"What kind of a person could do that?" is a question that often occurs to me when I see a photograph from a battle zone, or one which depicts ordinary people in excruciating distress. This film shows us a person who takes such photographs, one who crosses physical and emotional boundaries to places most of us wouldn't dare to approach even at a great distance.The photographer, James Nachtwey, is a cool, philosophical individual, motivated by the goodness he feels motivates humanity--in spite of the horrors he deals with on the killing fields. We have all come across the trashy photos that adorn the covers of National Enquirer, pictures that titillate and appeal to our worst natures--Nachtwey's hard-earned photos do just the opposite--they appeal to our compassion, are meant to give us insight into the human condition, the humanity we all share--and in doing so elevate all of us, enrich humanity.War Photographer is often a frankly brutal film, but it's overall impact is significantly uplifting. One greatly admires James Nachtway for his goals and is astonished by his photography.

I believe this movie to be one of the most inspirational movies i have ever seen... Every time i watch it i have this urge to take my film, load it into my camera and just go out and live what photography is all about... It evokes in me that exact spirit that made me take up this profession and i love it for that.It's a great movie in that it shocks you. It lets you know what the world is like and it also lets you know what a photographer's job really means. All about that hassle, that peril and the drive it takes to pull through.It's a movie about all that is wrong in the world but not in a tree-hugging, stupid environmentalist way but in a way we can all relate to...If you want to see what it takes to be a photographer expect all that and more, because no one can make it in this business unless you're really good...

The part I liked best about this film is the way it uses Nachtwey's camera to do the actual filming: on top of his still camera, the filmmakers mounted a little movie camera. The end result is that you can watch the scene unfolding as if you were looking through Nachtwey's own lens. Watching as he transforms scenes of violence, chaos, and noise into breathtaking still photographs is fascinating. Any shutterbugs out there will enjoy this movie for that aspect of it alone.It's also a very moving film--very intense. I certainly can't get through it without tearing up, and when I looked around the theater I saw the same shock and grief on the faces of my fellow moviegoers. The ethos of the film seems to reflect the sentiment behind Nachtwey's own photographs; that is, you don't get the New York Times explanation of who the victims are, who the perpetrators are, or what the socio-political context is. The violence and suffering are presented simply: this thing happened to this person at this moment, and it was awful.It's not too preachy; the viewer is left to ask her own questions about why and how these things happen. Sometimes all those explanations can obscure the individual lives that are contained in a word like "collateral damage." Nachtwey's photography, and this film, clarify that fact simply by observing it. That's the essence of the best documentary photography, and it's a great reason to see this film.

This film is incredible and shows the power of one man. Nachtwey has dedicated his life to being a war photographer and shows how one man can help shape public opinion with the power of images. As was the case in Vietnam, photos can be very subversive since they show the falseness and fraud of the government's official line or 'spin' on stories.And thus we see that in the war in Iraq the gov't is keeping a tight lid on images. Once you see pictures of a 4 year old boy in a morgue with his limbs blown off, the generals and the politicians cannot, no matter how hard they try, justify it. this is why Al Jazeera has become the boogeyman of the west.once people see enough of these images, they cannot support war any longer. this, i believe, is Nachtwey's vision and his struggle.