I rarely watch network TV for anything more than an occasional graze, but since Daniel Benzali joined the cast, the Agency is my one unbreakable weekly appointment with a network show. The three-way relationship between Bridges, Carroll, and he has just the right edge. And, Carroll works so much better with both of them than he did with the holier-than-thou Pierce (insipidly played by Ronny Cox, a normally fine actor in the wrong role). In fact the series has improved markedly with every addition AND DELETION. The feckless Gil Bellows was the only agent who seemed not to belong, and he left in a fitting and dynamic demise. Speight gets better and better, and works well with Clennon and Turco. But, what really rocks me is the even-handedness of the scripts, dealing head-on with terrorist issues more objectively and evenhandedly than our media dare to, and not a false note has been struck all year since this show came to be. Any show boasting Wolfgang Peterson and Shaun Cassidy as co-producers can be expected to be unusual, and the Agency succeeds in being anything BUT run-of-the-mill. Long may it run!

I have recently caught this show on Saturdays (Yes, I have no life) and I have found it very amusing and interesting. I mean, in "French Kiss" four men in a MBE pull guns on each other thinking they are all terrorists only to find out they work for the CIA, FBI, INS and Secret Service respectively--that's a classic, especially since they really don't ever know what the other is doing. However, I find it remarkably amusing because, well, when you know enough about thebackground of a show like this or the West Wing, it's interesting to see the little coincidences and foibles in the show. This show is funny, even at times when I think it should be dead serious I find it humorous. BTW, I noticed that Jennifer Brandes and Chris Hepler have written a couple of episodes this season--both of which I found to be very cool. Jennifer and Chris wrote a book that I thoroughly enjoyed because while it was factually accurate and intriguing, it was also written with a lot of humor and wit to it (except where certain parts were obviously injected by the editors for apparently no reason). Good work guys.

I think that The Agency is a wonderful show because it is not fake. Many of the shows out there today have wonderful acting but they don't seem real, they don't seem to hit home with some people. The Agency takes real things that have happened and turned them into Storylines and Scripts. Like the Anthrax and the smallpox episodes. Things that really happened. Even though the show is just a show and none of it is really real and we shouldn't depend on it for the answers but sometimes it gives us a sense of comfort because it shows us what the CIA does to handle national problems. I hope that this show stays on the air for a long time, as long as ER and NYPD Blue. I hope also that more people will start to watch the Agency to keep it on the air because it is a truly wonderful show.

After seeing episodes on Al Qaeda and Anthrax, I am convinced that The Agency is true "must-see" TV. After Sept 11th, The Agency's plots became more real than they had expected, and the topics more surreal. Viewers may get the same enjoyment out of the CIA's intelligence-gathering techniques that they do from "CSI"'s evidence-gathering techniques. The Agency is very similar to it's lead-in, and it has better acting (something CSI isn't known for.)Will Patton is the real star, I love everything he's done and he doesn't disappoint here. Gil Bellows has been equally fantastic as the new agent following in his brother's footsteps. Paige Turco and David Clennon are fun to watch together, and I like the stuff they do (photograph and passport editing) more than the field agent's stuff. Glorea Roth and Rocky Carroll are good but not great, and Ronny Cox is variable. Overall, it's a very enjoyable show that, when it works (about 80% of the time), is some of the best TV out there.