Naudet follows these automatically programmed heroes into the tower while it's entire support crumbles around them. The raw fear of an unknown, impending doom lurks with more viability then any fictional production could ever fathom as we watch less and less become audible and visible for those trapped inside. Nearly as memorable is older brother Gideon's candid capturing of an entire city in the throngs of a larger and more palpable fear then anything they had collectively witnessed. By the time we get to see the second tower collapse, as the cameraman shields himself from apocalyptic debris, we should all but be rinsing the dirt off ourselves from the amazingly up-close footage captured.Obviously the filmmakers deserve only as much credit as being in the right place at the right time to document such an extraordinary event, though one can only admire the two brothers in their extraordinary adaptation to such an event; in a few desperate minutes we witness them become like the firemen they document- only instead of saving lives they knew they had to save footage, even if it cost them their own safety.After viewing 9/11, and seeing that it came out in 2002, I feel much more resentment towards Oliver Stone's recent rendition, the big budgeted World Trade Center. Many had criticized the film for ignorantly narrowing down the focus to those two survivors trapped in rubble, and although I enjoyed the movie just fine for the small and sentimental Hollywood focus it brought, 9/11 all but renders his film completely obsolete. Not only will this utterly gripping footage remain the only definitive collection from that day, but the sublime transfer of motives midway ensures that this documentary has all the heart and character needed to never sensationalize the event again.

I rented this for my son who is recently found interest in 9/11. He was a Kindergartener at the time and had no idea what was unfolding. I liked the way it was told as a "documentary." If there was one movie that I would recommend to see concerning 9/11, this would be THE one! Normally you see a movie it has actors that are well known. This movie had nobody known. Also, you see a movie concerning 9/11, you hear about a fire-fighter or two losing their lives saving people. I didn't feel this had any of that! I only rented this movie and would definitely consider adding it to my collection! Very well done indeed! My heart goes out to the survivors and families of victims of 9/11!

I was one of many that expected to see a glorified, Yankee-doodle dandy portrayal of a day that (as famously quoted) should live in infamy, rather than glory. How wrong I was. These guys were there, right in the middle of it, and the pictures they returned are both amazing and heartbreaking. And yet it all occurred on a chance trip to the world trade centre on September 11, 2001.Two French filmmakers were compiling a documentary about life as a NY firefighter, particularly from the perspective of a young rookie coming up through the ranks. At the beginning we see much of this footage, just to remind us that there was no thought to producing a film about terrorism. This was intended to be a film about regular people earning an honest living helping others, and the beauty of the film is that it never loses this edge.While investigating a suspect gas line (I think, my memory's a little hazy on that), we suddenly hear a plane fly overhead. The camera pans up to reveal a commercial jet torpedoing itself into one of the towers. What must the cameraman have been thinking at this time? Recognising the importance of the footage the camera stays on, and possibly realizing the same thing, the FDNY allow the camera to follow them into the building.What follows is a true view from the front-lines. We see the commitment of the FDNY, their reactions (the stunned silence after hearing the first person fall to their death is chilling) as well as the collapse of the one of the buildings from the inside, while a second camera captures the events from the outside.If it wasn't for the horrific event they were covering, the footage alone would be any young doco-maker's dream come true. Quite simply, the footage deserves to be preserved for all time. But what really sets this film apart is the genuine humanity that it brings to the viewer. We see firefighters charging in without hesitation, people of different races helping one another escape to wave of rubble and even the concern of the filmmakers for one another (they are brothers) as they cannot reach one another in the confusion. There are amazing sights as well as amazing human stories in this film, something Hollywood could never duplicate (even though it's trying).9/11 isn't a film about politics. Nor is it a film about religion, nationality or even jihad for that matter. 9/11 is a film about people, and a true indication of the best and worst that we are capable of. 9/11 is quite simply one of the most important films I've ever seen, and would be the only film to be born from this event if it were up to me. You can't duplicate this.