In this story Agatha Christie is stepping in Conan Doyle's footsteps with a mystery that revolves around some colonial strife, or rivalry and vengeance. But at the same time she keeps her naiveté and her nursery simplicity with a whole murder case based on a nursery rhyme, a common and popular nursery rhyme: the repetitiveness becomes the key to the series of murders. And yet there is something ugly in the fact that the criminal looks for the simplest mind in the lot to use that simple mind to his own ends. And this time it is both poignant and disquieting: he uses an orphan who has found some peace of mind and some stability as a maid in a wealthy home. "Sing a Song of Sixpence, A bag full of Rye, Four and twenty Blackbirds, Bak'd in a Pye." We can't avoid thinking of the ten little n*****s, killed one by one and one after the other. Then Miss Marple is just some kind of inner voice that tells us how true and vicious life can be: from vice to evil there is only one little step.Dr Jacques COULARDEAU, University Paris 1 Pantheon Sorbonne, University Paris 8 Saint Denis, University Paris 12 Créteil, CEGID

Although I wouldn't classify "A Pocketfull Of Rye" as one of Agatha Christie's best stories, it still keeps your interest; there is a variation on the "ABC Murders" theme (the killer hiding the one and only murder that is important to him / her among a series of seemingly related murders), and a pretty clever solution to the problem of "murder via long distance"! I must admit that my favorite part of this film is by far Selina Cadell as Mary Dove, the efficient housekeeper. Smart, sarcastic, observant - she is the thinking man's ideal wife. I particularly loved the scene where she confesses to some "minor discrepancies in the home accounting"! I just wish she had more to do in the second half. Second favorite is Fabia Drake as Miss Henderson, who has some of the best lines: "I have ALWAYS been very peculiar" and "The journey between Vice and Evil is but a step". And third favorite is Tom Wilkinson as Inspector Neele, a likable, level-headed fellow who is quicker to appreciate the value of Miss Marple's contributions than a certain Inspector Slack! (***)

Probably the least interesting of the BBC TV adaptions; and one of the few unavailable on DVD for some reason. The only really entertaining parts come from the formidable elderly actress Fabia Drake, who plays "Miss Henderson". She wanders around making stern condemning comments; the best comes when the ditzy young blonde wife makes a comment about going to the Clubhouse (located on a nearby golf-course as I recall). Miss Henderson gives a loud sniff, and mutters "Clubhouse! .... WHOREhouse!" which always leaves me in stitches. Otherwise its not that memorable; I can't recall if the book itself was very interesting to begin with. Its fun to see Tom Wilkinson in a younger role.

Do this: read the Marple mysteries. They are an amazing collection of experiments with the form. The whole idea in Christie's mind is one of competing forces, competing realities. The narrator, reader and detective conspire to make one of these competing realities dominate.Her whole game is based on the rules of the genre. She bends them, twists their influence. Each story takes one of these rules and goofs with it. But it all depends on the rules.Now watch these TeeVee Marple movies. Not a one of them respects the rules. In the books, you work the puzzle. But TeeVee viewers just want it to be worked out on the screen and don't care to have the clues properly presented.Its a scandal to anyone whose mind is still alive.The one interesting feature here is the boff gold digger. BBC's bread and butter is faces and spaces, and they spend particular attention to faces. The engineered face in this crowd is Adele, what is now called the Christina Ricci look.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.