"La Bourse Et La Vie " was Mocky's first color movie and he had strong assets : a big budget (French-German production) ,writer Marcel Aymé on hand to write the dialogs ,Fernandel and French stars in the making such as Jean Poiret and Claude Piéplu.Plus a nice score.There's a sung version - heard during the cast and credits at the end- of the main theme by pop star Richard Anthony .For all that,the movie was a monumental flop ,and Fernandel -Bourvil had recommended Mocky to him- would not hear of this director anymore.Mocky is at his best when he mixes thriller and comedy ("solo" "L'Albatros" "Le Temoin" ,etc).His art is less palatable when he tries to do exclusively comic stuff.Fernandel's fan can have a look ,this is one of his most obscure movies.
... View MoreI have seen this movie as a child. Maybe I am misguided by my memories, but I was quite impressed then of the adventures of two men who try to get back the money, they have lost in the streets of Paris. It is sort of a epical comedy, an odyssey through Paris. It adopts the rhythm of a road movie, which might appear to some as an unstructured failure, but which has a certain poetic atmosphere. It is one of the few Heinz Rühmann movies (the most important german comedian of the last century) which I really like and his teaming with famous french comedian Fernandel is really for the benefit of both. Not to forget Jean Poiret, one of those underrated actors whose company one enjoys almost without noticing the actors presence. There are many moments and scenes which are engraved in my memories. But maybe I shouldn´t try to see it again.
... View MoreShameful, awful and miserable comedy (that is what it is supposed to be) in which the talents of both Heinz Rühmann and Fernandel are wasted; one feels pity for them. Badly directed with no timing of the already poor and crude "jokes", poor acting by anyone involved, poor cinematography, in fact poor everything. Rühmann already played in the 1931 adaptation of the play the film is based on: "Der brave Sünder"; the less said about thìs film, the better. (1/10)
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