If you love the typical Hollywood liberal agenda then this is a sci-fi series for you. Includes all the typical non-sense. America is bad, the president are corrupt despots who want to destroy the world.If you would like something new and refreshing and thinking outside the box, then pass on it.Stephen Hawking may be a brilliant scientist and that may be because he doesn't watch any TV. If he did he would know that this type of material has done before a thousand times and there is nothing about it that is masterful. This serious could of had great potential if the America bashing was left out of it. Shame on you Dr.

The best short stories in sci fi found a place in this show, though only for a short while, and a remarkable show it is. The stories are generally well picked: fascinating, though with more of an emphasis on the human condition than on a sense of wonder. Each episode has it's own tone: dark or bleak, satirical or serious, philosophical or mystical. The acting so far has been outstanding. The show has a lot of similarities with The Outer Limits which I also adore but really that show had strong episodes countered by weak ones. Here, it's six episodes (two never aired) that are all not only very entertaining but also very memorable.I must say Stephen Hawking's voice doing the intro's and outro's doesn't add much, because of two reasons: his voice is simply not very personal since it's purely mechanical and really he's just saying what we already get to see in the beginning of episodes or what we got to see at the end, making conclusions and asking questions that are already in our minds by watching the show. Because it's an intelligent show and despite each episode being stand alone, it offers far more depth than most other sci fi shows and that is not an easy feat.Two thumbs up and again, what a shame to see a genuinely good show go. Oh, the fate of most great sci fi shows...it would be insufferable if there weren't so many other shows worth watching.

It's so refreshing to get back to a show with some real, pure science fiction. This isn't your "aliens, robots, and spaceships" sci-fi of Star Wars (more properly called space opera), it's not filled with meaningless techno-babble that grabs randomly at today's scientific buzzwords like Star Trek, or your partly supernatural plots of The Outer Limits, but short stories from proved science fiction writers of the past several decades put to film, and so far it's well done.It doesn't concentrate on special effects, but more the human questions, both spiritual and political, that advances in science or future fortunes force us to answer. That is the type of thinking man's (and woman's) science fiction that made the genre a success in America in the 1950's and when most of the greatest writers, and even the movie plots of today, got their start. It says, "What would YOU do in this situation?" "People can create androids that think. Do you treat them like humans?" Or "Aliens demand we decide whether we trust other nations or risk certain nuclear annihilation. What would you do?" So far the acting has been really good, using first rate movie actors, with the first episode starring Judy Davis, the second Terry O'Quinn, and the third Anne Heche and Malcolm MacDowell.Unfortunately for the show I've seen a lot of negative comments about it from the self-appointed judges of all that is quality TV since it doesn't fit in the cookie cutter mold made for it by all the previous "science fiction" shows that showcase a lot of large breasted female cyborgs, space dogfights, laser gunfights, and alien forehead prosthetics. Seeking only escapist entertainment, they claim it has politics and real issues, so it must be worthless. I say, if it doesn't have those, what worth is it? But it is the only true science fiction show in recent years, and one that I intend to continue watching closely for as long as it is on.

Masters of Science Fiction, now showing on ABC, takes short stories from award-winning Sci-Fi authors and adapts them into hour-long television episodes. It advertises itself as a successor to The Twilight Zone.Twilight Zone and Outer Limits, in their day, had a similar format, but I'm not sure how devoted they were to using pre-existing material. It seems to me that many of the episodes for TZ or OL were written _for_ the show rather than _before_ the show. Herein lies what may be the problem for this series: Adaptation. Think of the problems people have when their favorite novels get turned into horrid screenplays, and make those problems TV-sized.I happen to actually know the author of the first episode's short story (John Kessel, one of my professors), and I have not had a chance to hear his take on it. But from someone who is familiar with his writing style (although I had not read this particular story), I can say honestly that I saw traces of Kessel's style here. I imagine that the story he wrote was quite good; after all, the _story_ of the first episode was quite good.But the lens of adaptation botched it for me. Acting was heavy-handed. Background music was over-dramatic and annoying. The teleplay made the "BIG SECRET" try and shock the audience, rather than letting the truths of the setting become a course of discovery.On a side note, as much as Stephen Hawking is a genius, he would be a much more comprehensible narrator if his narration were subtitled. He is an appropriate choice, but his mechatronic voice is terribly difficult to understand.If my fellow commenters happen to view this episode again, I would encourage them to not see it in a political lens. I don't want to give away any spoilers, but what is shown in "A Clean Escape" is not a Liberal/Conservative issue, but a Moral one. Don't assume that this is some ABC Liberal propaganda or nonsense of that kind.I reserve some hope for the rest of this series. The first episode disappointed me, but ABC can make excellent shows. They can also make terrible shows.6/10