Two Rabbits
Two Rabbits
| 20 January 2012 (USA)
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Edgar is a young upper-middle class man, close to completing 30 years old, he lives a full life crisis and is in a position common to the vast majority of Brazilians. On the one hand the power, represented by a corrupt state, abusive and absent in their taxes before their obligations. On the other, crime increasingly organized violence became a constant in the lives of citizens in large cities. Edgar responds to all this as a modern vigilante. With the help of ingredients such as technology, counter-information and manipulation, Edgar concocts a brilliant plan, using the greed of their opponents as the reason for its destruction. As the plot unfolds, we know more about the dark past of each character as Edgar fit the pieces together in an intriguing puzzle that makes up the film's plot.

Reviews
Lucas Kenan

Two RabbitsIts always a pleasure to watch a Brazilian movie whit the guts to do it differently, to show that the seventh art in the country of the football still has a great future ahead. Afonso Poyart surprises us whit a history of robbery corruption and back stabbing counted in a very Brazilian way, whit great strength and by the peaces that the main character Edgar (Fernando Alves Pinto) want us to know. The direction of the film make it quick and easy to watch despite the overflowing of characters and the complex scheme that Edgar plans. The direction of art takes the best in São Paulo to feature the history and the always present contrast of the wealth and the poverty present in the movie. But the velocity and plot twists of the film do not contribute to the understanding of the characters and their goals. Afonso give us an main character that show no remorse after murder a mother and her child and have a life of plenty and yet seek for more money. Julia who in the beginning of the film appears as a fragile woman who its getting to much involvement in the hard life of crime, becomes an femme fatale who plays her husband and ends like the motivation of Edgar plans and his lover who do anything for the love shared by them. Walter its a blur figure hidden behind the bear of Caco Ciocler who Afonso leverages of the common though that he hated Edgar, to make him one of the lasts peaces of the puzzle. After all, you can see that the development of characters that Afonso does, do not make theirs mind clear to the viewer, the director knowing that, he use it to make more plot twists. All this things show how this movie has an great argument that was not entirely passed to the script. Regardless of that mistakes we see a lot of courage in Afonso's movie and it make me thought of the people saying, in the time of the release of "The secret in their eyes", that the Brazilian movie makers do not had that courage, but now i know that they have, and they are showing it.

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Nafis Shahriyar

After devouring this hardcore Brazilian film, what I had to articulate was Holy Sugar!!!! :o This is an ace class crime-thriller flick!!!! Hats off and Big Bravo to its young director, Afonso Poyart. It just blew over over my head to conceive how this super-swift supreme creation came from his debut direction!!!!! His script was so spellbound and plentiful with enormous twists that I could not miss a bit of attention over the movie. Excellent editing with the narration and flashbacks :))) Acting was also great maintaining those twists-turns and some camera shots definitely deserved eulogy. I treat it as a MUST WATCH for all high-tension crime thriller lovers :p___8/10___

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Claudio Carvalho

In São Paulo, the scheme of the corrupt DA Júlia (Alessandra Negrini) and her mate, the lawyer Henrique (Neco Villas Lobos) with the gangster Maicom (Marat Descartes) is discovered and sent to the Internal Affairs. Maicom is responsible for kidnappings, murderers and heists and his only chance is the support of the corrupt and powerful assemblyman Jader Kerteis (Antônio Roberto Marchese) that demands 2 million-dollars to help him. Meanwhile the "paulistano" Edgar (Fernando Alves Pinto), who killed a mother and her son two years ago in a car accident, invites the "motoboy" and thief Velinha (Thaíde) to steal the escorted courier that is carrying the pouch with the money to be delivered to Jader. How their lives are entwined? "2 Coelhos" is the debut of Afonso Poyart as director, producer, writer, actor and editor with golden key. His work is visibly influenced by Guy Ritchie (Lock, Stock and Two Smoking Barrels); Quentin Tarantino (Pulp Fiction); Christopher Nolan (Memento and Inception); and Fernando Meirelles (Cidade de Deus) in a Hollywoodian style of explosions and special effects with a budget of less than 2 million-dollars. The result is so good that Hollywood is planning to remake this film for a people that have difficulties to read subtitles.The acting and the CGI are top-notch and the non-linear screenplay is well resolved in the end. If you have a chance, read the subtitles and enjoy this worthwhile movie. My vote is eight.Title (Brazil): "2 Coelhos" ("2 Rabbits")

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calneto

This is another movie following the footsteps of "Cidade De Deus" and "Tropa De Elite", meaning that the main topic is the blatant corruption of our society in Brazil. The main difference this time is that we are no longer in the streets of Rio, but moved on to Brazil's largest city. Much of positive can be said of the movie. The editing and the special effects are superb. The opening sequence, with drawings mixed in the scenes is particularly clever without being over the top. The acting is also very good and uses mostly actors from São Paulo itself, which is not something trivial, if you keep in mind that the huge soap opera industry of Rio is the one usually providing star power for film productions (granted, some of the main characters are played by actors known to the public for soap opera work: Alessandra Negrini and Caco Ciocler to cite the best known faces). Having said this, I cannot turn a blind eye to the plot. It is true that it is very intricate and told in a fast involving pace, but almost every single detail does not survive a closer look. Virtually everyone is cheating on the spouse in a way that helps the big master plan of the main character. Petty thieves suddenly become mega criminals, with heavy artillery hidden in their shacks and do not bend under any kind of pressure. Perhaps the most absurd thing is the improbable alliance between a former professor and the guy who killed his wife and child, without any apparent reason. The director should have tamed his ego and hired a better screenwriter instead of having a go at everything. I hope that is what he does in his next work, given that his directing talent is not at check.

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