There are so many clichés in this series that its main value might be as a drinking game: hooker with a heart of gold (have a drink), professional conduct hearing as a means to derail the investigation (have another drink), bickering detectives who are actually hot for each other (drink), person killed because he/she is wearing another person's clothing (drink), staged press conference to bring out the killer (drink), vital information leaked to the press due to pillow talk (drink), etc. I am not mentioning the clichés that give away major plot points (and there are many more), but you get the idea. It really is as if the writers intentionally tried in insert as many overused police procedural tropes as they could into one script.The problem is that the acting is uniformly excellent. I cannot single out one performance because from the leads to the smallest part, the acting is top notch. It really is a shame that the actors did not have a better script with which to work.

Contrary to other opinions here at IMDb, we found Winter to be a superb production, well-acted and well-written. British mysteries sometimes are heavily-weighed for character-development, leaving nifty plot developments as a secondary consideration. We haven't quite finished the series, but we are pleased that some mysteries are slowly coming to light, and others will be revealed in the final episode.There's a nice bit of coincidence in the plot, a tool that can be used or overused. In this case, it ties some loose plot-ends together nicely and shows that the hunch of one key detective was off-base, a rare outcome in a mystery story. Rebecca Gibney is excellent as the lead detective 'Winter', very reminiscent in looks and style of Amanda Burton, from the British 'Commander' series (maybe a little prettier, and not so tragically-flawed).WE caught this on Acorn TV - but we would part with the price of a DVD set to see it again.

I doubt if I (we) will finish this series. We watched the pilot and all we did was a back and forth on how incompetent the cops were. But the series is on Acorn, so we said let's see if we do a binge watch to find out if the writers get better.They didn't. These cops don't jump to conclusions; they take running leaps.  Detective Sergeant Eve Winter tries to run a serious investigation but Detective Inspector Lachlan McKenzie (Peter O'Brien) decides he has the killer of Karly Johansson, Paul Paget whose wife was murdered eight years earlier; and McKenzie is adamant that Paget did it. McKenzie threatens him, follows him, and decides his Javert made Paget take his own life. But Paget was murdered. Rats, wrong again.Next McKenzie decides Johansson's husband Luke did it. Nope, wrong again. Luke is just a hapless drug dealer. And the Australian feds are involved as Federal Agent Jake Harris is trying to tie up a drug case using Indiana Hope as a witness. But someone is trying to kill Indiana and she tries to hide by having her friend Sharni help her. Then there is the big twist: Indiana Hope isn't Indiana Hope but Hope Ziegler the daughter of Peter Ziegler, the Director of Public Prosecutions. And Peter dumped his daughter off to be raised by another family as she was always getting into trouble and embarrassing him. Winter decides there is a leak in her task force and unless she finds out who, Indiana will be killed. And when Detective Inspector Lachlan McKenzie is shot, she knows she is right. This is where I gave up and went to bed. My wife finished it but won't watch a second series should one be approved. She says the cops are so incompetent that they make her cringe. She will admit that she likes Detective Alesia Taylor; but that is it. There is also a subplot involving Eve Winter's nephew Harry Winter who is a bit of a 14 year old idiot, and Eve's sister Melanie Winter who is a bit of a you are always picking on me for being a bad mother; which she is.

*sigh* Well I was hoping to cove something else in my first review but I suppose this will have to do.I think it's biggest problem is quite simply the fact that it's no different than EVERY OTHER POLICE DRAMA EVER! Well apart from the Australian accents (although it does remind me a little of City Homicide back from 2011 and seems to suffer from dullness, anyway I digress).Almost all of the scenes contain the protagonist played by Rebecca Gibney and a lot of the series would rest on her acting ability. Well... it's not bad, but she's trying so hard to be the tough independent female that her character seems to be a little bit of a mary sue just because she's so one-note. Probably more of the writing and directing at fault to be honest and it's causing the lead role to perform in an almost satire of her character. Maybe her character will be more flushed out in the future but this should have happened in it's predecessor The Killing Fields.I'm not sure why Channel 7 is trying so hard for this show to succeed putting it in a prime time slot but it saddens me that something with a little more spice could have been put there. I'd probably would have criticised it a lot more if there was anything to criticise. TL;DR It's bland, so bland it's hard to call bad. Even bad can be entertaining.