Following his all too brief reign as Bond, Timothy Dalton is here utterly compelling throughout as the charismatic, beguiling, sociopath Eddie Myers, a big-time criminal presumed dead, but discovered hiding in plain site near a British tourist haven in Spain. Back in England he agrees to become a 'supergrass' and the keen young detective who first spotted him is surprisingly appointed to the vital role of working closely with him, extracting his extensive knowledge of the underworld.Likely to have been suggested by the previous year's hugely influential SILENCE OF THE LAMBS, this is developed in a somewhat predictable fashion. Attempts to portray the police at work as realistically as possible, with lots of use of the hand-held camera, do little to tone-down the improbabilities in the plotting, which leaves several loose ends. Timothy West's fast-talking, beer-swilling, DCI and the police banter, particularly regarding Myers' health food obsession, provide some fun, but there's too much soap opera. Altogether, not in the same league as excellent La Plante series' PRIME SUSPECT and WIDOWS, but certainly a must for fans of its star.

I note with interest that this was Americanised into a new TV version with Rob Lowe and Sam Neill, of all people, but I imagine it was a much watered down version of Lynda La Plante's original story.In 1992, a version clocking in at over three hours came to British screens (and a limited video release thereafter). The story centres around a con in police protection and the relationship and hold he has over the constable on his case. Casting Timothy Dalton as the con, Eddie Myers, was a masterstroke. He's an unhinged, devious, predatory man with dubious sexual leanings. He plays the role wonderfully, giving the character that raw edge while also making him likeable. David Morrissey, in one of his early roles, plays Sgt. Larry Jackson, who can almost be described as 'the prey'. His nervous energy in dealing both with the intensity of close proximity to Myers and his crumbling marriage to Sue (Annabelle Apsion) is well-portrayed.Penelope Cruz appeared too, as the mysterious Lola, while Timothy West (as the typical scruffy detective, Mac) and Trevor Cooper (as bumbling and impressionable DI Shrapnel) were memorable. The screenplay was based on a real character, albeit with significant artistic licence. It was clever, engrossing, and - for me - La Plante's best work for television.

I've only seen this in the 'edited' DVD form. If this is indeed cut to bits like I've read, the original must have been fantastic. I thought that the performances of David Morrissey and Timothy Dalton were riveting.

It's a shame that A&E's pitifully-edited version of Framed is the only one most American audiences have seen; for it showcases one of Timothy Dalton's most striking performances. As Eddie Myers, Dalton is charming, frightening, slimy, and charismatic. Down to the last scene, you're never sure what he will do. Hopefully, the full PAL version translated to NTSC will eventually be available in the US. In the meantime, watch the A&E version (they replay it occasionally). It's better than nothing.