I caught this way back in 1991 at an art house. I had no idea what it was about but the gay papers were advertising it to a ridiculous degree. I thought it might be about gay men in London but it wasn't. It was about a bunch of largely uninteresting characters in the 1970s Britain. It threw in homosexuality, racism, murder...basically anything it could think of and ended up quite a mess. The plot kept veering all over the place never settling on a consistent tone. The acting was pretty bad too. There was however a hot male on male sex scene. Nothing explicit--it was mostly just a lot of kissing and no shots from the waist down. This was the only sequence that caught my attention and the only part that had any heat or passion. Aside from that this is a mess.

firstly this film has some mistakes in it,i was a soul girl back int he day,punks and soul boys weren't pally,but not enemies either,the didn't go to the same clubs,the fashion is correct but the music is out of time ,some of the music came out maybe up to 2 years later,that apart it does pick up the atmosphere of the day and the vibe and is at least acknowledging the soul scene,and the cult of soul boys and girls ,a major thing,but very unknown which is odd,i guess the write must have a bit of info of the movement,still as a fun film its OK and does bring a fewmemories i think unless you were part of the scene you would find thisa bit dull,it is hollow ,but the clothes and dancing are all spot on,although gay guys did have there own disco clubs,again fairly underground as back then it wasn't as tolerated as it is,rightly so,now as so many other films have been made about punks and skinheads it god to see a movie reflecting a little known but extremely popular movement

I am currently writing a paper on this film and another for one of my film classes, Topics in National Cinemas, as it was one of the films we examined. While perusing this page for certain information I needed i happened to read the previous comment that someone had posted regarding what they thought of the film.While reading this individual's comments it occurred to me that they COMPLETELY misunderstood the film and what it set out to challenge and address. This film is NOT a murder mystery. Yes, a murder occurs and sets off the story, but it is no more essential to the plot than is the youth in a coma in La Haine (Kassovitz, 1995). Like La Haine, this film sets out to address social issues pertaining to race, class, positioning in the political landscape, and, unlike La Haine, sexuality (which seemed to greatly disturb the previous individual who posted).Young Soul Rebels examines the social landscape of late 1970s Britain, and particularly how it affects youths within the greatly marginalized "Black" culture. It confronts issues of diaspora, through the juxtaposition of different aspects of the "Black" culture, as in the rastas working at the garage, compared with the two, funk obsessed (and much more "Afro-English") main characters. It also looks at the intersection at which certain sub-cultural borders collide, as in the Punks, the Funks, and the Reggaes, as well as Hetero and Homosexuality. Ultimately this notion of collision is key to understanding this film for what it is, which is precisely identities in collision. If the previous individual who posted had understood this, then they would have also seen how the murderer's motives implied this idea of identity collision, were driven by it and pertained more to it than to reading the film as a simple "whodunnit." In this light, you'll also find that music drives the film, both as a signifier for identities, and as an expression of them. Music is certainly an essential component to this film.For more information regarding the issues this film juggles, and for a greater understanding of its concepts and meanings, look at the writings of Paul Gilroy, particularly his book "Ain't No Black in the Union Jack," and the film's director, Isaac Julien.

Yey! Ive found a film that Ive seen and no-one has commented on! It's been that long since Ive watched it, that Ive forgotten all about it. All I can remember is that it was about some gay black guys and they run around for a bit... jeez... I think it was set in London. Oh dear :) I always remember that it sucked, but I suspect that it may have not been that bad. It may have irritated me at the time with the gay angle tho. Im certainly not homophobic, but things like this, such as, say, Queer as Folk, tend to get my back up, I guess it is my middle-class sensibilites being offended by 'having my nose rubbed in it'. I much prefer the more sensitive approach such as 'In and Out' (Frank Oz dir), or Wilde (Stephen Fry starred), both of which I rate quite highly.