I was born in 1957, so I have a vague memory of the Vietnam War and how it divided my country. I wasn't old enough to consider how it affected other countries around the world. I'm not sure but that I even knew that Australia sent military there. I always find I learn something from the shows and movies produced in Australia and Great Britain. I'm a huge fan of the 1960's, early 70's music and this show is packed with it. I'm even quite impressed with whoever is really singing. Nothing but the highest praise for the costuming, sets, props, etc. Very authentic. After watching 3 seasons, it appears that Australia was very much a part of the sexual revolution! Babies, babies, everywhere!I can't wait for Season 4!

Australia has produced some of my favourite TV over the years and Love Child is no exception. Set in the late 60's it centres around the (to us now) heinous forced adoption practices that went on back then.It is interesting to see a modern show tackling such a "dark ages" issue and it does it well.Although the underlying adoption practices are at the heart of the show, I found the characters to be the real draw for me. They are distinct and varied and no one is entirely black or white as far as morals and ethics go. Just when you think you have a character pegged into a hole, something is revealed to make you reevaluate the reasons behind their actions.The acting is very good and Jessica Marais (playing Sister Joan Miller, the main character of the story) has an absolutely wonderful ability to get across feelings and emotions with almost no facial movement at all. I'm not sure how she does it, but it is distinctive and very effective. She can, and does, show plenty of obvious emotion too, but it was these subtle expressions that really stand out. I can't think of any other actor that can do that.I would never have thought I would get into a show like this, but I am glad I did. It just sucks that now I have to wait a year for season 2! I'm hoping that, by then, the Nine Network will have dispensed with its "must be in Australia to view this program" nonsense which, let's be honest, is absolutely no bar to anyone with any online experience.SEASON 2 EDIT: Just as good as the first season. Even when I'm not sure I want to watch something too dramatic, within a few minutes of starting the episode I'm hooked. Yep, it is just awesome!SUMMARY: Tackles a difficult issue. Good acting and characters with depth. Not all doom and gloom but it will grip you and not let go. Definitely worth a watch.

I think Australian television has finally figured out what it does best. Whenever they try to create a modern show it comes off looking cheap and outdated but their past few attempts at reverting back to the 60's/70's has been really successful. They have done a great job with the costumes, sets and everything 60's related so that it feels real.Love Child is actually an exceptional TV show. The premise is gritty and delves into a subject matter that would still affect women in Australia today. It is incredibly hard to imagine that not long ago the world was like this. It enforces that people of power and wealth had the control while others were forced to fall in line.This show may be too raw for some viewers but I believe the general public will enjoy Love Child for what it is. It's a new story that hasn't been explored in detail yet and in a way many people are still affected by this issue, if only to a lesser extent. Whether you personally went through this, was the parent, or the child or you just knew someone who experienced this everyone has their own experience. So yes I do recommend you watch it as it really is very good. 8.5/10

This Aussie take on drama and misfortune surrounding single pregnant women in the late 1960s Australia presents compelling stories and characters. Stanton House represents a place single women lived and worked during their pregnancy, and promptly separated from their newborns. Callus male doctors, a starchy matron, a crusading newcomer, and an ensemble of pregnant female characters who are diverse in looks, life experience and attitudes populate this effort. They seem to be hurtling toward epiphanies and revelations.This must have been a hoot for set dressers, wardrobe, makeup and hair: every shot looks like a period snapshot. The music track is a little forced and the vintage automobiles are all pristine, much of the wardrobe looks more like party apparel than casual clothing, nevertheless I can't take my eyes off of it.