As a child, I remember sitting with the folks and watching the original"Burke's Law" series in the 1960's. I recall being intrigued with the character's signature, "It's Burke's Law" witticisms each episode. Fast forward thirty years, and Gene Barry was every bit as dashing as before, and the witticisms were still pure entertainment.Watching Amos Burke, now a widower with a grown super handsome son, Peter Burke, allowed the testosterone to flow nicely. I certainly enjoyed watching the show in color, and the story lines, while not always fresh, were certainly engaging. Guest appearances by some top notch actors and actresses kept the episodes fresh. Dom DeLuise in his recurring guest role was the cherry on top. I truly believe the revival series could've last a couple of more seasons easily. It was a mid-season replacement, premiering on Friday,January 7, 1994, in the 9 p.m., also known as the "Friday Night Death Slot," so the series had two strikes against it going in.

The original BURKE'S LAW from the 1960s was, in it's day, as much a popular detective series with "style" as THE AVENGERS were. That does not mean it was as well written as the best AVENGERS episodes were. The best BURKE'S LAW episodes concentrated on the mystery plotting rather than the social satire of Steed and Ms Peel. But the central idea, about a millionaire Police Chief in L.A. was picked up and reused within a decade in MACMILLAN AND WIFE with Rock Hudson and Susan Saint James. The use of dozens of Hollywood movie figures as suspects in the plots of the BURKE'S LAW episodes would become a model for such later shows as COLUMBO and MURDER SHE WROTE.To keep up with changes in the audience (in the wake of the James Bond phenomenon), the network changed the original to a spy series starring Gene Barry again as Amos Burke, but that turned out to be a flop. So it left the screen. Barry would soon return to television with Robert Stack and Tony Franciosa in THE NAME OF THE GAME, so his career continued to flourish.Than, in 1994, BURKE'S LAW returned for a new season. The only difference was that Amos was now a widower with a grown son named Peter, played by Peter Barton. The basic character of the Chief of Police was kept by Barry, who mingled brains, elegance, and a sly wit (culminating in his "interpretations" or "popularizations" of rules of law) when explaining some situation confronting his solving a case with his son's assistance.Again there were many familiar faces, but now many were from the first two generations of television (understandably, as the old Hollywood faces who appeared in the 1960s were dead or dying our). In one episode, a Judge who realizes the short-comings of the criminal justice system (with a degree of humor) was played by Sherman Helmsley of THE JEFFERSONS. But what showed the limitations of the revival was only apparent to people who watched the original. They were reusing old screenplays and story lines.For example: One episode dealt with a famous magician who was performing a Houdini like escape by being sealed in a coffin, and sunk into a pool for twenty four hours. The coffin is brought to the surface, but the hotel doctor notices something odd when the coffin is opened. He goes over to the magician and examines him - and announces the magician has died, but from being shot. As the pool had underwater cameras trained on it, nobody can figure out how the magician got murdered.Now this happened to be a very fine episode on the original series. The hotel doctor in that episode was Paul Lynde, who naturally played the part for every drop of humor that could be squeezed (he keeps moping about the fact that he has just started working at this luxury hotel, and his bosses will not like that his first claim to public attention was this garish murder case). The actor playing the magician was not a well known one.But when it was remade in 1994, the magician was played by John Astin, and instead of only appearing at the very start of the episode only, Astin made a surprise second appearance in the later part of the episode as a kind of visual trick. The hotel doctor was played by Tom Bosley, but with more seriousness than Lynde showed in the original. Other actors (including Roddy MacDowell) popped up in the episode as rival magicians who may have killed Astin. The solution, however, remained the same as in the original version.Another episode was a repeat of the story that was in the original series where Anne Francis popped up as female detective Honey West. Francis's West would go on to have her own series on television for a year or two as a result of the appearance in the first series.Of course the scripts had to be rewritten to give Peter Burke as much to do as his father Amos. But the fact that the episodes became retreads of originals showed that the series had not been well thought out after all. For old time fans it must have seemed a let-down to see the old tales repeated (especially as you could guess the solutions). For new audiences, there was the problem of attracting new fans with characters they could get involved in. Barry and Barton tried, but the father and son team did not work very well. It was entertaining enough, but not as memorable as the original had been.

I liked the show and wished it could of lasted longer than it did, although I suppose it is a miracle that such a high styled campy escapist detective show like this would even have been revived in the mid-Nineties and went for 27 episodes! In the Fifties to the Seventies this sort of entertainment designed for the small screen went over reasonably well, but now I suspect that there are more humorless TV viewers than ever who possess little patience and even less appreciation of anything with a sense of old school style and flair that BURKE'S LAW had in abundance. Such folks enjoy formulamatic fare like the nightly news, Fox News and CSI and a million copycat shows, they don't and won't try to get something like BURKE'S LAW, which is too bad...Such easy to understand and digest TV shows around at the same time like MURDER SHE WROTE and MATLOCK were designed to appeal to similar tastes, but with BURKE'S LAW you had to have a more fine tuned appreciation of wit, well timed sarcasm and style plus a tongue in cheek sense of humor to fully appreciate the gifts and sheer force of personality and presence that Gene Barry brought to the screen in his role and to enjoy the campy proceedings at hand. Despite being at the helm of other successful series and in many films, Gene Barry IS Amos Burke, he owns that role!If you are reading this, then chances are you already know about the original BURKE'S LAW and what it is about, and as others have already written about how the storyline was updated for the 1990's. On this 1990's version, Burke was still as sharp as ever, big name guest stars abounded just like in the Sixties, and for a little while CBS looked like it had showcased a nice revival of a classy Sixties favorite to its lineup. Too bad they didn't order another season

I love detective stories. I saw them all: Murder She Wrote, Diagnosis Murder, even the short-lived Blacke's magic. The revived Burke's Law would have been a welcome addition, if not for the derivative style. It's the same plot device over and over again, a murder, one suspect leading Burke and Son to another suspect, then finally calling all suspects in one room and Burke eliminating the non-murderers before naming the real one. Even Agatha Christie knew how to manipulate the storyline so it wouldn't be the same story as the last one. Sadly, the new Burke's Law was just trying to be the next Murder She Wrote without the variety. It feels like it's trapped in the 1930's, like those cozy murders in an English cottage.The only positive thing: it's in color!