Having spent a career in broadcasting (mostly radio, some TV), I find nothing accurate (about the so-called morning show) nor realistic about the characters' lives . . . nor . . . the so-called morning show.I found this so bad that, after sampling two episodes, I failed to watch either one to the finish.Change the station . . . NOW!

Thanks to the magic of DVD. I get to see this charm of a show. My guess is that it was deemed too controversial from this time. As hectic as the 60s were , from a historical perspective... Sexual Revolution, Vietnam, Civil rights coming to forefront , Communism in our backyard, Drugs , Hippies etc. Really a time of uneasiness. The one thing everyday Americans can count on was good wholesome LEAVE IT TO BEAVERISH TV. This show , though a nice show , certainly by todays standards , reeked of sexual tension from the 60s standards. TV was a safe haven to forget about the world and hideaway so to speak in a turtles shell. This show , though subtly managed to cause unrest in the uptight. I would venture to say this show was a sacrifice with more risqué TV to come. The acting was good and this was a reminder of the Dick Van Dyke Show... with Laura Petrie turned up a notch in the character of Sandy-Goldie Hawn.Translation- This is the Dick Van Dyke Show with shorter skirts and steamier conversation. Reminding me today of CURB YOUR ENTHUSIASM being similar to SEINFELD , with the same writing style of Larry David. Carl Reiner wrote differently than Larry David Obviously. But both managed to be consistent with the style they did use. Its a shame though that this show only lasted one season . I will cherish every episode.

The veteran producers of Dick Van Dyke had a hand in doing this show. They did a great job. The entire cast of the show was really solid. If you want a prime example of how hot Goldie Hawn was as a young woman, this series really shows her off. This was before Laugh-In.Billy De Wolf was an excellent Station Manager for this show. His mannerisms on this show were borrowed by Pat Paulsen when he was doing sketches on the Smothers Brothers Comedy hour. De Wolfs character is a classic.Jodie Baker & Ronnie Schell really complemented each other well on the show as the morning DJ's who were always getting into trouble. I wish the ratings had kept this show on longer. It was the best sitcom on CBS during its short run.CBS remembered it well as they took the format for this series, tweaked it, & brought it back as WKRP In Cincinnati. When you watch this, it is very obvious where the latter show had its roots. WKRP was a great show in its own right, & lasted longer, but without this show, there would have been no WKRP. If you see this show anyplace, pick it up. Good Morning World is a 1960's classic. The introduction of each episode has a 1960's flair with the fast shower, shave, & freeway trip to work.

GOOD MORNING, WORLD was an amusing bit of fluff with Joby Baker and Ronny Schell that was set on a radio show that was produced by Billy DeWolfe. Baker and Schell played Lewis and Clarke, the D.J.s on the show, who found their attempts to enliven their show curtailed by DeWolfe (whose name was Roland Hutton). Baker was married to Linda Lewis, and Schell dating Golde Hawn. DeWolfe was married, but you never saw his wife. The show was on Tuesday nights from 9:30 to 10:00 P.M.I don't recall all the episodes (it ran for only one year). There were two that I recall, one involving DeWolfe's background and the other dealing with Baker and Schell's fondness for Laurel and Hardy. In the latter, they both see (in a novelty antique store) a salt and pepper set that are in the shape of Stan and Ollie, and both want it. The perfect solution doesn't occur to them (keep the set at the radio studio boys) because each feels he is the world's biggest fan of the team. So, at one point, they try to best each other in a rapid fire trivia contest on the films of Laurel and Hardy. I remember one of the questions dealt with the first short they starred in together ("Putting Pants on Philip"). The one with DeWolfe's past is interesting because it enables us to see him from his nightclub/vaudeville days. Billy DeWolfe is remembered for his snide, fussbudgets. He is like a younger brother of Clifton Webb (it would have been amusing if they had been together in a film as brothers). But his best known characterization before he hit the movies was "Mrs. Murgatroyd", a tight-ass-ed lady who reveals her pent-up feelings when she gets drunk with a friend at a local bar. This actually was shown in one of DeWolfe's early films, and is quite a funny piece of business. But we rarely saw much more of his early acts. In the episode on GOOD MORNING, WORLD, DeWolfe and the show are running a charity program - they get phoned in requests that the D.J.'s will do for money for a charity. One of the requests that is phoned in requests that the show put on some unknown man. It turns out it is DeWolfe. His wife has called in because she wants him to do the routines that he played when he was courting her (the name is his long forgotten stage name). And DeWolfe, for the last five minutes cuts up in very unusual comic bits that one normally never thought of him doing. It was a very unusual episode actually, and quite rewarding.It never picked up the audience it deserved. Too bad, for it was above average as far as a sit-com of that period.