There should have been a lot of gnashing of teeth and muttered resentments when this movie debuted, because Vice is the sort of dark, urban crime drama that a thousand filmmakers have tried to create. 999 of them fail, sometimes spectacularly so. This is that one success. It takes the Mel Gibson character from Lethal Weapon, strips away all the Hollywood artifice and then plunges him into a world of overlapping corruption and deceit. Featuring powerfully unadorned dialog, several excellent scenes where we get to see some gifted actors stretch out inside their characters' skin and broodingly strong direction that snaps into the offbeat at perfect, unexpected moments, this film could be just as appropriately titled "Virtue".Walker (Michael Madsen) is a narcotics cop beaten down and burned out to the point of nihilism. With a dead wife in his rearview mirror, he's either on the job, buried in a bottle or paying a hooker to stuff her hand down his pants. After an undercover drug bust goes wrong in more ways than one, the members of Walker's squad start turning up murdered and he has to team up with Salt (Daryl Hannah), the sullen, distaff member of the team, as both Feds and gangbangers start circling around like hungry sharks. With lies and the truth swirling around him until he can't tell which is which, Walker is left with nothing but bloody vendetta to see him through.Michael Madsen has spent most of the years since Reservoir Dogs recycling his performance from that film, to the point where he sometimes comes off like a standup comedian doing a Michael Madsen impersonation. Vice is a reminder of how outstanding that performance was and how good it can still be when it's channeled through a worthy script. He plays Walker as a man at the end of his rope who's surprised at how tightly he's still holding on. Daryl Hanna is also wonderful as Salt, letting the cop's wounded pride and desperate need to belong seep out of her every pore. Mark Boone Junior and Aaron Pearl only have one scene each where they get a chance to shine, but they almost steal the whole movie when they do.The best part of Vice, however, is its dissection of the partnership bond between police officers. Cops are required to put their lives in each other's hands, often in the hands of people they don't really know. It isn't a union based on choice or fellowship. It's built out of necessity and this film does a great job at delving into the forced, artificial nature of such a relationship and how some commit to it and some don't.Writer/director Raul Inglis does a frequently exceptional job. He crafts memorable dialog while avoiding anything that sounds overly intricate or false. He carefully shepherds along the central mystery of the story, which I didn't figure out until about 15 seconds before it was revealed, presenting it not as a puzzle to be solved but as an unknown to be navigated through. He also throws something different at the audience ever so often, an unexpected visual or narrative spark that keeps the viewer plugged in to what's going on.Now, some might be put off by the rather languid pace of Vice and not everyone in the cast is up to the standard of Madsen, Hannah, Boone Jr. and Pearl. Folks weaned on Tarantino and his legion of wannabes might also squawk at something that isn't hyper-witty or drowning in homage and aphorisms, but I think any complaints about Vice have as much to do with the viewer as they do with the movie.I enjoyed this film and how it never settled completely into any of the well worn grooves of this genre. Throw in some bare boobs, startlingly unexpected violence and a buck naked guy on a chain link fence, and Vice is definitely something people should see.

Michael Madsen is an actor who seems stuck to the "Mr. Orange" role he played in Tarantino's masterpiece Reservoir Dogs, and that's not a tradition he breaks here in Vice. The cover looked promising, with Madsen holding a shotgun and Daryl Hannah below him. Looked good and was good.Madsen plays Max Walker, one of those tough 'personal-demons' cops who fills a mysterious hole in his life with prostitutes and booze. His partner, Salt (Hannah), covers Walker at the beginning by planting evidence. Even before that, Walker has a long conversation with a prostitute, that ends in the obvious. The other members of Walker's department are equally as corrupt, or dubious as to the corruption. Suddenly, a string of murders are committed and Walker finds himself in the middle of it.The plot sounds stereotypical, and it is. The film is a collection of classic clichés that somehow cinch together masterfully. Nothing about this movie sounded good, I only watched it to numb my brain after a tough day. I found myself increasingly glad I watched.The acting is great. Madsen knows he's playing a scumbag and plays a great one. He's Mr. Blonde again, but it's a role he knows well and it showcases his talents. Hannah is a bit of a bait-and-switch, but what screen time she has is fine. The supporting cast also remarkable, including Mykelti Williamson (Bubba from Forrest Gump), John Cassini, and the always fantastic Mark Boone Junior.For a film that is 70% talk, the dialogue is really good. I was interested in these characters and their lives, especially the lines given to Madsen. He does a great job with the lines he's given, which are noir one-liners that fit great with the source material. The pacing is slow but the dialogue and action make up for it.Overall Vice was an enjoyable little action film that gave me what I wanted; Noir Crime with Mystery and a great main character to follow. Enjoy.

Classic bete noire: The genre persists in many forms.Vice is not a "slow" movie, nor is it pedantic. Vice does require intense attention to each participant and the environment, as it should, for the writer and director show common people in extraordinary circumstances.Madsen and Hanna may not seem "common", but see them at the bottom of the ladder in their environment. The acting is exquisite, the sets sublime (in the sense that they disappear and yet contribute a force on the viewer), and all is wholly believable.Vice is paced to the stark reality of an undercover existence, of competing loyalties, of personal trust and values, of redemption. Best of all: It takes until the very end of this film, but there is resolution.A hard film, but well worth the effort.

I'm a little shocked that Michael Madsen was in this movie. He is one talented actor. He could have done much better than getting involved with Vice. I tried to keep from stopping the DVD player to pull Vice out. But that's what I did. The movie is sloooooooow. It moves at a crawl. Super boring action. I don't know when I officially had to turn it off before it put me to me sleep. I do recall Daryl Hannah talking to Michael Madsen in car then getting out. Daryl Hannah is way hotter with curves than she was in Wall Street. She's a timeless beauty. Even Michael and Daryl could not save this one. The plot written on the DVD sounded like it was was going to be smoking like a inferno of action. It was more like a match of boredom. The DVD was only playing 20 minutes before my GF asked me what's this about. It was taking so long for a plot to develop that it lost us. If you need help going to sleep one night rent Vice. It will do the trick.