I vehemently abhor reality TV, but was lured into "On the Lot" with the promise of seeing filmmakers at work. What I was treated to, however, was a slow-motion trainwreck that seemed to get worse with each passing episode... so of course, I found myself captivated by it! In the first episode, there was clearly potential in the show as filmmakers paired up and were forced to work together on a short film. However, I don't think the short they were working on was ever aired...The following week, "On the Lot" became a horrendous knock-off of "American Idol," and seemed to be retooled on an episode-to-episode basis. The new format was that filmmakers would make a short film each week (it was later leaked that the shorts were made before the show debuted), and get voted off by viewers. Although it seemed like the focus was supposed to be on the films they made, the show followed the standard reality TV format of making the contestants out to be heroes (visionary Adam Stein, family man Will Bigham, underdog Jason Epperson) and villains (tempermental Marty Martin) -- anyone who didn't get lumped into such a category stood no chance. Initial host Chelsea Handler was instantly replaced with charmless, clueless eye candy Adriana Costa, who emceed the show with all of the wit and charisma of an uncooked potato. Judge Carrie Fisher was there simply to be crazy, judge Gary Marshall came off like a sexist buffoon, and each week a different Hollywood director would sit in as guest judge -- most were obviously VERY embarrassed to be there. When ratings plummeted, the show was knocked down from two episodes a week to one, meaning viewers had to wait a full week to see who was voted off (though it was clear almost from the start who the three finalists would be). What's sad is there was obviously talent involved, and the shorts themselves were generally entertaining (I'd love to see all the shorts collected and released on DVD). The problem was that everything about the show EXCEPT the shorts was ill-conceived. And the biggest travesty is that most of the directors haven't done anything notable since the show left the air -- finalist Adam Stein, in particular, routinely turned out creative and entertaining films, yet he has no further IMDb credits.All in all, the show's most notable for being an unsightly pimple on the face of not only Hollywood, but also reality TV, which is a shame, 'cause it could've been so much more.

A cynical title but if this show wants to last, that is exactly what it needs to do. I watch a lot of FOX shows and the advertisements for "On-the-Lot" ran so ramped that i just had to check it out. It air right after American Idol (coincidence?) and . . . i saw no difference. Other then "singing" is replaced with "directing" it fits all other Cliché Reality Show stereotype. The Judges (who are predictable in their banter), The contestants trying to kill each other (oh the Drama!) and the host who is pretty but gets annoying after 5 minutes of hearing their voice. What sickens me the most about this show is that they could of dispensed with this Cliché bull plop and for once had a reality show that dared to actually be GOOD!!!! I am losing interest FAST in the show because of the RS crap between Movies. That's all this show should be showing is the short movies because the movies are the only thing people want to see. If you actually like a contestant enough to remember their name and face then you still won't remember them enough to actually care if they get eliminated. This show had a interesting concept but it's execution was horribly thought out. So in short: "CUT-THE-BULL OR CUT-THE SHOW!"

There is plenty good about this show and a little bad along the way that spoils the fun. Besides being formulaic in the reality show talent contest format ala Idol, there's a decent show with true content each week. While the demographic to which this appeals to is fairly small I believe it'll survive the dearth of summer original programming and do OK for Fox during the bland summer months.The directors are varied and each have a particular take, though their own efforts are hampered by frequently mediocre acting. Also at issue is the minimal information that is given about the constraints they work under, so it's hard to judge them objectively.Example "What is the theme?" "How long do their movies have to be" "What funds/equipment/time are they alloted"... it is hard for the audience to formulate an opinion when these facts are never discussed.The production values are OK but the judges are a mixed bag. No one, at home or on the show, respects Carrie Fisher's opinion, and if I have to hear the old dirty man tell another 'sweetheart' contestant how 'we need more female directors' and that while her movie sucked he 'likes her smile' I'll puke.Tune in each week for the surprisingly famous guest judge (who Fox can't ever seem to promote in advance and capitalize on) who is invariably promoting his next big flick and providing the only intelligible commentary and this show should be worth you money on Tuesday nights.

This show is actually not that bad. But I did actually expect something more original from Spielberg. On Yahoo!, in the statistics section, they said that this show only had a sixth of the viewers from American Idol and So You Think You Can Dance. Because of Hollywood's reputation, not many people are going to be interested in the reality show behind it because all they can do is pick up the nearest tabloid.However, for aspiring filmmakers or producers or editors, etc... this show actually will help a lot after you look past the drama. Things from terminology to techniques can be reaped from this show.My prediction is that On The Lot may not have the most viewers, but will have the most loyal.Anyways, about the show itself, it's not that different from American Idol or SYTYCD. The only things different I could find is that there is no English judge (though Brett Ratner is pretty much the American version of Simon), there are a lot more challenges in one show, and they skipped the audition process (for good reason, who wants to see hours upon hours of seriously crappy videos?) Watch this if you are a drama addict, or is interesting in seeing into the directing business. But don't see it if you're looking for a unique reality talent search show. (oxymoron...)