Movie review: Where the Spirit LivesThe movie, "Where The Spirit Lives" is centered around a young Indian girl whose name Amalia and brother by the name of Abraham, taken from their home and forced into a Christian school to learn English. At first, the two were defiant and unwilling to participate. They were however, fortunate enough to have a fresh teacher with morals and kindness still intact. This did not change for awhile and they tried escaping, but as soon as they learned their parents had gotten sick and past away, they had nothing left, which lead to the acceptance of a new life. Thing's went well and the English language was learned, and the little girl was even going to be adapted by an upscale older woman. Until, they found out their parents were still alive and looking for them, and the church had lied to them. Finally, the time was right and the two left for home with the blessing of their teacher.It's sad to think that the United States was actually ran like this. To force young children into learning English, instead of accepting their own culture and language. Their is plenty of communication that can happen without forcing the whole tribe to convert to the "American way of life." This was a good film that centered on those who were afflicted the most, the children. It depicts the religious attitude and way of thinking through the school where they attended and the faculty that supported the movement. It also gives you a look at the harsh conditions, with the beatings and solitary confinement, the children had to endure. These force full actions did seem to work with some of the children, but there was defiantly a tipping point.I would recommend watching this movie to those who are curious about the harsh realities of our government and how they used to treat people, even indigenous people, who would not conform to the English culture. There is conflict, some drama, and a little bit of action tied into this movie throughout. It's an interesting film that dose not really have any drag. Just a well thought out and entertaining movie.

I bought the movie on VHS and made into a DVD. I feel that the film had a lot to say. I feel that the Canadian government was wrong in taking these children from their homes to a far away school and forced to give up their identity and to develop a new identity and lifestyle. It is fine to teach people such as Indians English, Mathematics, a trade, and other such things, but their culture and their identity as part of an ethnic group, racial minority, or whatever it is shouldn't be erased, forcibly or otherwise. The Canadian government could have brought the schooling to the Indians by establishing schools in the areas that the Indians lived in. This would serve the purposes of teaching the children subjects such as math, science, and English, among other things, but it would keeptheseyoung people together with their families, kept their identity, culture, and customs. In one of the reviews,it was stated that the children could tried to escape from the plane instead of staying in it. Those children were too frightened to think very much, if at all!This movie reminds me of a movie titled "Rabbit Proof Fence," in which Aborigine children in Australia were forcibly taken from their homes and were made into domestic servants. It serves as a fine parallel movie to "Where The Spirit Lives."No government or religion or anything else should keep any group from giving up its identity, life, culture, or anything else. An American Indian tribe was banned from practicing its religious ceremonies for years, but got that right back.A very fine and relevant film.

Where the Spirit Lives is a powerful and emotional movie underpinned with both Canadian and US history, superb acting, and beautiful landscape. The movie, taking place during the 1930s in Nova Scotia, takes a sensitive and moving look at how a dominant culture oppresses and/or destroys other cultures whose behavior is contrary to the dominant culture's norms and values. The movie also demonstrates the courage and tenacity of people as they struggle to hold on to their identity and to their families despite enormous odds. The film demonstrates some stereotypical character development: the pious but misdirected priest, the naive but good-intentioned new teacher, the highly cultured wealthy woman who intends on adopting the protagonist, the ugly, evil, and abusive assistant who sees the students as wicked savages. I use this movie in my English classroom in conjunction with the Social Studies curriculum on Minnesota and native American history. We specifically juxtapose commonalities such as theme with The Diary of Anne Frank and the novel by Minnesota author Jon Hassler, Jemmy, culminating in a compare/contrast essay.

Canadian cinema has left an indelible mark on films about Aboriginal people and films about life on the Prairies during the Great Depression. In the film "Where the Spirit Lives", these two areas meet. As of this writing, the imdb users have given this film a 9/10 rating and with valid cause. The storyline is strong yet ultimately predictable. The movie's main force comes with the contrast between the utopic world of the Aboriginal life on the reservation/trapline and the much dystopic world of the white man/Catholic residential school. The film begins with the heroine Komi enjoying an innocent, culturally rich,nearly paradisal life outdoors. The viewer is made to recall this opening scene when the antagonist Reverend Buckley(played to menacing perfection by David Hemblen) gives this line which seems to support the Catholic church's theory at the time: "These children come to us from a dead culture; it's like a millstone around their necks; our job is to remove this terrible burden and give them their freedom". Later, Reverend Buckley uses the analogy of knocking the old soil from a plant's roots to help it grow. These ironic lines help him justify taking these, as he calls them, "little brown children of the prairie" from their families and way of life and forcing them to learn the white ways. Another nice poetic touch from the film is when Rachel, a young student who was sexual abused by a FEMALE matron(another nice detour from the cliche)escapes to witness her people's Sun Dance ceremony where she can "Touch the sun and become a star". Rachel's subplot helps to reinforce both that their culture is anything but "Dead" and that life in the whiteman world is not a desirable as the priests and leaders at the school would like to think. Rachel's attempt to retain her culture's Sun Dance ritual is inspired by the heroine Komi's refusal to give up her Indian name, her language, her smudging(smoke and prayer)ritual, her rite of passage to womanhood, and mainly her contact with her family. Another nice ironic/symbolic contrast is the snippet of a hymn the children sing at the school: "All creatures great and small, All things wise and wonderful, the Lord God loves them all". This seems to neatly sum up the sentiment of the fimmakers. Yes, the Lord loves all people; it's too bad some of HIS PEOPLE don't. This is the prototype film on Residential Schools and it has everything a classic film on Aboriginal people should have including music by Buffy Sainte Marie and an appearance by actor Graham Greene.