A classic gruesome threesome that focuses on three short stories by Nathaniel Hawthorne, all starring the fabulous Vincent Price. He plays an aging friend of a grieving man whose fiancée died on their wedding eve, the ailing and reclusive father of a young girl he keeps hostage and alive through a mysterious power that has the capability to kill. In the third segment, he returns to familiar territory: the saga of the Pynchon family, a cursed clan consumed with dark secrets of the past, culminating in a time of great social uproar in 17th Century New England. Sebastian Cabot and Mari Blanchard co- star in the first tale, focusing on the mysterious crypt water which seemingly brings the dead back to life and possible eternal youth. It is eerie, poignant and ultimately haunting. The second segment has a beautifully colorful set but a strange and convoluted tale of a young man (Brett Halsey) obsessed with the creepy beauty (Joyce Taylor) next door. Jaqueline de Witt is Price's sinister and Beverly Garland his innocent bride in one of several short stories that Hawthorne wrote about the doomed Pynchon family. Hoimh back to the early days cinema and feature length films, there's been a slew of multi story structures especially in the horror or mystery genre. I can think of a handful that featured Vincent Price, and indeed, he is the king of the macabre. This one is enjoyable overall, but the second segment takes some patience. It's ironic to see Price have a second involvement in a tale loosely based on "The House of the Seven Gables", this one quite distinctive with a totally different story than the 1940 Universal classic. It's a treat to add to any horror collection, but in my case, it is filed with the rest my Vincent Price treasures.

The title seems a little distracting, I imagine it refers to Nathaniel Hawthorne's original works and this Vincent Price adaptation. Hawthorne's writing style was more darkly romantic than overtly macabre, but the transition seems to work well enough. The picture follows an earlier Price trilogy in the prior year's "Tales of Terror". Fans of the actor will probably want to catch both.Of the three entries, I liked 'Dr. Heidegger's Experiment' the best. Price and Sebastian Cabot portray long time friends who eventually find themselves at odds over Heidegger's fiancé (Mari Blanchard), who died thirty eight years earlier. She's revived by a mysterious mineral water that also acts as a fountain of youth for Heidegger and Alex Medbourne (Price). 'Tales From the Crypt' fans will probably see the ending coming, not very surprising but satisfying enough to conclude this chapter."Rappaccini's Daughter" has some creative and novel elements at work, but strains one's credibility to learn that Beatrice (Joyce Taylor) has never ventured outside the garden gate that surrounds her home. The toxic plant business is a bit of a stretch too, making Dr. Rappaccini (Price) it's final victim in this story of unrequited love and it's tragic aftermath.The third part of the trilogy is a much condensed version of Hawthorne's 'House of the Seven Gables', and mysterious enough to recommend that I get the source material to check it out in novel form. Once Alice Pyncheon's (Beverly Garland) role in the story is established, it takes a fair amount of concentration to follow the family's sordid history. It comes to a rather rushed conclusion, evidenced by some glaring continuity errors. For example, after Gerald Pyncheon (Price once more) discovers the cellar vault, he has the lid to the vault almost back in position, and after a quick cutaway, he's shown with the lid standing up once again about to place it. Then, as the Pyncheon mansion is beginning to implode, Jonathan Maulle (Richard Denning) attempts to remove the same slab, but it's thicker than the one Price's character dealt with. I don't think the ghosts at work in the house would have bothered.But all in all, not an altogether bad bit of fun for Vincent Price fans. You have to give any actor credit for allowing himself to be killed off so many times for the sake of his craft.

Sidney Salkow directed these three adaptations of Nathanial Hawthorne stories starring Vincent Price & Sebastian Cabot: "Dr. Heidegger's Experiment" - A rejuvenation formula has unforeseen consequences in this nicely produced but routine story, with Price & Cabot in good form at least."Rappaccini's Daughter" - A man with an elaborate garden poisons his daughter so that she will never leave it, though it doesn't go according to plan... Ineffectual and forgettable."The House Of The Seven Gables" - A cursed family home brings about its inhabitants destruction in this ho-hum version; not bad, but not particularly memorable either.

Vincent Price stars in three effectively eerie and engrossing tales of terror based on the short stories of Nathaniel Hawthorne. First and most touching vignette, "Dr. Heidegger's Experiment" - Price and Sebastian Cabot are superb as a couple of elderly old friend physicians who discover the secret of immortality in this thoughtful and moving meditation on death, aging and mortality. The gorgeous Mari Blanchard is radiant and ravishing as Cabot's deceased wife who's resurrected from the grave. Second and most original segment, "Rappaccini's Daughter" - The strikingly comely Joyce Taylor is enchanting as Beatrice, a lovely young lass with a lethal poisonous touch. Brett Halsey is likewise charming as the nice young man who falls in love with Beatrice while Price delivers a marvelously hateful turn as Beatrice's domineering and overprotective father. Third and most horrific episode, "The House of the Seven Gables" - Price hams it up nicely as a wicked wealthy swine who returns to a creepy crumbling family mansion that has a 150 year old curse on it to find a buried hidden fortune. Beverly Garland as Price's fetching wife, Richard Denning as a dashing, handsome rival and especially Jacqueline de Wit as Price's greedy sister lend sturdy support in this shockingly violent and gruesome yarn. Capably directed by Sydney Salkow (who reteamed with Price for the excellent "The Last Man on Earth"), with an intelligent and elegant script by Robert E. Kent, a spare, shivery score by Richard LaSalle, vibrant, richly saturated bright color cinematography by Ellis W. Carter, plenty of brooding, eerie, melancholy atmosphere (the second story is particularly sad and haunting), a slow, stately pace and uniformly fine acting from a tip-top cast, this fright feature overall rates as a solid and satisfying omnibus outing.