The idea of a rich man, rejected by the army as 4F, then creating his own military experience, has possibilities. It could be a funny movie.This wasn't. Lewis' vision of the comic bits has no sense of timing. It moves along at a snail's pace, and includes myriad supporting scenes that just aren't funny. Each scene has a punch line, but most of them were a waste of film. Evidently, firing a mortar and then blandly declaring "We just blew up a Texaco station" just doesn't pack the comedic punch it used to.Jerry stammering gibberish was barely tolerable in his early days. In this film, it just looks tired.While the film is set in 1943, hair styles, colloquial expressions, mores, costuming, and just about everything else are firmly rooted in the late 60s.To get picky, the freeze frame method of ending scenes, as used in this film, is just odd.I actually got pained looks from my wife when I held on past the first twenty minutes hoping that it would eventually get to the "good part". Twenty-two minutes after that I finally gave in and stopped watching this mess.

I had watched this as a kid but, not being much of a Jerry Lewis fan, I had completely forgotten it (not that it's in any way memorable). The film revolves around impersonation (which seems to be in the curriculum of every comic star!) - in this case a German officer - and, while not as bad as Leonard Maltin claims (awarding it a BOMB rating), it's not exactly classic stuff either - certainly leagues behind Chaplin's THE GREAT DICTATOR (1940), even if comparably narcissistic! Ironically, the scenes prior to the appearance of the would-be wacky General offer more felicities than the rather forced humor at Nazi expense! The film was really Lewis' last gasp during his heyday; in fact, this proved to be his last vehicle to be released for 10 years (it's painfully apparent here that his particular brand of foolishness wouldn't pass muster in the age of Mel Brooks and Woody Allen)!

A very different Jerry Lewis film, not like all those more famous films that everybody knows. Lewis deals with the difficult task of WW II and National Socialism in Germany in a rather unconventional way. But even more interesting and important, he does it in a very un-American way. And as with so many things in the world and especially in the film industry un-American means more sophisticated, more subtle, more intelligent or simply better. That is the reason why the film was no success in the US but a very great success in Europe.All in all, Jerry Lewis has proven by this movie, that he is able to do much more than simple slapstick comedy.

Jerry Lewis was marginally funny when he didn't write his own material and had a good director like Frank Tashlin. When he started writing and directing his own films what little talent he possessed was overshadowed by his egomania. Whenever his films would fail (and deservedly so) in the American market (they made money in France) Lewis always blamed everyone and everything but himself; for example, he blamed the failure of this film on the fact that it was, according to Lewis, released on a double-bill with the porno feature "Deep Throat". If anyone should have complained about that situation, it should have been the producers of "Deep Throat." This is an absolutely idiotic "comedy" about the world's richest man (Lewis) who is rejected for military service during WW2 and decides to outfit a special "squad" to go to Germany and capture Hitler himself. Besides the many faults this film has (the script is mind-numbingly unfunny, Lewis' "direction" is nonexistent, the film has the look of a cheap home movie), Lewis apparently thought that surrounding himself with no-talent, over-the-hill Borscht Belt comics like Jan Murray and Sidney Miller was a good idea; he must have figured that they would be so bad, they would make him look good. He was half-right; they are embarrassingly bad, but he comes out even worse than they do. For a "comedy", Lewis' character is sullen, angry and pushy; the way he heaps abuse on his underlings makes you wonder why they would ever follow a bullying jerk like this on a dangerous mission like trying to capture Hitler. The fact that this movie took in any money at all is astounding. It is by far the worst Jerry Lewis movie I have ever seen--I've heard that "Slapstick" is even more pathetic, but I can't bring myself to see if that's true or not--and is to be avoided at all possible costs.