"Onkel Toms Hütte" is a West German color film from 1965, so this one already had its 50th anniversary last year. It is the German-language take on the famous "Uncle Tom's Cabin" story by Harriet Beecher Stowe, probably nothing I would have ever thought that it existed, but it was a positive surprise for the most part. I found different numbers in terms of this film's runtime. IMDb says 2 hours 50 minutes, other sources say 1 hour 50 minutes, but the version I saw was something in between, namely slightly over 2 hours and 20 minutes. The director here is Géza von Radványi and he was pretty successful and prolific back in the day. This one here is still among his most known films I guess. The cast is solid too. O.W. Fischer, O.W. Fischer, Michael May (in her first performance) and Mylène Demongeot had star potential and the title character is played by John Kitzmiller in his final performance very briefly before his death. The latter is mostly known for his Bond film performance today. Overall, this is not a perfect work by any means and it has difficulties occasionally in terms of keeping focus. Then again, it is almost impossible to do so for a film with this runtime. There are moments when it drags and I feel it should have been 35-40 minutes shorter. But I would still say it's a success overall. Especially the first third of the film was pretty interesting to watch. I myself am not too interested in the era the film portrays, but people who care more for this time and the historic context may actually end up really loving this film. I personally would only say I liked it. Not a must-see, but I still give it a thumbs-up, even if it struggles with getting shades on characters beyond the black-and-white depiction (no pun intended!) and the message it sends is an honorable one. Worth seeing.

"Run's house" if you have listen to some old RUN DMC classic hit. But in this case it's Uncle Tom's house ... although it's also not quite his, him being a slave and all ...But let's rewind and start off with the fact, that this is based on the very popular novel. That it is a European production and that I can't tell how true to it's source material it is. My feeling says, that's it's not going "by the book". But it's only a feeling. What I can say for certain, is that I had mixed feelings, watching this movie and even afterwards. I'm pretty sure that was intended, but it still got to me. And unfortunately it's not that this feeling makes me view the movie with better eyes. Even if you haven't read the book, the title should ring some bell and if you like the ring of it, than watch it, it's worth-while, though not a classic.

Although well known in the whole world "Uncle Tom's cabin" has never been the subject of a major American motion picture.It's easy to see why;the paternalistic side of this mammoth novel has grown unbearable to some:who among the most famous black actors would accept a "yessir " part?It's easily understood,even if Hattie MacDaniell received a colored actor's first AA, for just that kind of role.(Gone with the wind)So this big budget European movie.Like the precedent user,I saw this production a long long long time ago,but I've got a vivid memory of it. It's interesting to note that the director,Geza Radvanyi, made one masterpiece "Valahol Europa'ban"(somewhere in Europa) and after soon degenerated into what the German critics call "films limonades" (mushy movies)."Uncle Tom 's Cabin" is more an European movie than a German one:Italian actors(Eleonora Rossi-Drago) meet German (Herbert Lom) or French ones (Juliette Greco,Mylène Demongeot)ones. Mrs Beecher -Stowe would be turning in her grave if she saw some of the scenarists' "adaptations":On the boat,there's a steamy (for the time) scene between Legree and Cassy.Exit chaste old cousin Ophelia,and make way for a vivacious gorgeous young Harriet.Besides,the deadly serious M.Saint-Clare goes to see a hostess in a bar .(Juliette Greco).The end of the movie becomes epic,as the slaves rise up against their "owners".On the plus side:beautiful Negro spîrituals during the Mississipi shots and a nice Evangeline Saint-Clare played by Gertraud Mittermayer.However,it's doubtful that this movie should be reissued some day.

I saw this film some 30 years ago. Yet I rate it as an unusually interesting film 30 years later because of the marvellous songs and the interesting use of modern shots of the skyscrapers at the beginning of the film. While the film is true to Harriet Beecher Stowe's story, the director's implicit comparison of the past and present America (skyscraper skyline shown during the credits) is interesting. Eartha Kitt's song at the end is unforgettable. The film is distinctly European (the director is Hungarian) in style and the story and songs could merit a re-release. Herbert Lom is notable among the actors. Many versions of the film exist but watch the version with Eartha Kitt's singing the song with the end credits.