'Sleeping Murder' is one of the best of the BBC Hickson Marple adaptations in my opinion. It looks wonderful and has a top notch cast headed by the excellent Hickson herself as the elderly sleuth. The music is also particularly good and atmospheric - the bit where Gwenda comes across the 'poppies and cornflowers' wallpaper is fantastic with great crashing organ chords.This is much more faithful in style to the novel than the newer McEwen version. Geraldine Alexander is very appealing as Gwenda (though Sophia Myles is also superb for McEwen), the various suitors for Helen are well done and there's a brilliant cameo performance from Jean Anderson as the bossy Mrs Fane. Frederick Treves hams it up a bit as James Kennedy (his Scottish accent is pretty dreadful) and James Moulder-Brown is a bit wooden as Giles.Highly recommended and one of the best.

'Sleeping Murder' keeps rolling around on afternoon BBC television, and I have been drawn into the story twice so far. I don't like Miss Marple, so perhaps that is why I find this a decent story - I can't compare it to the books, and the world's oldest detective only crops up every now and again to explain the plot to the newlywed couple. I love the idea of Gwenda subconsciously buying a house from her past, and the details she uncovers, such as the pattern of the wallpaper in the cupboard and the steps in the garden. The history in the house, and the subsequent family tree research, had me hooked. The 'whodunnit' wasn't exactly taxing - just look for the most dubious character, battling with a bad case of pantomime villain - but the unravelling of the clues kept me interested (just about - at times this felt like an epic, instead of an installment of a detective series). The setting, period detail, and characters were all evocative of a storybook version of an era gone by. Perfect Sunday afternoon fodder.

Spoilers herein.These Marple films are driving me crazy! The books are so clever, so experimental and adventurous. These film versions are so ignorant of how the books are put together it leaves me breathless. In this case, the idea is that the house (including the grounds) is itself a witness, a character. The competing realities in this mystery are all triggered by that space. There are films that use architecture as characters, and do it well. But not here. What a waste.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

This is a little different from the normal Miss Marple and suffers a little because of it, I feel. We see less than usual of Jane Marple as the story concentrates on the newlyweds, so that although enjoyable in itself, this is not the best Miss Marple mystery.