The TV movie format has been used endlessly to depict true crime stories, from parents who kill their children, to children who kill their parents, to rape, to theft, to abuse. I myself saw two or three similar films just last week. So what makes a rather unassuming TV movie from 1989 like "Small Sacrifices" stand out so much? It's hard to say. Certainly the acting has a lot to offer. Farrah Fawcett, Ryan O'Neal, and John Shea - three well-known actors whom I was familiar with but never previously cared for - are the dramatic core of the script. They all perform well beyond expectations. Fawcett, for example, who I would've thought incapable of such depth, is alternately terrifying and emotionally unhinged. It's a breathtaking performance. The real surprise, however, is young Emily Perkins. Or not such a surprise for me, because I'd been familiar with her heartbreaking role in the last four seasons of "Da Vinci's Inquest". But even at the tender age of twelve, she is a fully realized actress of incredible range. Her testimony on the stand is so emotional that it left me in tears. This is a performance without cliché."Small Sacrifices" isn't yet another painful exercise in domestic unrest, like it might appear to be on the surface. David Greene seems very aware of what he wants to get out his film here, and he directs the human interaction brilliantly. It's a hard film, sure - really hard - but powerfully dramatic. One of the best of its kind.

I watched Small Sacrifices again just recently after many years. Farrah Fawcett should have got an Emmy for that portrayal of Diane Downs. Her performance in this mini-series is incredible and the fact that the mini-series follows the book closely. Ann Rule's book of this horrible crime leaves you wanting more. So much that I reread the book again. Farrah should be honored for such a fabulous performance. Just watch her in the Burning Bed as a battered wife. Farrah Fawcett headlines Small Sacrifices but everybody else in the film including John Shea who plays the District Attorney and her then real-life lover, Ryan O'Neal, plays Diane Down's married lover who does not want children and would help the police convict his former lover. Ryan, John, and even Gordon Clapp are all wonderful and memorable in their roles. They do not make television mini-series like they used to anymore with cable making the movies for television. If this film was released in the cinema, Farrah would have been nominated for an Oscar for this role. She probably would have won the award!

Today, we've been true-crimed to death. Yet, this story was one of the firsts of it's kind and not to mention the best. Akin to Burning Bed, Fawcett rings in an absolute superb performance as she realistically and accurately portrays the sociopath known as Diane Downs. The movie carefully plots the turn of events without over dramatizing. The moving portrayal of Christie Downs (known as Karen Downs in the series) is quite haunting. Many true crime dramas leave me with a taste of ratings-desperation in my mouth. The focus of these are not feelings but instead dramatic effects. This series however was much different. What you find here is Diane's self-centeredness and apparent inability to feel sorrow contrasted with a child who, even without speaking, manages to convey a fear of her mother as well as true love for her in a very tender heart wrenching way. While this description may very well sound overly dramatic it truly isn't. This is just such a well made series. I hope you enjoy it as much as I did.

After playing TV-movie victims for years, Farrah Fawcett is terrifically good (almost surprisingly so) cast as real-life child-killer Diane Downs, who tried to convince the police she and her kids were victims one night of a car-jacker with a gun. One is tempted to go on and on about Fawcett's multi-layered portrayal of a sociopath, yet this is a long movie--four hours with commercials--and Farrah has the burden of it resting on her performance (she carries it off with gusto). Ryan O'Neal is very strong, too, playing the lover who doesn't return her affections. A sad, violent story, but told with an intense, focused energy which makes it completely absorbing and ultimately moving. Farrah does Emmy-worthy work.