This is a very remarkable film. Don't be misled by my rating of 7/10. I'm a harsh grader. On usual accepted critique methods, this is just about an "ultimate" film. Unlike the "safe" movies that people like to think of as "risk taking", this is an ultimate "risk taking" venture. It's obviously too iconoclastic for most of the rich kids on IMDb, safe in their snug cubicles.And i understand the annoyance one would feel with this film. I feel it, too. I like "cut and dry" stories. This film is full of so many loose ends, that in spite of being set in the scenic Pacific ocean on a beautiful ship, it is the exact opposite of "escapism".This is a very adventurous drama for the lack of violence involved. It is a drama, but it is cleverly handled. Take it off the slowly sinking ship in the ocean, and you have a stage fare. The two leads get most of the attention, but all of the characters are explored. Not only are they all very three dimensional and likable, including the bad guy, but they are almost "four dimensional". Each of these roles are mouth watering to any thespian.Whenever you begin with a ship named "Cannibal", you know you're also dealing with symbolism. The symbolism of the written word, of a book I did not read, is far better depicted in this film than one would expect. Perhaps the character of the reverend is the ultimate symbol of Faith. Don't expect the usual hypocrite you see in most movies. Like I said, this is too iconoclastic for anything that obvious. All of the characters have more to them than meets the eye, with the probable exception of our two macho male shipmen, the young captain and his charismatic older helmsman. The world is seen mostly through their honest eyes of hard working men. The older, wiser one has seen it before. The captain is at a stage in life when he thinks he is a cynic, but is still fairly naive about people.Which may be why Hudson was allowed to play the role. On the surface, he appears a mismatch for a role you'd expect Bogie in, or perhaps cast member Kennedy. However, the contrast of not being what one appears was set in our director's mind. He could easily have added scars, whiskers, and pot marks to our captain, but it was on purpose that we see the glamorous duo of our two gorgeous leads feel like they appear rugged, while all the time being untainted by the world. To their credit, they do a great job of conveying this feeling. One looks and sees Rock Hudson in a role that doesn't become him, but that's because the role doesn't become the character. He is a clean soul being put through the wringer of an unclean world.There is a sad scene which is designed to make strong men cry and women gasp. It is very effective. But then this entire film is very effective.So why do I only rate it 7/10? Honestly, I like the "cut and dry" escapism, and would rather see all the facts be known. But this is a "reality" piece. Perhaps I am not strong enough for complete reality. For instance, our hero is left dangling about the truth over whom to trust, and puts it in Faith to trust the right person. This is very realistic, but it is totally annoying to watch, when we are bursting to have it be known.But that's why it is not revealed to our character. There are many other examples of "loose ends", such as a former airman never confronting a braggart who falsely claims to be an ex-pilot. It is never brought up again.A few loose ends I could handle, but this is stark reality. There are many loose ends. This is a "mature" piece, designed to help us "mature" into serenity.This is why I set it down one notch, out of my own desire for escapism. The film does what it sets out to do. The directing is excellent.I do set it down two notches for the ending, which I did not buy. Our hero makes a huge, needless sacrifice, which is meant to be attributed to his idealism, but which leaves him pretty much penniless, which is a condition he'll stay in while he waits for a date two years later with the heroine. I felt it didn't belong in this realistic piece, and while I could forgive the "letdown" ending as part of realism, this was a Hollywood ending that just added to the annoyance.Still, because of its iconoclastic nature of escapist scenery mixed with realism few could endure, I highly recommend this piece. It is a showcase for directing, writing, and cinema. Viewed alone, or with others, this is a very remarkable work.

Had I ever wondered why this vintage Rock Hudson adventure film was not included in Universal's 3-Disc/5-film Franchise Collection dedicated to its star, the answer is now clear to me: it just is not very good. Despite a respectable pedigree – Ernest K. (ISLAND IN THE SKY, THE HIGH AND THE MIGHTY) Gann adapted his own novel for the screen – and its seafaring STAGECOACH-like plot, the film never amounts to much – not even during a climax in which the decrepit vessel (commandeered by Captain Hudson who is burdened with a Lord Jim-complex) is almost lost during a storm. The characters of the crew and passengers are, likewise, all from stock: a mysterious, statuesque redhead (Cyd Charisse) with a past that falls for – and cures – our lock-jawed hero; a sleazy second-in-command (Arthur Kennedy) who, at first, undermines but eventually grows to respect his superior; initially mutinous sailors (headed by Charles McGraw) who, again, are on Hudson's side by the end of the film; a trouble-making charlatan (Leif Erickson) is redeemed by long-suppressed love for his aging prima donna; a womanizing drunkard (Richard Haydn) sparring verbally with an old priest; an aged couple (including Vladimir Sokoloff), etc. For what it is worth, Hudson also has a hairy mutt for a pet (which goes on to perish from a shark attack) and the dramas haunting the two protagonists are depicted for us via short flashback sequences.

I guess Universal was trying to give their own Rock Hudson (a recent Oscar nominee for GIANT) a bit of a stretch. I've read the Ernest K. Gann book, and the potential was here for a good film. But in fact Arthur Kennedy would have done better as the irascible captain, while Hudson would have been better cast as the first mate. This disastrous swap squanders the promise of a well-written (Gann himself) film with a decent veteran director (Pevney).

Twilight for the Gods coul have been a good tittle for a good movie. But is just stay in a good -and incomprehensible- tittle. By another side I sorry confess I did not read author this best seller at all. May be the novel where was based the film was a excellent book but in my opinion the film is a bite long for usual spectators. May be the old sailing ship was too old and the Captain too alcoholic. Any way there are a handful of masochistic traveller gathered round this Captain who insist in travel in spite of the poor appearance. The apathetic and long hear Captain David Bell is Rock Hudson. Miss Charlotte King (an elegant, curved and glorious Cyd Charisse) is quite all right but the rest of the passage is not very interesting to do a trip by the sea with them. That is why the navigation results some long. I personally thank indeed Miss King presence with her cloudy past. The little dog is funny too. Even it likes Cyd Charisse. It means it was a really clever dog. I give 6 (but only for Cyd Charisse).