This is an unsuccessful effort with fine actors and beautiful views of the sea and sailing vessels. It is by far the most disappointing performance I have seen by William Hurt, an actor who has given us many fine performances. I suppose it is too much to hope that there will ever be a film that actually spends time on the essential things in the novel, since they are not that cinematic in nature. The most effective part of the film is the representation of Nantucket, replete with a scene from a church service. The ship's masthead on the pulpit is quite striking and authentic. Otherwise, this film struggles to take a new approach to an old subject, but the result is sometimes ludicrous. There are several instances of modern-day idioms which make one cringe, given the context of nineteenth-century speech (e.g. "I'm just messin' with you"). The crew members are shown gleefully singing sea shanties as if this is the real reason they have gone to sea, the camera zooms in on their faces so the audience will see how awestruck they are at the sight of a whale, and the computer-generated image of Moby Dick is just plain laugh-out-loud ridiculous. The crew shouting "Moby Dick, Moby Dick, . . ." sounds like something from a football pep rally. (You almost expect them to spell it out next "M-O-B-Y-D-I-C-K"). Ishmael's narration of the story is minimal, so much so that it seems almost out of place. The totally invented part about the child lost at sea and miraculously found is never explained or rationalized. How did he suddenly become separated and how could Ishmael possibly have known where to look? The film begins with a soon-to-be neurotic and obsessed Captain Ahab having dinner peacefully at home with his wife and child. The ship sets out from Nantucket for some reason. (In the book it is New Bedford. What on earth did this change hope to accomplish?) In short, this movie is part action film, part cartoon.

Fine television rendition about Herman Neville novel with enjoyable interpretations from all-star-cast . In this extremely loose adaptation of Melville's classic novel, Ahab is revealed initially not as a bitter and revengeful madman . This oceans saga features the sole survivor of a lost whaling ship who relates the tale of a white whale and the captain Ahab's obsession with desires for vendetta upon the greatest animal . It starts in New Bedford , Massachussets, where arrives a novice named Ishmael (Charlie Cox) who signs aboard the whaling ship Pequod and befriends a Polynesian native , harpooner Queequeg (Raoul Trujillo). He meets Elijah (Billy Boyd) , Stubb (Eddie Marsan) , Starbuck (Ethan Hawke) and captain Ahab (Gregory Peck) who has a self-destructive obsession to hunt the white whale , Moby Dick . Ahab consecrates his life to hunt it full of hating and vengeance . Soon enough Ishmael aware about the great white whale who claimed the captain's leg and Ahab's determination to seek avenge on the beast that crippled and scarred him , no matter what the cost to himself , his crew or ship .Yet another take on of Melville's classic battle of wills story . The picture is a fine television adaptation of the famous novel well scripted/adapted and ably realized . Moby Dick is an attractive tale of life on the high seas, and in particular on board a whale schooner named 'Pequod' . This impressive adaptation based on Herman Melville's 1851 classic novel is vividly brought to screen . The interactions between Ahab, Michigan & Stubb is reminiscent of captain Vere, Billy Budd & Master-at-arms John Claggart, the main characters of Billy Budd, another novel written by Moby-Dick's author, Herman Melville , and it results to be one of the most thrilling and moving see sagas ever written . Suspense and tension of the ocean is completely captured , including enduring images as the storm with the 'fire of Saint Telmo' . Climatic final battle is an overwhelming piece of cinema as you are likely to watch . Nigel Williams wrote a screenplay that was partially faith to the novel and filmmaker Mike Binder stamping this movie with epic images and thought-provoking dialogs . Enjoyable recounting , including quite a few moments that click make this top-of-the-range movie more than watchable . The FX experts created a great whale made by means of ordinary computer generator . Top-notch main and secondary cast realize extraordinary performances . William Hurt is nice as well as Ethan Hawke and Charlie Cox . Phenomenal support cast as Eddie Marsan as Stubb , Gillian Anderson as Elizabeth , Billy Boyd as Elijah , Raoul Trujillo as Queequeg and Stephen McHattie as Rachel Captain . Cameraman Richard Greatrex's appropriate color cinematography splendidly conveys the bleaker qualities of the chase . Exciting and thrilling musical score by Richard Mitchell. The motion picture was professionally directed by Mike Binder , though with no originality . He's a nice director working usually for television as ¨Moby Dick¨, ¨Sea wolf¨ ,¨Lorna Doone¨ and occasionally for cinema as ¨A good woman¨, ¨To kill a king¨ and o ¨Butterfly on a wheel¨ his best movie. Other renditions about this famous novel are the followings : 1930 rendition by Lloyd Bacon with John Barrymore, this is the first production of "Moby Dick" to have a leading female character , Joan Blondell . Moby Dick (1959) by John Huston , an over-the-top rendition of Herman Melville's high seas saga with a sensational Gregory Peck as unforgettable captain Ahab . It's remade in 1998 TV series by Franc Roddan with Patrick Stewart ,Henry Thomas , Bill Hunter and Gregory Peck who takes on the character of Jonah-and-the-whale sermonizing Father Mapple who in classic adaptation was vividly played by Orson Welles . Furthermore , recent lousy rendition full of computer generator FX starred by Barry Bostwick and Renee O'Connor .

