I first watched this film with my neighbors about 40 years ago. We took this at the only video rental in town back then.To me, as a 10 year old, this film was always a mystery. I looked it up again a while ago to understand it better, and glad I found it.I wanted to review the sociological metaphors and moral again, now that I am getting close to 50.Of course, the acting, directing, and other effects are nothing like we find today, but back then it was a sure 10.Some ideas in this film are still unique, even today.This movie did not leave my mind for 40 years...

I'm sure WELCOME TO BLOOD CITY sounded like a great idea on paper. It's part western, part science fiction, and the filmmakers managed to snag Jack Palance and Keir Dullea for the main roles. A meager budget may have been the reasons for the cheap sets and costuming, but it was poor writing that resulted in such a dull waste of time. It's unclear where and when this movie is set because it jumps right into the action, but I got the impression that it opens in Japan where our "hero" Lewis (Dullea) is taken by police. Things around him seem chaotic but it's never made clear why because once Lewis is taken we immediately cut to him awakening in the desert surrounded by a group of confused strangers. All of them are in blue jumpsuits, none of them have any memory of who they are (outside of their names), and they've each got a card in their breast pocket identifying them as killers. Understandably, they're all shaken and confused. Everyone except for Lewis, who treats these bizarre circumstances as a joke. He's completely unfazed by his mysterious arrival in the desert and takes every opportunity to crack wise, even when angry hillbillies have a shotgun in his face. When one of the new arrivals tries to intervene in the rape of Martine (Hollis McLaren, the only woman in the new arrivals) by one of the hillbillies, he's shot down in cold blood and Lewis, again, has to crack jokes.That's our hero, everyone. Thoroughly unlikeable from the moment we meet him. The group is soon approached by Frendlander (Palance), who leads them into Blood City and explains the rules. New arrivals are slaves; they will be chosen by a member of the community and put in a year of service before being given the opportunity to join the town as a regular civilian. New arrivals that refuse to acquiesce are fair game to be murdered. There is a contingent of people in Blood City who wear black outfits with red crosses affixed to their chests. These people are straight killers who have risen above the regular folk through murder. The more people you kill, the higher your rank and the more power you hold over the town. Frendlander is the current record- holder with over 20 kills and he's basically the town's overseer. Honestly, the whole thing is sort of a confusing mess and I'm not entirely sure how the society in this town operates. How do civilians become black-suited killers? By killing them? There are still rules and laws to follow in Blood City but killing is all right in certain circumstances? I'm not 100% on the details. Regardless, Blood City isn't real. We discover early on that it's a computer simulation and everyone in town is wired in. It's some sort of government program designed to weed out the weak and pinpoint the most adept killers to be used in the real world as government assassins. I guess?The project is overseen by two scientists, the only important one being Katherine (Samantha Eggar). Katherine is immediately keen on Lewis and wants to ensure he makes it through the program. She becomes straight-up infatuated with him, going so far as to insert herself into the simulation to assist him and…eventually…sleep with him. So, obviously this is the most unregulated government program ever. While she obsesses over Lewis, Lewis is obsessing over Martine. Martine being a pretty young woman, the entire town has its eyes on her. Everyone wants to claim Martine as their slave for obvious raping purposes. There is a surprising amount of rape and rape intention in this film, and it's all targeted at poor Martine. The risk of rampant rape is so bad that Frendlander decides to lock her away for her own safety until a citizen can claim her. Eventually, Frendlander decides he wants Martine all for himself and all the promise of a cool sci-fi/western is flushed away as it becomes a dull 90-minute "save the girl" tale. And it's very, very dull. It feels like nothing happens for long stretches of this movie. The beginning and ending are pretty interesting but everything else is a snooze. Combine the motionless plot with a bunch of characters you most certainly won't care about and WELCOME TO BLOOD CITY is an avoidable mess. I love a good slice of Z-grade cinema cheese but this movie makes every effort to keep it from becoming too much fun.

Despite it's lackluster production values and the fact that the copy I watched was a crappy pan & scan copy, I really enjoyed it.THIS IS NOT A REMAKE OF WESTWORLD as some have suggested. Westworld dealt with a theme park robot that went loopy and tried to kill people. WTBC is about a scientific experiment that places innocent victims in a virtual reality to test their skills. If anything WTBC is closer to The Prisoner episode, "Living In Harmony" as Bishop-11 mentioned, than anything else.Palance is a lot of fun, as usual, and HE'S having fun without over-doing it as he sometimes did in the 70s (plus he's not drunk). The rest of the cast does a fine job as well. For the most part I'm satisfied with the plot details that were given but I would have liked a little bit more. For example, in the beginning the "experiment subjects" have cards in their pockets labeling them murderers and how many people they killed. Now, unless those cards are only there to give the subjects a tiny bit of info as to who they are and maybe why they are there, I'd like to know more about their purpose. However, I really like that the film makers don't hold your hand and spoon feed you the information, allowing you to think for yourself. I guess I can't have my cake and eat it, too.Roy Budd turns in a good score, too, except I can do without the musical saw that showed up from time to time. It's threatening where it needs to be and there are times where the film could have used more music instead of some scenes sitting there flat without any at all.I've been going through a 70's Sci-Fi kick recently, searching out films I hadn't seen before. This one was a pleasant surprise. Yeah, it has pacing issues but it's got a great concept and it's a film that really relies on the story, not the effects. And that's a nice change of pace compared to what we've been given for the past 20 years.

The untouchable Jack Palance leads a pack of virtual reality cowboys in this shameless high-concept ripoff of Yul Brynner's WESTWORLD. Several amnesiacs awaken in a dusty old west town, where they are immediately forced into slavery. Their only hope of social advancement is to murder other denizens of Blood City, gaining all-important street cred and working their way up to a face-off with the schizophrenic sheriff, valiantly played to the straight-faced hilt by Palance. The prematurely revealed would-be `twist' is that all the amnesiacs are actually in suspended animation, merely passing a computerized aptitude test in the technologically manufactured west, uh.world. And if you've rented BLOOD CITY in search of blood, there's not a drop to be seen. This constantly deflating film co-stars sci-fi veterans Keir (2001) Dullea and Barry (SPACE:1999) Morse, and was also released as WELCOME TO BLOOD CITY.