I honestly don't get how so many people can find this show so unappealing. It's a fantastic satire of modern celebrity and reality TV that sadly no one on the internet gets outside of a few niches. It's a parody of the downfall of society. It's something more people should get, but I guess Kroll coming from a show about fantasy football will give you an audience more predisposed to ESPN and firmly against Bravo therefore unlikely to get a lot of the humor. It's a satire and at this point in the second season it has blossomed into one of Comedy Central's best shows.

It's as if someone is giving this talent free kid a show, and he gets to play pretend. But, no one is laughing but him and his frat boy buddies. But these are the most insufferable rich fratboys that are also rich as hell and think it's so funny how stupid the poor are. The liz character is the only one of any value and when he takes on less obvious targets you can stand him. On the one stand up show I saw him in, he was creepy and full of woman hate. So, I can't urge him to just stick to that. I would urge him to return to Georgetown and learn ethics or something. This show sucks and the fact that it was renewed is a very sad statement about society. Sadder than most can guess if they don't know that Nick Kroll's father is the only reason this sod got a show in the first place.

Its a tired re-hash of other shows. Not too many funny bits, which is sad. He's a good stand-up, and CC should allow him to do what he wants instead of just giving us this trash. I mean come on, anyone who does a good job on stand-up wise should be able to come up with something equally as good for a series. I blame Cc for this mess. They are constantly constraining the comedians with stupid boxes. All they want is another Chappell show or the next Tosh. Just like their failed roasts, which could learn a bit from the old Dean Martin roasts. Seems they are sticking a good comic with bad writers. Really, really sad for this. Then they will cancel the show, and blame the star.

This show excels at highlighting the peculiar and hilarious aspects of real people and reality TV. Nick Kroll's attention to detail and direction are impeccable, illustrated by the cast's portrayal of idiosyncrasies that not all may be quick enough to notice, but are instant classics once absorbed. Some examples of this are Pony Tales, Ghost Bouncers, PubLIZity, and Wheels Ontario, all of which could be made into their own successful TV shows.Acute specificity being a mainstay of the show's humor, some of its best moments may verge on cryptic for those less culturally aware or perceptive, but there are still many components with mass appeal. Writing, acting, direction, production, editing—all fantastic. This show is a museum.