In Nevada, chubby singer Wayne Newton (as Mark Jonah Winters) is arrested for manslaughter, following a car accident. Considering the opening crash, Mr. Newton is amazingly agile. He escapes from the police and takes refuge at a home for blind children, obtaining the place of an anticipated handyman (who never appears). Blind camp counselor and budding sculptress Diana Ewing (as Tracy) is attracted to Newton and sculpts his bust. The young blind children become attached to Newton. They plant a garden, sing songs and trot together. There is also a dog, who is put under a doghouse when the cameras are turned away...Meanwhile, investigators search the area...Presently known for his Las Vegas appearances, Newton has been a successful entertainer for 50 years. Considering this film, you'd be hard-pressed to explain his long-lasting appeal. A TV and recording star prompted to "youth" but always more popular with their parents, Newton is most unconvincing. Possibly, this would have looked better on television...Apparently, the effort was to fashion Newton as a feature film star. Otherwise, it's difficult to explain why Gerd Oswald and the filmmakers didn't simply offer Sal Mineo the leading role. Billed as a "special guest star," Mr. Mineo drives the 1969 Charger in the opening. Mineo's main scene is later, in a flashback. As usual, he's excellent. The other "special guest star" is Mickey Rooney. Also appearing later (in one scene, with Mineo), Mr. Rooney can overplay at times and does so here as a wildly drunk driver...The kids are alright. The stand-out role is given to Erin Moran (as Kim), who makes an memorable impression. Previously a regular on the adventure series "Daktari!", she will go on to greater TV glory on the nostalgic "Happy Days" series. There isn't much for the other children to do, although young veteran Butch Patrick (as Brian) has a good scene pretending to be blind; he's the kids' sighted helper. Newton is given an accomplished supporting cast, with Jo Van Fleet (as Nonna) getting the most screen time. The cast is probably the best reason to take "80 Steps to Jonah", today.*** 80 Steps to Jonah (11/17/69) Gerd Oswald ~ Wayne Newton, Diana Ewing, Jo Van Fleet, Erin Moran

I saw this on Cable years and years ago, and I think of it so often. It's like losing a good friend by moving away. I hate that I can't play it any time I want. I think I will write to the cable companies and find out how to request that it play. Every other movie plays over and over. This one should too. I take offense to the writer who said this was a bad Elvis-type movie. Wayne Newton was young then, and probably hadn't even been compared to Elvis at that time. This is a cute little family movie that makes you feel like there may be a little good in the world after all. Nowadays, you don't get too much of that. I sure hope I am able to get a copy of this movie. I would love to sit and watch it with my Grandson. Thank you for your time.

I saw this movie back in the seventies in a double feature,the other being "Grizzly".Of all the movies I have watched,this movie stuck in my memory because of the emotinal scenes and the natural flow of love,hate,frustration and caring that the characters show.It didn't hurt that I liked Wayne Newton either!;-)

This movie really DID exist. For the longest time, I thought this movie was synthesized from my collective unconscious. I remember seeing this movie on some impossibly late program about 25 years ago and being genuinely moved by it. Unashamedly sentimental, yet not too saccharine treatment of a man on the lam who finds refuge at a summer camp for blind children. A surprisingly well-casted movie with a decent soundtrack that would definitely appeal to the "Grab-a-hanky" set. Not a movie I would go out of my way to see - except for the purpose of reminiscing about the first (and only) time I saw it - but, I would definitely watch it if it appeared on my television while channel-surfing.