I missed this at the time it was made, and have just watched it for the very first time. It belongs to the ITC-type shows that the family would watch on a Sunday evening, although I don't think this one was given a prime TV slot in the UK. It is not so well known as The Saint, Danger Man, The Prisoner, Randall and Hopkirk (Deceased), The Baron. The difference with Department S is that - Randall and Hopkirk apart - the other shows tend to be about the adventures of loners. Department S and The Champions started to introduce teams.And what a team. We have a man of action in Stuart. American, in order to sell it across the Pond. We have Annabelle, the good-looking female, with legs that go all the way up to her computer-operating brain. Then, the masterstroke. We have all kinds of mysteries to solve, so the team is complimented by someone who can produce ideas that are totally off the wall. Jason King. He is decadent, drives a Bentley with Swiss number plates, never misses the opportunity of picking up a pretty girl. Then there are the received pronunciation, the lived-in face, the expensive cigarettes, the flamboyant attire, the glass of spirits or champagne in his hand. In fights he is master of attack, delivering desperate hay makers; but he can't defend himself, and usually ends up senseless on the floor. He writes thrillers. Sometimes cases are solved because he can remember something that he wrote in one of his novels. Sometimes a solved case is published as his latest thriller. As an artist, he comes up with ideas that the other two would never even think of. The fourth member of the team - its head - is more mysterious. He is played by a Gambian actor. He has been knighted, so he is a diplomat from an African country that is a member of the British Commonwealth. He works for Interpol and the United Nations. It is clear that Department S is only a small part of his career, so his on screen time is very short. But he is important enough to enter the VIP lounges of the world's airports, and has enough status to pull strings to get things done, and to protect Department S if need be. Although he does little in the day-to-day running of Department S, he does have an understanding of Department S's purpose. For example, when everybody was saying that a prominent civil servant was blown up in a plane, he is the lone voice who says that the civil servant is still alive, using a gap on the wall where a picture had been as evidence. I found him the most interesting character of the four.In an attempt to combat those viewers who can guess the denouement early on, the ITC scriptwriters came up with the most incredible mysteries, which had credible solutions. I have to admit that I didn't guess a single one, so all hail to the scriptwriters. They even foresaw the internet! Although Department S is not so well known as many of the other ITC classics, it is well scripted, well acted, well directed, and can hold its own with the best ITC thrillers. It led to a spin-off featuring just Jason King. Although everybody loved Peter Wyngarde's portrayal, the Jason King series was not so successful, which underlines my observation that Department S is about a team and their casework, however flamboyant one of their members might be.Watch it and enjoy it.

I had never seen Department S until fairly recently when Top Gear did its spoof Sixties show "The Interceptors", which used the Department S theme music. Because I have a liking for the spy-fi shows of that era, I tracked down the DVDs of the series out of curiosity.And I'm glad I did, because while it's no classic and falls some way short of the likes of The Avengers and The Prisoner, it's still lively and entertaining thanks to the interplay of its three leads. Joel Fabiani's Stewart Sullivan is largely the straight man and muscle, but still maintains a deadpan humour - with a righteous anger whenever politics interferes with justice. Rosemary Nichols' Annabelle Hurst has a flirty relationship with Stewart, and while something of a computer nerd is still more than capable of taking care of herself in the field.Then... there's Jason King. Jason is the character known even by people who've never seen the show, simply because he's so outrageous. A chain-smoking dandy and fop who drives a Bentley even when trying to be inconspicuous and more often has a glass in his hand than not (he starts drinking when most people would be having their morning coffee and must surely be pleasantly buzzed, if not outright drunk, for 90% of his screen time), he's also arrogant, egotistical, rude, self-centred, lazy, hedonistic, snobbish, bitchy (poor Annabelle takes most of his cutting put-downs), a smarmy lech and is constantly outclassed in fights to the point where Annabelle chastises him for getting "knocked out AGAIN!" in quite an early episode. Yet despite all that, he's still utterly charming and magnetic because of Peter Wyngarde's effortlessly suave and confident performance. Played by anyone else Jason would seem like a buffoon - he was, after all, one of the inspirations for Austin Powers - but Wyngarde gives him class even at his most ridiculously pompous.The actual stories are mixed; some of the mysteries Department S are called upon to investigate are genuinely clever, while others (mostly those written by Philip Broadley) are bog-standard ITC crime plots involving bank robbers, smuggling rings or the Mafia with a 'bizarre' opening slapped on them to fit the format of "crimes too weird for the normal police to solve". Watching on DVD, ITC's penny-pinching also becomes evident - the same locations and sets appear again and again with only slight changes (watch for the corridor with a distinctive illuminated ceiling, which appears in almost every episode), and if you ever see anyone driving a white Jaguar, you know it's going to go over a cliff! ("Toonces, look ouuuuuut!") But overall it's a fun, lightly tongue-in-cheek adventure show that gets by on pure charisma.

The reason why there are so many men called 'Jason' and to a lesser extent 'Stewart' are about, of a certain age. This popular series was highly influential in its time. So how does it stand up in 2006? The good points are,the leads are just great! the outfits, style and look of the series are still superb and when Dennis Spooner and his writing team's wonderful imagination is allowed to strain at the leash of the budget , then we get some wacky villains and ahead of its time plots and gadgets. Here we come to the main problem of the series, the stingy, always looking for ways to cut corners budget. You can see that Spooner wanted to take the series towards fantasy, while the producer was happy with B picture style crime. The result is when the producer uses his own ensemble pals of directors. some of the dullest and tatty (plot wise) episodes are produced. While in the hands of brought in directors we see Dept S at its best.Rosemary Nichols apparently got the humph making this series and its not hard to see why , as an intelligent actress she is terribly underused, however we get to see her legs quite a bit, which is perhaps a delightful compensation?.

Department S was one of the first TV programmes I can remember watching and loved it for it's strange plots and interesting characters. I waited for years to see it again and I am delighted to say it has just started a re-run on a UK satellite channel and it's just as good as I remember it. The character of Jason King is fantastic and the two straight-playing members of the trio are also very good. The whole thing looks fantastic, there are some wonderfully corny lines, excellent clothes, theme music that ranks among the very best and it all comes together to present us with something camper than a hut full of cub scouts (and if you ever wondered where many of the ideas for the X Files came from - look no further than Department S). Simply brilliant.