Herman Melville's Moby Dick is a brilliant book in every way, but it has proved to be a very difficult one to adapt. As an adaptation fans of the book will find much to complain about with this version, but an adaptation stands a fairer chance at being judged on its own. In that regard this version has its moments but falls short. It is well-shot and edited, the authenticity of the costumes, scenery and the production design is to be admired, the music is rousing and haunting and there are three bright spots. Eddie Marsan is very likable and charming, Ethan Hawke brings a moving quality to a conflicted character and Raul Trujillo is a fun Queequeg. The cast is a talented one but apart from those three actors it falls flat. Gillian Anderson could have been a bright spot but she is so dour that she comes across as unusually dull while Charlie Cox has one expression only literally and that's smug but that Ishmael is very one-dimensional does him no favours. More problematic is William Hurt, who initially seemed a great choice for Ahab but tries way too hard so Ahab's vengeance and complexity is lost, he really overeggs the pudding here and shouts and strains his way through the role. How Moby Dick is rendered is one of the adaptation's major failings, the adaptation gets the colour and the way he swims exactly right but the CGI for the whale is often lousy and too over-proportioned. The script also fails, sometimes there is some of Melville's prose but a lot of it does sound too modern and it noticeably jars. The characters have very little depth, Starbuck excepted, Ahab is one of the most fascinating characters in all of literature but seems too humanised at the beginning and later becomes too much of a clown due to how Hurt portrays him. The back-stories were a good idea but don't say very much and a lot of them drag on for far too long, the first forty minutes in particular are quite pedestrian. The story is short on suspense and the first half drags quite badly and doesn't get much better, ending with a very contrived finale that is choreographed like a mix of playground antics and cheap video-game. In conclusion, has moments but lacking in a lot of areas. 4/10 Bethany Cox

I'm going to go out on a limb and say Moby Dick doesn't lend itself to film and TV adaptations. The tale is dramatic, it's action-packed, it's visual and it's exciting, but there's an awful lot in the original text that you have to leave out in order to film it coherently. Melville's book is encyclopedic. It tells you a lot about whales and whaling; the motivations of the whalers, the camaraderie on board, the mechanics of capturingand dissecting the largest animal in the ocean and extracting theuseful stuff that keeps America burning. This adaptation (and probably ANY adaptation) cuts to the chase, omitting these complex descriptions of whaling life in favour of characters and action, the meat and potatoes of Hollywood filmmaking. In doing so, it loses something of the quality of the story. It also loses the narrator: on TV, Ishmael, a witty and endearing narrator, becomes a one-dimensional protagonist, totally overshadowed by Ahab.This is Ahab's film. William Hurt dominates every scene he appears in, and he appears in most of them. I'm convinced he's pulling out all the stops, aiming for an Emmy. I'm not sure how else to explain the hammy overacting, the grizzly beard, the cheesy dialogue delivered in a carefully cultivated "old salt" accent (ie. "aargh!" "aye!"). Hurt thinks he's playing Hamlet, and he wants Ahab's descent into madness to be central to the story. Ahab is typically dark, cursed, scarred, traumatised, intimidating and vengeful. Hurt's Ahab is just plain crazy. He jokes around with his men, delivers many of his most serious lines while grinning through his beard and squinting his eyes. On board the Pequod, he's like everybody's affectionate but slightly volatile Grandpa, not averse to a hug or a bit of laugh over a stein of grog. He says too much, and much of it is hard to understand, delivered in a sing-song cadence with emphasis in unusual places. Oscillating between booming vocal projection of Shakespearean proportions and just plain talking to himself, and introspective mumbling in which he appears to be talking to himself, Hurt seems to be performing for his own benefit rather than for an audience. This is an attempt to indicate Ahab's madness in a way nobody else has done before, but it alienates the audience as well as his fellow actors, and it's just not good acting. He's a piratey caricature whose attempts at pathos are unpersuasive. I prefer Gregory Peck's intense, brooding Ahab. A good Ahab should indicate more than he actually says, a dark exterior concealing untold depths of turmoil and mystery - like the sea! Argh!Ethan Hawke is a solid Starbuck, and a very human foil to Hurt's gruff, squinty captain. He's emotional, penetrative, and seriously worried about the fate of the ship. More than anyone else he embodies the atmosphere of impending doom that plagues the voyage, and his sense of mortality is a visibly heavy burden. When Starbuck says that what he wants most from the journey is "to see Nantucket again", you believe him. He's a homesick sailor. At that point, everything's beginning to go awry and we'd all like to see the Pequod turn around and go home. Starbuck's finest hour comes at the very end - I won't give anything away, but it's profoundly moving. Hawke's performance salvaged something of an otherwise perfunctory adaptation.Moby himself is, of course, CGI. In short, like so many massive movie monsters, he doesn't look real. It's not bad CGI, but it's difficult to convey the sublime weightiness of such a vast, living creature with special effects. Moreover, Moby is no ordinary animal - he's an icon, with a personality and a sense of mischief. At it's heart, the story of a whale cheating a whaler is almost comic, with the feel of a fable. I wonder if an animation might capture the spirit of the character (Moby is a character!) more than live action film with CGI. For the most part, they do a pretty decent job of Moby, except for a totally unnecessary scene at the very end which is embarrassingly rudimentary and looks like a scene from a video game.In summary, as a production it could be worse, but it didn't add anything to my experience of the story. I couldn't help feeling some of the actors involved (Donald Sutherland, Gillian Anderson, William Hurt) were simply trying to add another period piece to their CV's. They fulfilled the brief, but their performances were not memorable. Honourable mentions go to Eddie Marsan, who was an excellent Stubbs, and Billy Boyd who makes an impressive cameo as deranged prophet Elijah. There were some saving graces, but I'm yet to see an adaptation of Moby Dick that captures the spirit of the book. As nautical tales go, Peter Weir's Master and Commander gives a more vivid impression of life at sea. This canonical story with the feel of a great myth is told and retold, so perhaps there is yet hope for a cinematic adaptation that does the book justice. No doubt someone will take another stab at Moby Dick in the not-too-distant future; pun absolutely intended.