I was at a favorite Second-Hand goods store last week, and upon finding a copy of the book "W.C. Fields & Me" By Carlotta Monti with Cy Rice, I snapped up the hard-cover copy, there and then. When this film was in it's Original release in Melbourne, Australia at the cinema I worked at as Projectionist, I had the pleasure to screen this Movie Two Sessions a Day - for it's Original run - and Loved Screening each and every session including it's accompanying suitable Musical score that plays in the background as the film UN-spools. I have been hoping against hope, that One day I can get my own Blu-Ray or DVD Copy of "W.C. Fields & Me", as I believe Rod Steiger did an excellent recreation of the character of Fields. Dear reader, to get a better knowledge of the Life that W.C.Fields had led up to the point where the Film begins from, I would recommend Movie Fans get their hands on some of the Biographical Books detailing the earlier life of Fields, from say his earliest Teenage years through to where the film takes up from, I assure you will get far-more from this Movie, if you make that effort. The stunning Valerie Perrine who features in the film as Carlotta Monti, tends to bring balance to the film as it rolls along to a memorable ending, at least it is memorable for me, in more ways than one, I cannot tell you more, as that would spoil the film for you, and I love this film too much to do that. Here is hoping Universal will release this "soon" with the Best Quality available, to all fans of this forgotten Gem of a Movie. There is only one more Movie Starring W.C. Fields I need to complete my W.C. Fields Movie Collection, and that is the Film with W.C. Fields and Zasu Pitts of "Mrs Wiggs of the Cabbage Patch" 1934,( but not the 1940s Faye Bainter Version ) Both movies = Comedy and Tear-Jerker all in one movie, Highly recommended to all W.C. Fields aficionados...If any fans can help me with this I could love you forever...

When I first went to see this movie in a theater I went to watch Steiger, who never, to my knowledge, did a lick of comedy previously, fall flat on his face. However, about five minutes into the movie I could no longer see Steiger. He had so well portrayed the great comic that you would think he invoked the very spirit of Fields and allowed Fields to tell his own story. The research behind the acting must have been quite thorough, as I never once saw anything I could fault. His mastery of Fields speech patterns was impeccable and not overdone like so many who attempt to sound like Fields. The story line never took liberties for dramatic effect, and as far as I can tell, remained true to the real life and events of W.C.Fields. I can only hope that, some day the studio will relent and put this great movie out on DVD or Blu-Ray; despite the poor box office returns. I really would like to see this movie again; and consider it one of the all time great biographical works.

Carlotta Monti, a would-be Hollywood hopeful in the 1930s, met rascally, alcoholic, volatile comedy actor W.C. Fields at a movie wrap-party and was later invited out to his spread, supposedly to talk about a part in his next picture; there wasn't one, but she spent the next fourteen years with him anyway, playing his loving--though seemingly platonic--mistress who also acted as Fields' personal stenographer, script girl, cook, maid, and mother-figure-cum-warden. Based on Monti's memoir, and with her advisory assistance, this biography of Fields seems pretty truthful and not a white-washed kiss-up job. Director Arthur Hiller and star Rod Steiger do not shy away from showing W.C. as an occasional heel, a heartless, self-confessed son-of-a-bitch. Yet, the movie's best moments are the quieter ones (Fields' brotherly relationship with a little person, his reunion with the son he hadn't seen in twenty years, his reaction after Carlotta discovers how lonely he is). Steiger, whose make-up job causes him to resemble a portly Van Johnson rather than Fields, is a bit shrill in places, and he gets off to a bad start; however, Steiger eases into the role with obvious relish, and his eagerness to showcase this incredible personality definitely comes through (his final scene in bed is a heartbreaker). Valerie Perrine as Carlotta is also too shrill (which can be blamed on Hiller's handling), but she matches up well with Steiger and doesn't take too much guff off him. The sequences set in and around the movie studio never quite achieve the magic we hope they'll reach (they're squashy and limp, due--partially at least--to David M. Walsh's terrible cinematography). However, the central relationship is nicely carried off, aided by a lovely Henry Mancini score and good character actors in support. A forgotten film--yet another sitting on the shelf down at Universal--but worth seeking out, especially to see Steiger's work. **1/2 from ****

In 1976, Universal spent significant money to bring two golden-age Hollywood biopics to the screen: Gable and Lombard and W.C. Fields and Me. Both were panned, gave little return on the money spent, and have been relegated to rarely seen, not-on-video status. I haven't seen Gable since the year of its release, but caught up with W.C. on cable awhile back. It's imperfect, but certainly interesting, well-acted and worth another look. (I'd like to see Gable again, too, to see if it's worse or better than I remember.)Steiger gives a good interpretation of Fields, though unable to channel the unique comic gifts that he possessed. It was always good to see Perrine onscreen in her too-few roles, and Jack Cassidy was effective in one of his last roles prior to his untimely death. The design and technical work result in a great look, unfortunately panned and scanned in the TV version that is seen today (when it's seen at all.)Interestingly, the Fields portrayal can be traced back to the memorable serial killer Steiger portrayed in 1968's No Way To Treat A Lady, adapting several disguises and voices, one of which evoked Fields. Universal has been pretty good about releasing older films of theirs to DVD at a good price; how about a couple of widescreen editions of these flawed but interesting biopics?