After reading Susan Orleans book about Rin Tin Tin, I just had to see one of the silent films. I found a copy on Amazon and got my chance to see it. I have to mention that I am the owner of a sable colored German Shepherd who is 7 years old and quite the dog. Susan described the film and mentioned that Rin Tin Tin's expressions were a large part of the film's appeal. As I watched the film, I agreed with what she said but I kept finding myself thinking of my own German Shepherd and her expressions and mannerisms. Lee Duncan must have been an exceptional dog trainer to get all of these scenes on film. One can see how millions of viewers fell for the amazing Rin Tin Tin and his exploits. I can hardly wait to watch the film a second time with my wife. One may wonder how realistic these scenes might be. I can tell you that some of them are not too far from the truth. One night I was walking my German Shepherd by a housing project ( I live in NY) and there were two very tall guys approaching who had obviously served time based on their conversation. My dog was doing her business as they approached. She suddenly launched herself into the air with her teeth and jaw open and headed straight for one of the guys private parts. I yanked her back with the leash about six inches before contact. Many four and one ten letter word were used by the two guys but in the end nothing happened to me or the dog. My dog sensed or smelled some very bad vibes and did her job. This has not happened since in three years. Without going into other examples, my point is that German Shepherds have a unique combination of intelligence, sense and athleticism that lead to some truly amazing behaviors for an animal. This film, while a bit melodramatic at times, captures the breed's unique abilities and anyone that has ever owned a German Shepherd will love the film and see a few reflections of their own dog in Rin Tin Tin.

I had long hoped to see a Rin Tin Tin silent and Grapevine Video made this one possible.Where The North Begins is an excellent showcase for the great German Shepherd. Rin Tin Tin is by turn alert, submissive, fierce, quizzical, proud, afraid, etc. Rin Tin Tin, in short, displayed far more dramatic range than many humans who are currently being touted as great performers.Physically he was just as impressive. I was absolutely astounded by the scene in which he takes a running start and makes an incredible leap to get into an attic window. I also loved that the film-makers included his failed attempts as well as this illustrated the tremendous effort the dog put into his tasks.The story itself is pedestrian and completely predictable. I imagine it was even predictable in 1923. Gabrielle, Rin Tin Tin's human companion, is rather slow-witted and somewhat useless. But his role reminded me of the Steve Trevor character from the 1970's Wonder Woman series. Despite being a military officer, Trevor was constantly being outsmarted and captured by the enemy, a plot device enabling Wonder Woman to come to the rescue. Gabrielle served that purpose here as this is beyond a doubt Rin Tin Tin's movie.A must-see movie for dog lovers and, even more so, for lovers of the majestic German Shepherd breed.

At the beginning of this film, Rin-Tin-Tin's fictional back-story is explained--evidently, he emerged during World War I in Germany and had a sister, but the sister got TB and died. However, Rinty was taken from the Germans by allied forces and brought back...to the Great White North...as a mascot. He gets lost when his cage falls off a sled, and he winds up being raised by wolves. Some time later, he finds a human (the human star of the piece, Walter McGrail, who "speaks" in the inter-title cards with the kind of bogus French accent often found in "Northwest" outdoor dramas, whether they be set in Canada or Alaska), nurses him back to health, and goes after his attacker. We then enter one of those archetypal western melodrama plots, here transferred to the "Northwest" genre, where a young lady is coveted by the successful business owner who tries to sabotage her poor, hard-working, honest beau. Director Chester M. Franklin returned to working with dogs both in the silent era (WILD JUSTICE) and the early sound era (his last directorial credit is TOUGH GUY with Rin Tin Tin Jr. and Jackie Cooper), and his last credit of any kind is the 1951 Lassie classic THE PAINTED HILLS, which he produced. I've seen two other silent Rin-Tin-Tin epics, and this one, running a full 75 minutes, is the most complex and the most satisfying. I watched it with my teenage daughter (her brother went out to the multiplex and saw THE RING 2, which is HIS loss!), and she sat through the whole thing, enjoying watching the wheels of melodrama plot development turning (and finding the depiction of women as weak, dependent figures who faint at important moments to be quite interesting!) and surrendering to Rinty's undoubted charisma. This may have been made 82 years ago, but it's still an exciting family-friendly adventure, and the "Northwest" setting gives it a little local (if imprecise!) color. Highly recommended! The print quality and transfer on the Grapevine DVD are fantastic. There are a number of beautifully framed shots of dogs and wolves in the wilderness, some of which could be framed and hung on a wall, and they look like they were filmed yesterday (just turn up the brightness and sharpness settings on your television).

Raised by wolves, Rin-Tin-Tin comes into contact with people in the ill-defined far north of Canada. Will he submit to his training and go frolic with she-wolves, or become the loyal servant of man, help catch the baddies and make the Warner Brothers a truckload of money? In a town where they've always known that if truth and legend conflict, you print the legend, Rin-Tin-Tin is an interesting movie star. There had been other dog stars, like Jean the Vitagraph Dog, or Keystone's Teddy, who starred in TEDDY AT THE THROTTLE, but Rinty was huge, leading to Sandow the Dog, Rin-Tin-Tin Jr., Lassie and dozens of others, an entire industry of animal stars.... or was it his publicity, in the wild era of 1920s ballyhoo? Would Warner Brothers have gone under except for the profit of his movies? Would we have lost the madness surrounding Al Jolson's performance in THE JAZZ SINGER? Would the entire face of popular culture be enormously different, or were the Olson Twins predestined? Weighty issues to discuss at 3AM in the dorm room when you don't want to cram for an exam, but it's just a movie, folks.It's a moderately well-made movie, which is hardly surprising, given that Chester Franklin, directed and Lewis Milestone -- yes, that Lewis Milestone -- edited. Also, in this rather title-heavy production, Rinty is clearly the best actor. You can read his emotions, while the humans maintain expressions of guarded wariness. And the story is moderately interesting. I really don't know. I liked it. Maybe you will too. Worth a try if it comes your way.