Voices of Iraq
Voices of Iraq
| 29 October 2004 (USA)
Voices of Iraq Trailers

Filmed and directed by the Iraqis themselves -- thousands of them, from all walks of life, all over their country. The producers, who distributed more than 150 digital video cameras across the country, condensed more than 400 hours of footage into an unprecedented, and startling, look at life in a war zone. It's a new genre of filmmaking.

Reviews
AbnCavScout

As an American soldier over here in the middle east I have daily contact with the local citizens. Just like in the US, or the UK, or any other Country, one will encounter opposing views. I believe that the film accurately portrays the feelings and opinions of the majority of the citizens of Iraq. The opinions exhibited show both pro and anti US sentiments. The fact that the majority of the voices are positive is a direct reflection of the actual opinions of the majority of Iraqis themselves. To anyone who has expressed their opinion that this is right-wing pro-Bush propaganda, I challenge you to put up, or shut up. Come over here and ask an Iraqi citizen what they think. Spend a year over here. Despite what is portrayed on the daily news back home, we're making progress over here in stabilizing a country that is more fractured by religion than politics.

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Link0007

Voices of Iraq allows us to see Iraq through the point of view of those most affected by the war - ordinary Iraqis themselves. Most footage of Iraq on the news consists of footage of bombed-out cars and of grieving widows; Voices of Iraq is a refreshing break from this.A substantial amount of the film shows Iraqis goofing off in front of the camera, as anyone would do when being filmed in an informal setting. This footage is the most revealing, reminding us that the Iraqs have a sense of humour and are human beings after all, something that is easy to forget when reading about the daily body count after each day's car bombing.One must wonder at the objectivity of the film, however. The Iraqis shown are almost all pro-American, and despite the film being advertised as 'filmed and directed by the people of Iraq', this covers up the fact that the film has been edited and put together by non-Iraqis. The relatives of those Iraqis killed in air strikes or pro-Saddam Iraqis are noticeably absent from the film. Despite this, the film allows us to see life from the point of view of a long-suffering and long-misunderstood people.

