Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons. Actually appreciate it even more through young adults eyes, due to having more knowledge of it, various animation styles, studios, directors and how it all works.Have a lot of appreciation for Bob Clampett, with an animation and humour style that was very easy to recognise. He made a lot of good to wonderful cartoons, though some early efforts did betray someone still finding his feet. 'Wacky Blackout', one of the cartoons made when transitioning into and finding his distinctive phase and style, is pretty decent and definitely worth seeing. Having said that, it doesn't see Clampett at his finest and nowhere near being one of his classics, for this particular period of Clampett's career and considering the title it could and should have been more wacky. 'Wacky Blackout' is quite thin in terms of story and the structure is basically an excuse to string the gags along. The gags are amusing enough but lack wit and could have done with more wackiness and imagination. While most of the characters are fun enough, others are not particularly interesting in personality.However, enough of the characters are fun, even if there is no discernible lead.The cartoon has a lot of amusing moments, some variety and there is a good deal of liveliness. It doesn't feel heavy-handed and didn't feel reminiscent of propaganda, as a product of its time 'Wacky Blackout' is very interesting.Animation is very good, it's fluid in movement, crisp in shading and very meticulous in detail. Even better is the outstanding music from the master Carl Stalling, it is lovely on the ears, lushly orchestrated, full of lively energy and characterful in rhythm, not only adding to the action but also enhancing it. Voice acting is terrific, with Mel Blanc particularly again showing a remarkable and unmatched ability to give individuality to multiple characters.In conclusion, decent but not Clampett at his best. 7/10 Bethany Cox

. . .take the opportunity of World War Two as a chance to deliver a series of subtle put-downs to 21st Century America's self-styled Sacrificer-in-Chief (as in, "I've given so much erecting all of my Trump Towers, a few of which came with lousy Golden Toilet Seats, instead of my Preferred Platinum). WACKY BLACKOUT uses farm animals to illustrate True Sacrifice, putting Dumpty Trumpty to shame. From the milk cow pumping out her 5,000 daily quarts to the aging pigeon couple producing flocks of messenger birds, Real Altruism can be found in every corner of WACKY BLACKOUT's barnyard. About the only on-screen critter shown here at all comparable to the Trumpster is the firefly who unscrews the light from his neighbor's butt. "Who's the light thief?!" rings out Warner Bros.' warning about America's most infamous tax cheat, narcissistic philanderer, crooked casino proprietor, misogynistic racist, and general Do-Badder. The ludicrous nature of a jerk who'd rather browbeat, intimidate, and litigate than to pay a cent to reimburse his fellow Americans who "serve" him as police, fire fighters, health inspectors, building code enforcers, zoning board members, Navy SEALS, road builders, bridge repairers, water providers, sanitation engineers, garbage removal personnel, air traffic controllers, and the countless other "loser jobs" Civilization requires becomes crystal clear in Looney Tunes' point-by-point WACKY BLACKOUT explication of the Man with the Plan to White Out America.

Directed by a wacky guy named Bob Clampett, "Wacky Blackout" is a very good Warner Bros. cartoon concerning farm life during World War II. For me, the best thing about this black-and-white cartoon is the voice of Mel Blanc as the crusty old-timer who serves as the film's narrator. If you're looking for funny gags, you'll see plenty! My favorite scenes include: the full-blooded spitz; the woodpecker who declares, "If I dood it, I det a whipping. I dood it!"; and the messenger who sings a telegram to the tune of "My Bonny Lies over the Ocean". In fact, thanks to composer/arranger Carl Stalling, I recognize close to a dozen different popular songs scattered throughout this cartoon. So when you watch any cartoon with a music score by Mr. Stalling, I urge you to tune in your ears to any popular melodies you may recognize.

Following some mildly risqué opening credits, we get treated to a series of spot gags on a farm, often relating to World War II. One features a baby bird who looks like the early version of Tweety* in "A Tale of Two Kitties". The part about the swallows and San Juan Capistrano seems to predict Robert McKimson's "Swallow the Leader".It was around this time when Bob Clampett's cartoons started getting truly wacky. His cartoons in the late '30s had made use of his affinity for shape-shifting, but during WWII he went all out and pretty much became Termite Terrace's star director. While his spot gags didn't quite reach the quality achieved by Tex Avery, he definitely created some funny ones.All in all, "Wacky Blackout" is certainly worth seeing.*While Sylvester and Tweety are known as Friz Freleng's characters, Bob Clampett debuted Tweety.