"Wax" is very likely the oddest film I've ever seen. Marvelously, beautifully, lyrically, and profoundly intellectually stimulating in all respects. Breathtaking in its scope and achievement. But very odd.I have read medical reports containing sodium pentathol interviews and transcripts of schizophrenics' monologues. I have read memoirs and fiction by schizophrenics and hard drug users. I have read Surrealist and Beat Movement literature. I have read James Joyce and Gertrude Stein. I have read the visionary poetry of Charles Williams and H.D. I have watched films by Kenneth Anger and David Lynch and Maya Daren. I have read Yoruba ethnic literature from West Africa and studied Aleister Crowley's skryings on the Enochian aethyrs. I have read H. P. Lovecraft and also Kenneth Grant's post-Crowleyan magickal writings describing journeys behind the Tree of Life which would have preempted H.P.L.'s usual nightmares had he but known of them."Wax" stands tall in that company. A hypnotic, hallucinatory, purely poetic fusion of words, images, political ideas, and mystical transformations, nothing quite resembles it. "Pi" (1998) tried for something as distinctive, but that film gave us a glowering, paranoid, tortured vision shot in deliberately painful close-ups. "Wax" makes a complete contrast in its joyful freedom of eloquence in narration and visuals."Wax" enhances life while critiquing it. The film employs early, simple computer graphics. It juggles idiosyncratic desert architecture, prosaic photography, and absurd juxtapositions of common images. It tells a story of Middle Eastern honey bees along with offering a hard view of the original U.S. military actions against Iraq in 1991 (a time so simple in retrospect as to seem the good old days). It links Los Alamos with transformations in consciousness. "Wax" leaps beyond the merely political in its luminous metaphors for human existence.You can find stronger films, more beautiful films, more linguistically spry films, but you will probably never find anything quite like this fireworks display of language and image. Think "2001: A Space Odyssey" on a home movie budget. Your grasp of reality (and cinema) may never feel the same.

We showed this at our local Art film movie-house. It is where it belongs.Watch it if you think that David Cronenberg's adaptation of Burrough's book, "Naked Lunch," is too linear. If you don't know who William Burroughs is definitely avoid this. This has more to do with surrealist dream films than documentaries. Delightfully mad IMHO.Bees, Bouroughs, Book of the Dead. Egyptian myth.Anti-War Sci-Fi Cyberpunk "My dead wife was in the hive. She fragmented." "They were the dead and vengeance was their life." "I was Cain." "The Planet of Television, transmitting the dead."It's all pretty schizophrenic. Jacob Maker, beekeeper, in the land of the dead and the garden of eden, Iraq.

I don't remember much of the plot of this one, probably because most of my memories of that experience are probably repressed. Until this point in my life, I didn't think it was possible to effectively torture someone with sight and sound alone.One of my college teachers showed this to our class for reasons which to this day I don't even begin to ponder. I do remember that perhaps a third of the class was asleep throughout most of the `films' duration. Personally, I'm not the type to sleep through ANY movie unless I'm extremely tired, but I did find out that choosing to stare at the ceiling or ground for three hours was at least as interesting as looking straight ahead to the projected image.Unfortunately I still heard it.

This is a very strange movie. I'm not even sure that I can accurately describe the plot, because it doesn't make any sense and I don't know if it's really a plot anyway. But I'll give it a shot. I rented this based on the quotes on the box, which described it as being like Total Recall, only with 10 times the weirdness. After seeing the movie, I don't know what they were talking about... The whole movie is narrated by David Blair in a very monotone voice, and has no similarities to Total Recall that I see...The movie starts out with James Maker, who is a member of something called the Supernormal Film Society whos goal is to film the spirits of the dead walking among the living. There's some background on this which seems largely irrelevant. Then we meet his grandson, Jacob Maker who is the main character of this story. Jacob is a programmer who works on aircraft simulation programs. He's also a beekeeper of Mesopotamian bees he inherited from his grandfather.So, after a bit the bees drill a hole in his head and put in a television, which the bees use to start showing him things. About this time, a statue of Kane outside his house kills the statue of Able, and Kane is marked with the X symbol. Then at work, Jacob wonders why his co-workers never wonder what happens to the missiles they launch that don't come back (never mind that a programmer probably doesn't deal with missile launches), and he realizes that they turn into flying saucers which fly to the moon where the dead live.About this time, the bees start showing him things on the television and he makes a big pilgrimage to the Garden of Eden Cave which the bees tell him is the entrance to the world of the dead. Jacob then realizes that the bees are actually the dead of the future, and goes to the cave. Although it is a 40 miles walk through the desert, he makes the journey a bit easier by becoming a bomb part of the way. He then learns that he has to kill someone to fulfill his destiny, which is to be reborn in a wax body that the bees make in the cave.When arriving at the cave, Jacob learns that the cave is actually the entrance to a planet inside of our planet where the bees live. There, he dies and goes to join the world of the dead. For a while, he becomes the X symbol. Then he becomes a poem in the language of Kane. Then he travels to some other planets, including the Planet of Television. Next he becomes a rival beekeeper of his grandfather. Then he decides it's time to fulfill his destiny, which is to kill someone. So, he becomes a bomb and blows up two Iraqi soldiers in a tank. Then he becomes the X symbol with himself, his grandfather's arch enemy, and the two soldiers he blew up.And that's pretty much it... Make sense? No, I didn't think so... David Blair calls this Independent Electronic Cinema. I don't know what to call it. I can't figure out if this movie is bad because the weirdness of it all is hard to get over. And the filming is worse... One could today make this movie on a home PC fairly easy. There are 3 distinct types of footage in the movie. First, there is a lot of stock footage of bees, bombs, and other scenes. Second, there is footage that was shot with an amateur camera I'm guessing. Third, there were digital renderings. Nothing fancy, these were things like 3D letters and symbols, and renderings of the cave ceiling and floor just on the screen with a black background.And it's heavily edited. I hesitate to refer to this as special effects, as I think it's overly abused. There is not a point where more than 1 minute goes by without further senseless video effects. Things like the image warping, folding, unraveling into a string, blurring, etc. Basically all the stuff you could do to a movie with a piece of $100 modern software and a video capture card. And it took six years to make. Personally, I don't see what makes this a great art film, as I've seen some reviews and essays claim it is. I think it falls into the trap of being so different and bizarre that people figure it must be artistic. I don't know what the hell it is, and I don't think I ever will. I keep thinking that there must be some meaning in this movie, but I haven't the slightest idea what...