Many of the BBC WW2 television series from 1970 to 1990 leave something to be desired. Shows such as Secret Army, Island at War, Wish Me luck or Enemy at the Door certainly illustrate unique historical settings and perpetuate the WW2 narrative, but the way they were produced is a problem. They feel low budget, stagey, over dramatic, slow paced and frequently utilize annoying close up camera shots of character faces. 1981's Tenko is no exception, suffering from all of the aforementioned, but there's something about Tenko that grows on you. Simply put it is the story arc and its resulting character development.The series features a very compelling cast of characters and the journey these women travel is quite remarkable; from the posh life of a British colony … to the fall of Singapore in February 1942 … through four years in Japanese POW camps … to sudden freedom and the effort to fit back into society after the most devastating war of all time … to their reunion five years later … their characters and relationships are developed magnificently.It is not an easy watch. At times it is a full on chick flick filled with dramatics, small talk and female problems. The 30 plus episodes are filled with desperation, suffering and tragedy but the journey and historical context are well worth the effort. Noteworthy is the fact the series illustrates the British colonial system in its fading glory as well as the post war power vacuum that it created (communist power grab). The series shows us an amazing and unpredictable journey of a group randomly thrown together, under the worst possible conditions. It teaches of the cruel mortality of war (note Rose's death). Finally it shows us how such an experience shape characters and friendships and life decisions for generations. It is a remarkable series! 9 of 10 stars!POST: Other films addressing the Japanese POW camps; Changi, Three Came Home, Paradise Road, The Railway Men and Unforgiven

Tenko is a series I first watched at the tender age of 13 years back in 1981. From the word go it gripped. The acting is supreme: Ann Bell, Stephanie Cole, Stephanie Beacham are tremendous. The viewer lives and breaths the ordeal of the characters in a way that no other TV series has ever managed. It is head and shoulders clear of the rest. Having purchased the full DVD set, including reunion, a handful of years ago I am shortly to embark on my tenth viewing of the run.I was sorry to have missed Paul O'Grady's 25 year celebration in October 2007. I can't believe that the cast are now approaching 70. It makes me feel old and long for the days before reality TV ruled when good drama and sitcoms proliferated.

Without doubt, Tenko is one of the BBC's most successful and popular drama series. Never repeated on BBC television, and only the first season available on video (and long since deleted), Tenko still holds strong and popular places in the memories of its audience. I managed to record the whole run on its recent digital television rerun, and became hooked, sometimes watching six episodes in one sitting.Forcing a group of women to survive in a prison camp, Tenko explores the very human dramas, emotions and personality clashes that arise from this unbearable situation. We spend three-and-a-half years in the company of this group. They have little food, no clean water and no medication or sanitation. Forced into slave labour, sleeping on bare boards, the stresses and strains of their predicament are entirely believable, and make for edge of the seat viewing. Perfectly written (the series was created by a woman who survived a Japanese prison camp) and perfectly acted; blessed with truly amazing make-up (some of the women really do look starving, emaciated, covered in blisters and sunburn); some of the cast have only one dress to wear for the entire series. The human tragedy and awful, grinding horror of prison camp life is unforgettable.The first series deals with the Japanese invasion of Singapore, disrupting lives of the ex-pats living in the British colony. Forced to evacuate, the survivors fall into Japanese hands, and we follow some of the women into prison. Mentioning "the survivors" is a very relevant point. Tenko is not afraid to show that life in this condition can result in awful, lingering death. Characters whom we grow to know and love, to understand and empathise with, are struck down with beriberi, cholera, malaria. The aching sadness and genuine humanity of Tenko is truly remarkable. Gradually revealing more about the characters, their past lives, and their hopes for the future, piles on the emotion, making it absolutely unmissable. There were some scenes I found I was watching while holding my breath, not wishing to disrupt the heart-and-soul being displayed onscreen.Season two moves the women to a new camp, offloading several en route and picking up some new faces. The new camp, although better equipped, has a very different regime, and introduces us to Miss Hasan, the malicious and spiteful right-hand woman to the Commandant. The second half of season two deals with a prisoner receiving a gunshot wound: operating on her in a hut full of flies, with just a pair of sugar-tongs to remove the bullet, is absolutely gripping. Season three deals with the war drawing to a close, and the survivors' return to Singapore. Their struggles to return to "normal" and realisation that they may have had more freedom in prison, away from the strictures of post-war austerity, are perfectly played.No-one involved in Tenko has a happy ending. There's a definite feeling that, as the survivors climb about the ship to return to the UK, they have lost everything, and are fragile and broken. The horrors they've witnessed and cruelty they faced daily, will be with them forever more. Those who escaped Japanese capture will never understand.Tenko is a real masterwork. One of the most intense and powerful pieces of television I have ever seen. Careful touches throughout the series never fail to amaze: Commandant Yamuchi occasionally allowing his humanity and honour to shine (witness the scene in season one where he stands beside a newly dug grave, lost in thought); old-fashioned bigot Sylvia Ashburton gradually letting her prejudices slip as she realises everyone is the same, underneath; season two's black marketeer Verna Johnson losing sight of her pole position in the camp as the war takes a turn for the worse; Dorothy Bennett's uncomfortably close relationship with some of the guards; Lillian's love for her young son gradually driving her mad; Sister Ulrica being forced to make decisions she would not make in the "real" world; Doctor Mason's horror at the death and disease she cannot solve ... Tenko is a special thing. Not to be missed, under any circumstances.

I watched all of this series when it was repeated on UK Drama very recently.It is about some British and Dutch women who are captured by the Japs in 1942 Singapore and held in P-O-W camps.The first series concentrated on the women adjusting to captivity, the main characters being commander Yamachui, leaders Marion Jefferson and Sister Ulrica, officious Dr Beatrice Mason, elegant snob Rose Millar, "Raj"-style older woman Sylvia Ashburton, young mother Dorothy Bennett, cockney Blanche Simmons, nurses Kate Norris and Nellie Keene, Chinese Christina Campbell and wealthy and selfish Mrs Van Meyer to name a fewThe second series saw the women split up in new camps struggling to survive the brutal conditions of new commanders Sato and Miss Hassan and slyness of new leader Verna Johnson.The third series saw the women liberated and back in Singapore trying to get their life back together again.Tenko is a very well-made example of the suffering of female P-O-W's in 1942-5 Mayala and you should watch it, not to be entertained but to be educated as well