The cops in this British drama don't act like professional policemen but more like mentally deranged teenagers with anger management issues. The main character, DI Thorne (David Morrissey), is not in control of his emotions. His volatility and rage seem to infect the other members of the cast so that in total what we have here is a virtual feeding frenzy of scenery chewing. Cops yell at other cops and cops and medical doctors yell at each other. In one scene one character becomes enraged and punches another character repeatedly in the face for no reason that was apparent to me. DI Thorne seems to believe that he can communicate with a woman in a vegetative state by shouting at her. Other times he seems depressed and on the verge of suicide. The plot is senseless and contrived. Nobody appears to behave rationally. A woman doctor, when she finds out that her daughter has been kidnapped, just freaks out and starts screaming uncontrollably and Thorne freaks out too, running around like a chicken with its head cut off. So who's minding the store?I don't generally like procedurals that feature serial killers, and especially serial killers with weird and perverted MOs, and especially serial killers who have an obsession with the primary investigator, sending him taunting messages. These are tired, boring clichés. That's my prejudice. But I must admit that genre could be done well in the right hands. This one is just awful. Don't waste your time.

These British shows all seem locked into the same way of presenting their story lines: a good start, a nice development of characters, weak dialogue, ending in ever expanding vast plot sink holes. This one does a nice job of dangling a variety of "suspects" in front of you, but unfortunately falls into the "don't ignore the first suspect" method. It's always nice to see McElhone and Morrissey never bores, but in the end the ludicrousness of the plot twists ever morphing does it in. ***********************SPOILER********************* Tell me how does a non medical individual gather half a million pounds worth of medical equipment, set it up securely in an abandoned slum, set up electricity that would cost a fortune and would alert the authorities, off of a janitor's salary??

"I have little doubt that author Billingham would be mortified at what has been done to his brilliant book and beloved characters..."Before you go all self important with the 'book was so much better' garbage, you may want to get your facts straight. Mark Billingham is listed as an executive producer, which, as I understand it, has an awful lot to do with how a film's made. No, I haven't seen the film, read the book, or even heard of any of it before looking at the review, but it just bugs the crap out of me when people think they own a movie just because they read the book. And to assume that the author might be disappointed without even looking into whether the author had a role in the movie adaptation? I'm pretty sure your review is useless.

There is a reason that Mark Billingham's original novel Sleepyhead was such a huge Bestseller when it came out. Watching the TV show version you would be forgiven for wondering what all the fuss was about. The novel was an ripping edge-of-the-seat page turner with twists and turns that would make your head spin. This is the most unfaithful adaptation imaginable, with terrible writing and clichéd characters and a completely re- written and boring plot. The book does make brief mention of one of DI Thorne's previous cases, a gay serial killer. The TV show decides to expand this mention while simultaneously reducing the story from the book to virtually nothing. The resulting story is a deeply confusing hotchpotch of incongruous ideas and fumbled attempts at carving a new direction. TV SHOW ENDING SPOILER: The killer from the book is completely different to the show with a genius MO missing from the show version. I have little doubt that author Billingham would be mortified at what has been done to his brilliant book and beloved characters.