The entire movies revolves around the psychological problems of the lead actor. It is an unconventional film among out of the mill scripts of Telugu cinema. The cinematography and music are top-notch.The story is gripping, but screenplay has been deliberately spoiled to add commercial elements. The love track has little significance in the overall story. You can sleep during the entire Goa episode, and can still understand the main plot. The stunts and item song are not relevant at some places.The director Sukumar should have taken care of the screenplay, but he focused mainly on easter eggs which add no value to the overall plot. It's a potential movie, but spoiled just to match the commercial image of Mahesh. It'd probably have been a blockbuster if made faithful to the original theme.

This one psychological thriller lists in 2nd position in my thriller movie list, after inception. For many inception took a while to make sense. this one is a quick fire and superbly acted out by the lead. You won't be thinking of pausing the movie till you are finished. It will keep you glued to your seat, so make sure you get some snacks on you and enjoy this awesomeness Tonne of reasons why IMDb ranks this in 4th position. The direction has been executed very well and all other factors- the background music, the ambiance, the role played out by the lead in its most preciseness corroborate to its awesomeness. The only reason I can think of why this was not a box office hit is.....no idea!! Absolute awesomeness guys!! Try it for sure!! It is 4th for a reason!

Gautam (Mahesh) is a rock star. He is prone to nightmares and constantly on guard against the men who killed his parents and want to finish him off. When Gautam sees one of the men in the audience of his show, he takes off initially in fear but then in pursuit and kills the guy. Gautam turns himself in to the police, clearly disturbed but aware he has done something wrong. He was chased by Sameera, apparently some kind of production staff on the show who is also a journalist and squally fan girl. She films the fatal encounter and reveals the truth about Gautam – he was hallucinating the whole thing. There was no other man, no fight and no stabbing. Gautam's back story finally emerges when he ingeniously tracks down Nasser who says he was a cab driver 20 years ago…And that sends them off to London and the high adrenalin second half of the film. And yet once again, nothing is as it seems.Mahesh is very good and his dramatic scenes really do have urgency, conveying Gautam's pain and frustration. The scenes where Gautam is hanging on by a thread, fighting his inner demons, are so well acted but often undermined by the direction. Mahesh can do a lot with silence and minimal histrionics but Sukumar lays on tricky visuals where he could have just let the performance breathe. There is zero chemistry with Kriti Sanon, and their romance was of the desultory inst-love variety, an obligatory element. A hero with integration disorder opens up a lot of possibilities for turning mass film tropes inside out. But there is little logic, and so much bad filmy medicine, that the mental illness almost becomes irrelevant. Gautam is a man who cannot trust anyone and is out for personal revenge. Now he learns he cannot trust himself. How had he functioned for the last 20 odd years if he was prone to such vivid and realistic delusions? Why had no one around him noticed anything odd given he had 'killed' before? There was no reason for him to be a rock star other than as a change of image for Mahesh, so why not have more fun with the new career? And it takes everyone farPeter Hein puts all the right elements into the action scenes but repetition and sluggish editing sap the energy. How could a chase involving jet skis, boats, a para sail and hydro jet packs be tedious? There are also some things that are glossed over (e.g escaping from an underwater car) where they either lacked budget or an idea of how to extricate the hero from his impending doom. Sukumar is trying for a psychological edge but replaying a shot of Kelly Dorjee throwing a can into a bin multiple times to show Gautam thinking of using the rubbish as physical evidence is just painful.The locations are used well, and the film looks beautiful. There are some really nice touches that add style and even humour. Mahesh's son Gautham appears as young Gautam (those ears! Instantly recognizable).The threat of Indian fans forming a mob is enough to get the police to rethink keeping Gautam in jail, but then everything else functions as though the Belfast police are identical to the Andhra police so what is the point of that cultural in-joke? It's all very disjointed and seems to have been written by committee. Oh but Nasser's flashback wig is a dizzy. I think it is the poorer cousin of The Wig from Shakti. And for the hardcore Mahesh fans, yes he does a shower scene so you will see naked upper back. The glimpses of princely elbow are now old hat so no need to mention there are approximately 437 of those throughout the film. I think our friend The Mahesh Fan would approve of the brainy specs. Oh you want proof?In a good psychological thriller once the twist is revealed the story should be enriched, and the viewer should be able to re- interpret scenes with their new knowledge. I think films like The Prestige and even Sixth Sense did that extremely well. Sukumar couldn't make his own mind up about the film he was making so ended up with an overly long muddle that wouldn't completely satisfy either full-on Mahesh fans or the psycho-drama audience.A schizophrenic film about schizophrenia. 3 stars (mostly for Mahesh).Apart from the scenes in Northern Ireland (which I have now forced my entire family to watch) I love when a frog hops away from the fight and the action sequence in the bathroom is fantastic. Peter Hein comes through again! Thankfully there is no annoying separate comedy track to detract from the thriller nature of the story and although the romance wasn't particularly well realized at least it did give a respite from all the brooding. Nenokkadine is a good attempt at a rather more psychological thriller and while parts of the story are familiar at times, overall I do like the way Sukumar thinks. I love his tendency to make his heroes somewhat damaged and their flaws make them more interesting.

If you are like me then every once in a while you are haunted by the specter of open-mindedness, which tells you to look outwards and expand your horizons. Between so much garbage that Hollywood dishes out its easy to get depressed and think that there must be a more efficient way to scan for good films. With this in mind, one might try out Bollywood, only to be blown away by a re-definition of passionless trash. I admit I could not get into more than half an hour into this but it was for a good reason. Every scene is overblown with comically timed slow-motion sequences that serve to do nothing, pointless shots that do give you a headache, out of place lighting that ruins any possible immersion and some of the worst acting you can find on screen. There is no sense of coherency when it comes to crowd dynamics, character development, or even basic physics. This is a godawful film, I have no idea why IMDb has such a high score to it, the people voting for this nonsense are either four-year-old or existential philosophers contemplating suicide.