Against the tidal wave of television series released since 'the Wire' first premiered almost ten years ago, Show me a Hero quietly aims for the head and makes very few compromises to its trajectory. A show like this is way more content to jog its way steadily towards the finish line ahead of a pack of exhausted red faced sprinters who run out of steam well before the race is over. It knows that a story this fascinating but also so full of bureaucratic nitty gritty and highbrow social commentary can't start out the gate sprinting - it needs to build, and to grow, and to settle in your heart and your head in order to make its case for greatness. And it has nothing to prove. Much like the Wire and Treme, the payoff will come to those who wait it out, and unfortunately the series will probably suffer (or enjoy, depending on how you look at it) the same fate as those aforementioned shows because of it. A core group of loyal fans will stay with it from day one, and then countless other attention deficit disordered viewers will tune out until after the series has aired will come back to it later and wonder why the hell they waited so long to watch it. Oscar Isaacs is phenomenal here, I would count this as his best work on anything, television or film or otherwise. He creates a complicated, conflicted character who gradually comes to tragic grips with his role as mayor presiding over a controversial housing development in Yonkers in the 1980's with a subtleness that I'm not sure many other actors would have delivered. Even my description doesn't really pay his character justice, it is never really made clear if he ever did grasp the importance of his political stand when he was in office. I'm not sure that is really the point. The point seems to be more that institutions can tower over men who think they control them, and that they do eventually have the power to affect positive change, in the same way that Simon's previous series showed us that institutions can be cold and inhospitable to anything but failure. The show has a wonderful cast, and a lot of 'oh wow, I haven't seen that guy in AGES' moments - in roles that often play against type, and give these actors a lot of thoughtful, intelligent dialogue to work with. And finally Paul Haggis. I haven't been the biggest fan of his work in the past, but paired with David Simon's wonderful naturalistic dialogue the directing feels masterful here, less gritty, more evocative than the Wire but stripped of the over the top melodrama found in Haggis's other work. There's a restraint here that I really appreciate. I hope those people who might have tuned out after the first episode pick it up again. Show me a Hero is completely worth your full attention.

I had such high hopes for this show. Creator/director Paul Haggis is a brilliant guy who has created shows like Due South and The Black Donnellys. The show is written by the folks behind The Wire. The subject of the integration battles of the 1980s seems like a good subject for a series.Alas, I only made it through the first episode, which was remarkably slow moving. I kept thinking something would happen that would explain why I should care, but nothing did. A somewhat smarmy guy runs for mayor, boosted by his mild opposition towards a desegregation plan that has white folks up in arms. This is inter-cut with scenes of people of color in bad neighborhoods, but nothing in the first episode ties them to the main story in any way at all. I'm sure they connect eventually, but their stories aren't inherently interesting, so the entire episode has a "so what?" quality to it.The first episode of a mini-series needs to sell you on watching the rest of it, and this one in no way did that. I find the positive reviews for this inexplicable. Perhaps it gets better later, but I was given no reason to find out.

I'm a HUGE David Simon fan. Will read anything he's written (yes, I read the Corner, all 800-some-odd pages of it), and watch anything he produces. Homicide, The Wire, you-name-it. But I feel that he completely lost the plot here, no pun intended. The overall theme seems to be "integration and giving poor people houses in middle-class residential neighborhoods that don't want them is GOOD." I wondered, half-way through this (still determined to watch it in its entirety, because, hey, David Simon, right?) if Obama had picked up the phone and called HBO, saying, "hey, couldja find a book to convert into a series about forced low-income housing, and how great it all worked out, because I'm getting ready to jam that issue nationwide down the throats of other residents," rather than anyone in their right mind thinking that this was worthwhile *as entertainment.* ****SPOILERS START BELOW*****Was it worthwhile as, perhaps, a documentary? Sure--in about 1/6th of the time. Watching it for SIX HOURS simply to watch a real-life character disintegrate? And that's the "hero" of the show? Uh...???? The mayor--the guy who gets nominated for the JFK Profile In Courage award, self-destructs and eventually suicides. There's really no correlation, unless you want to assume that the only reason this guy didn't have a meteoric rise is because the evil councilmen hosed him on the housing issue.Which, mind you, he didn't actually CHAMPION. He just elected (yes, intentional pun) NOT to fight it because a) the City of Yonkers would go bankrupt if he didn't, and b), I think from the subtext that he didn't want to be sued, personally, if he didn't support it. He was elected, in fact, not because he CHAMPIONED the housing--but because he campaigned AGAINST it. So...sorry, where's the heroism here? If anything, the council people that fought it, even if utterly in the wrong, were more heroic because they stuck to their guns. They didn't switch horses in midstream, just because it was politically expedient. The entire award nomination was utter Political Correctness.Which--if you're watching with an educated and critical eye--is sort of the theme of the entire show. Political correctness run amok. Yes, a perfectly normal middle-class neighborhood is torn apart, in order to forcibly slam low-income housing right in the middle of it, in townhome groupings in something like 28 locations. The neighbors--even without being remotely bigoted (not to say that they weren't, but as a property owner) are vehemently opposed, as it will affect their property values.Throughout, the predominantly or all-white residents are effectively all portrayed as EVIL, except for the ONE resident who "sees the light" and decides to welcome the newcomers. Not one of the existing residents is shown as a perfectly normal person who would, quite naturally, have misgivings about what low-income housing, across the street from them, will do to their own property values. Nope--they were all stereotypical ranting bigots. {sigh} ALL the residents are low-income women of color with no man in the house, and with multiple children. (Stereotypes much?). Again, sure, it's story-telling, and by definition, has to be condensed and compressed, but--no pun intended-there are no shades of grey here. All the low-income residents are good; all the opponents are BAD. Only the mayor who changes his stance--not by choice, mind you--is "good." The performances are great. No doubt. But none--NONE--of the characters are particularly likable. The mayor is not. The council people basically all suck. The poor families have the only really likable characters. Again...stereotyping.It's just...it's a 60 minute tale, at MOST, bloated and inflated out to six hours. There aren't any heroes here, ironically. Rather than an enjoyable story that carries a moral lesson, it's a moral lesson and political and sociological stance forcibly rammed down your viewing throat, disguised as a story. And that disguise isn't very good.If you waste your time, don't say you weren't warned.

I saw the first two episodes, and I really liked this show. Its similar to the wire but to me this is more entertaining. Its very realistic but not in a boring way, the tension of the housing project is building up more and more. The good people of Yonkers are not so good when this project is unstoppable. Racism, hate and death threats are all part of what the mayor have to deal with. Its intense without overdoing it. People are not monsters but they trigger each other into a hateful mob. Its an impossible situation for the newly elect mayor, if he doesn't implement the housing project Yonkers is breaking the law and that will have severe consequences. But if he will continue he will have to deal with the pure hate the people of Yonkers feel for this project. An interesting slice of history, very well executed with great actors and a director that knows what he is doing.