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Richard Brunton

The first thing to realise about this documentary is that it is filmed by Iraqi people, it's Iraqi's behind the camera that were most likely in front of the camera a few scenes before. It's this that strikes you afterwards as the most powerful point. It's their words.So with this in mind it's amazing to see and hear what actual Iraqi people are saying. There's much controversy from this movie with suggestions it's one sided, yet what is less biased than hearing what the people in the country we have troops in are saying? This story is not one that should be dismissed on anyone's word. This is a movie that tells us what Iraqi people are thinking. That's it. Sure, I share a huge concern about the three hundred and ninety-eight hours that have been cut from this movie, what did they say? Anything, a different message? Perhaps, but the point is, right now this is the closest many of us are going to get to the truth without visiting Iraq and being with the people.It's an incredibly insightful and hard hitting movie. Forgetting the argument of the whether there has been political editing, the actual editing is very good. It pulls the stories into areas of Iraq to show the travel of the cameras, it mixes scenes of utter sadness and despicable torture - little is actually shown but enough to know what happens is - with moments of complete happiness and children's joy.Each of the key sections of the film are either defined by a move to a new location and\or a date in time to recognise an event. Usually accompanying the date is a Western newspaper headline from a prominent paper of that time, a headline which heavily contradicts the images you see before the camera. It was stunning to see a headline like "Iraqi citizens scared of local militia, streets deserted" while watching shots of extremely busy market places and the hustle and bustle of normal life. Seeing children playing and joking with the camera when an explosion happens somewhere in the not too far distance, and the kids keep playing, calming each other and telling them to carry on is a disconcerting sight.What comes across most is human side of the stories, and the connection you can feel with the people. Two scenes stood out in this way for me, one was seeing all the students talk of and celebrate their graduation, with the other being the women who were talking about receiving their free passports. "Now we are free to travel for the first time" and one woman leaps up, her hands waving in the air, a huge smile as she runs across the room to grab the passports and show them to the camera. She's so genuinely excited and happy, and you suddenly see something extraordinary. These are people like you. Before you would see them as another religion, dressing differently, different customs and ways, but here you see things that you do, that you feel, and the empathy and understanding in that moment makes you realise that.Then you'll see tough moments. The mother asking, confused, about why her son had to die; Listening to the Doctor talk of treating people whose tongues were cut out for speaking against the regime; Hearing of how Uday would visit the market each Saturday and choose a girl to rape. These stories hit you hard and emotionally, helped along by the continuing realisation of the connection with these people.Former torture victims of the prison that is now famous, Abu Ghraid, speak of the torture they received under Saddam's regime. One jokes that any Iraqi would be happy to undergo the torture of being stripped and being played with by a female soldier, it was much more attractive than what they received. Comedy in the bleakest of moments.The hardest part, and the least reported, is the devastation caused by the chemical attacks on the Kurds. We see photos taken of the first bombs being dropped, and of the people lying in the streets. To see this is to understand why something had to be done. Hearing the viewpoints of the Kurds living under the no fly zone for so long and seeing their way of life is an extremely interesting contrast to some of the others in central Iraq.One of the most amusing moments was seeing the heavy metal band, talking in Americanised English. For a moment I thought we had stumbled on some bizarre tour, however the real truth is more amazing, and funnier. Life goes on, and again these kind of light moments seeing the actual lives of Iraqi people help to make the connection to ourselves much stronger. We aren't that different.Two of the biggest revelations for me were the clear message of how much the Iraqi people want democracy, who's to blame for the attacks against their country and why. This is a strong and loud message that comes out of several different Iraqi's from different areas. It's something that I've never really thought about, and yet is very possible.The realisation that the Iraqi people are like us is one thing, but something else comes across, their intelligence and desire to better themselves is immense. It's something that is so clearly lacking in many areas in the Western Countries and yet is shown throughout many of the children and adults in the documentary. Engineers, Scientists, Degrees, the desires of the children are what end the movie and started me thinking.It is an amazingly powerful film, and something I think everyone should watch. This is a message from the Iraqi people themselves. There's no denying an amazing amount of footage is not shown, but there's nothing I've heard or seen to tell me that the cut footage contradicts the messages shown in this film. I urge you to see this movie.

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Grover91506

I really am beginning to feel bad for the American Left (i.e. The Democratic Party as represented by Michael Moore, Howard Dean, Barbara Boxer, and John Kerry). They are losing control of the information pipeline. This film is example #34 of their inability to control the media. Unfortunately for them, CBS CNN, ABC, NBC, PBS, The New York Tmes, The Washington Post, The Los Angeles Times and the rest of the elite establishment media can't stop progress. The dam is crumbling and they are trying to plug the holes with bubble gum. This film tells the tale of Iraq from an Iraqi point of view, and the American Left can't stand it. They believe that they have sole possession of the truth and it is they, not the Iraqi people, who will tell the world the truth about Iraq. But alas, truth is a very tricky thing, and it sneaks out eventually, and unfortunately for the American Left, it is beginning to expose their dishonesty and snobbish elitism. They truly believe that they are far more intelligent, possess far more wisdom, and are far better human beings than the ordinary working people of America. It is a shame, to the bigots from the Left, that Americans now have the ability to actually see a film like this, that tells the same tale that has been limited to letters home from American soldiers. These letters can be found littered throughout conservative websites, but they cannot be found on the pages of any major American newspaper, or in the broadcast of any American Network, with the exception of a rare appearance on FOX. The "progressive" Left hates the kind of truth that an American soldier or an ordinary Iraqi can tell. A "truth" not yet sifted through their bitter, hate-filled, narcissistic filter. The real truth is that the American Left couldn't care less about the Iraqi people, or the women of Afghanistan, or any other oppressed person on this earth. What they do care about is maintaining their luxurious lives with as little discomfort, physical or emotional, as possible, and oppressed people seeking freedom are just thorns that upset the bliss of "progressive" ignorance.Thank you Mr. Drury, Mr. Kunert, and Mr. Manes. Every new film like this that comes out is just another hole in the dam that the establishment Left can't fill fast enough. To totalitarian types, and the "progressive" American Left, the truth is an awful, awful thing.

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