I think that in all the imagination of the ITC writers, Department S was ahead of it's time. First of all, although it was set in the cold war world years,the series really thought of a global society,the crimes were no longer the responsibility of local police but of a higher authority that had to be involved ( thus the chief Sir Seretse, which shows his position seems to be a sort of a U.N appointment). Then the crimes were not only state secrets but industrial and financial. I can't think of too many shows that would involve themselves with the work of Interpol ever since. In addition the mysteries are so bizarre that all the computer and imaginative efforts have to be thrown into the case to solve it. The Lone Ranger theory would be no longer feasible, it would seem we live in a society that has to pull resources together in order to figure out what is going on.

I had never seen Department S until fairly recently when Top Gear did its spoof Sixties show "The Interceptors", which used the Department S theme music. Because I have a liking for the spy-fi shows of that era, I tracked down the DVDs of the series out of curiosity.And I'm glad I did, because while it's no classic and falls some way short of the likes of The Avengers and The Prisoner, it's still lively and entertaining thanks to the interplay of its three leads. Joel Fabiani's Stewart Sullivan is largely the straight man and muscle, but still maintains a deadpan humour - with a righteous anger whenever politics interferes with justice. Rosemary Nichols' Annabelle Hurst has a flirty relationship with Stewart, and while something of a computer nerd is still more than capable of taking care of herself in the field.Then... there's Jason King. Jason is the character known even by people who've never seen the show, simply because he's so outrageous. A chain-smoking dandy and fop who drives a Bentley even when trying to be inconspicuous and more often has a glass in his hand than not (he starts drinking when most people would be having their morning coffee and must surely be pleasantly buzzed, if not outright drunk, for 90% of his screen time), he's also arrogant, egotistical, rude, self-centred, lazy, hedonistic, snobbish, bitchy (poor Annabelle takes most of his cutting put-downs), a smarmy lech and is constantly outclassed in fights to the point where Annabelle chastises him for getting "knocked out AGAIN!" in quite an early episode. Yet despite all that, he's still utterly charming and magnetic because of Peter Wyngarde's effortlessly suave and confident performance. Played by anyone else Jason would seem like a buffoon - he was, after all, one of the inspirations for Austin Powers - but Wyngarde gives him class even at his most ridiculously pompous.The actual stories are mixed; some of the mysteries Department S are called upon to investigate are genuinely clever, while others (mostly those written by Philip Broadley) are bog-standard ITC crime plots involving bank robbers, smuggling rings or the Mafia with a 'bizarre' opening slapped on them to fit the format of "crimes too weird for the normal police to solve". Watching on DVD, ITC's penny-pinching also becomes evident - the same locations and sets appear again and again with only slight changes (watch for the corridor with a distinctive illuminated ceiling, which appears in almost every episode), and if you ever see anyone driving a white Jaguar, you know it's going to go over a cliff! ("Toonces, look ouuuuuut!") But overall it's a fun, lightly tongue-in-cheek adventure show that gets by on pure charisma.

Spawned by the same Monty Berman / Dennis Spooner partnership which produced The Champions and Randall & Hopkirk (Deceased) - the latter retitled My Partner the Ghost for the US market - Department S remains a classic example of the action-adventure series which the UK produced in bulk during the late 1960s. Like those two shows, its internal dynamic of two guys and a girl might seem to indicate a progressive attitude towards equality (Dept S also has a black superior), but it's mostly facade: the launch episode, "Six Days", is barely halfway through before Rosemary Nichols is called upon to parade around in bra, panties and one (yes, one) stocking in order to extricate herself from a dodgy situation. Still, it's an interesting time capsule, even if the appalling fashion sense of Peter Wyngarde's character (which, amazingly, degenerated even further in the spin-off series Jason King) should definitely have remained buried.

Department S was one of the first TV programmes I can remember watching and loved it for it's strange plots and interesting characters. I waited for years to see it again and I am delighted to say it has just started a re-run on a UK satellite channel and it's just as good as I remember it. The character of Jason King is fantastic and the two straight-playing members of the trio are also very good. The whole thing looks fantastic, there are some wonderfully corny lines, excellent clothes, theme music that ranks among the very best and it all comes together to present us with something camper than a hut full of cub scouts (and if you ever wondered where many of the ideas for the X Files came from - look no further than Department S). Simply brilliant.