Most fictional detectives work out of dingy offices and where clothes that look like they've slept in them. Jim Rockford in the Rockford Files operates out of a trailer. But the three who operate the Checkmate Agency live pretty good out of a posh apartment that serves as their office as well. Doing the grunt work are Anthony George and Doug McClure, but they do it elegantly and only resort to violence when necessary. George and McClure have a high priced consultant in Oxford professor Sebastian Cabot who is now transferred to San Francisco. He lectures on criminology at Berkeley. But the man has a Sherlock Holmes like mind and misses nothing. The other guys are on their toes as well.Checkmate lasted three seasons and for three seasons gave us some really literate scripts, well plotted stories and unfortunately a black and white view of San Francisco. Pity CBS wasn't doing color at the time.I just acquired the complete episodes of the show. It's going to be nice to relive the days of Corey, Sills, and Hyatt.

During the early 1960's, the series "77 Sunset Strip" (one of my favorites...) spawned a rash of hip detective knockoffs, many of them from the same studio, Warner Brothers, several more from other studios. Surprisingly, Revue Studios, known mainly for its cookie-cutter formulaic dramas, came up with one that stood head and shoulders from the rest of the imitators, and was an original in its own right. "Checkmate" is the name of a detective agency in San Francisco with an unusual twist: not just content to protect their clients, their aim is to prevent the crimes before they start. The approach is like a game of chess, hence the name, "Checkmate".First and foremost, "Checkmate" strayed from the pretty-boy lighthearted mysteries, and settled for taut, intelligent, serious cases with a noir fashion. The fact that famed mystery writer Eric Ambler created the show speaks for itself. Plus, while "77 Sunset Strip" relied on Warners' stock company of character actors and rising young stars, "Checkmate" had the ability and the budget to include major big guest stars like Joan Fontaine, Peter Lorre, Mickey Rooney, David Janssen, Harry Guardino, Julie London, etc., giving it a sheen of class denied the other imitators.The regular cast contained no slouches. The recently deceased Anthony George played Checkmate's deep-voiced head honcho Don Corey with more intensity than even the Strip's Efrem Zimbalist, Jr. Doug McClure played Jed Sills with a self-depreciating flair, playing off his obvious good looks; when "Checkmate" was canceled, McClure would pull it off again in the role of Trampas on "The Virginian". The real highlight here is the late, great Sebastian Cabot, playing the esteemed scientific consultant, Dr. Carl Hyatt, with a blend of haughtiness, exasperation, and intelligence; a blend that was put to good use (or waste, depending on how you see it) when he later took on his signature role as Mr. French on "Family Affair".And I also might add, the theme song wasn't a bouncy rock and roller like 77SS and the rest, but a tense, moody jazz instrumental by the legendary John "Johnny" Williams.If you can find "Checkmate" on DVD, which, sadly, is the only way you'll get to see this wonderful lost gem, I strongly recommend you pick it up. Compare it (and for that matter, "77 Sunset Strip") to the current wave of police procedurals on TV today. See which is better."Checkmate" is a JaMco Production, financed by Jack Benny (yes, THE Jack Benny, who also did a guest spot here), and filmed by Revue Studios in Hollywood and San Francisco. 70 episodes were aired on CBS between 1960 and 1962.

I loved this series, and I do not like television series in general. The cast was perfect: Corey as tough, worldly-wise chief of "Checkmate" and mentor to partner Doug McClure, who here was able to get away from the grinning, pretty-boy roles that would dog his career, playing the younger detective with (for him) a subdued grittiness. And then there was Sebastian Cabot--vested suits, walking stick, sparkling eyes, he stole every scene he was in. The writing was excellent, and yes, the opening was way ahead of its time. An all-around classy show with terrific guest stars...naturally it is not available on VHS or DVD. Another reason that even at that age I was in agreement with Newton Minnow's description of television programming as a "vast wasteland." And the waste is the stuff that makes it to TVland and DVD. Which would be fine if shows like "Checkmate" were not lost forever.

I remember Checkmate. It had great style, action, plots & characters. I never knew it was created by Eric Ambler, the author of A Coffin For Dimitrios.I had just moved to San Francisco in 1960 & it was a very exciting place to be - the fog, the cable cars, the bridges, Alcatraz & Chinatown. They all appeared in episodes of Checkmate. I recall the series was saturated with a sense of the city.It would be great to see some of those old episodes again. They might seem corny now, but I'd like to see that great gray city by the bay again the way it was way back then.