One of the first scene of the movie really ruined it for me, because here you see the basic rules of the movie by avoiding nudity and after that hitting you in the head with useless violence.It just did not make sense to me and as the movie progressed it was a repeating this formula over and over. The nudity I did see was more personal and even that felt a little awkward with weird close ups and out of focus shots.Because of the subject matter and the way to walk around it the whole thing became kind of silly.I usually like Italian actresses but these seem to be chosen to look like Hollywood bimbos where double d is mandatory.Did not watch it until the end cause if you've seen more than half of the movie and it don't convince you the whole thing is tainted.I always liked Italian cult for not being so uptight but this one is to uptight even for American standards.Could have been a cult classic.

For a movie which elevates itself to the level of Profondo rosso or Tenebre, I'm very surprised of the overall note of Tulpa here on IMDb. Federico Zampaglione looks to me like the glorious successor of Dario Argento in that very specific genre, he even surpasses the master somehow, succeeding to produce some of the most stylistic murders of the years 2000. And cherry on the cake : the musical score has the same effects than a hallucinogenic mushroom, providing some of the most obsessive themes ever created since Goblin's Profondo Rosso. The principal actress is to die for and she really delivers the goods in the exchange club. Tulpa is essential for the Giallo aficionados and I strongly recommend it.

Not since Dario Argento's "Opera" have I had so much fun in the cinema. TULPA in the tradition of the aforementioned giallo classic's continues the black gloved killer franchise in a way that their creator has failed to equal since. Enter Federico Zampaglione, cat-like femme fatale Claudio Gerini and future horror icon Nuot Arquint in a trippy and highly erotic sex and death adventure, accompanied by moody neo-noir cinematography and a score that rivals Simonetti and the Goblins at their very best. Clunky plot points and expositional dialogue aside, TULPA is a must see for any horror fan worth their weight in salt. 8 stars....

Take a video camera, any will do, new or old, it doesn't matter. Then assemble a group of strangers, give them no plot or script to work from and film them. Whatever the outcome of this endeavor the chances are you will surpass Tulpa in style, complexity and your actor's performances.Tulpa is without doubt one of the worst films ever. Acting so wooden it makes Haydn Christensen's turn as Anakin Skywalker look as complex and multi-faceted as Al Pacino's in the Godfather Part II. A script so bad that it contains the line, "For your information I work in IT", although the delivery and context of this made it one of the funniest scenes committed to film this year.The first post credits scene of a business meeting written via what must have been a copy of meeting buzz words for idiots is hilarious, with the head of the company, who is the sleazy love child of Silvio Berlusconi and Alan Sugar, telling his management team that one of them must go.The sex club run by the weirdo in white gloves does more for promoting abstinence than anything right wing Christians can cook up with him constantly imploring our heroine to "Release her Tulpa". I have wasted hours of my life watching this so you don't have to. Heed my warning and keep your Tulpa where it is!