I was pleasantly surprised at how well the tsunami tragedy was re-enacted. The acting and the writing stand above the other craft.The execution is compelling thoroughly. It boggles my mind to find so many negative reviews on this site. This film in my opinion presents an honest and comprehensive account of the tsunami tragedy and its aftermath, it explores the causes, it attaches blame without luridness, it visits the foundation of the family as a institution in the midst of a life altering crisis, it is emotionally compelling, it is educational, it is thought provoking. This film made my everyday problems feel like a picnic at the park.I didn't know Tim Roth was that good.

Bad acting, Over-reliance on emotions that don't get expressed properly, Offers no interesting/original story or point of view. I agree with others that it has too much of the inaccurate documentary and very little of the Thai people's suffering and grief. This film was truly disappointing for such an earth shattering event. One of the greatest natural disasters in history affecting millions of people seems truly small and the main characters concerns and tragedies feel like petty whining. The Tsunami was a much larger and important event than what this film manages to convey. It truly does not live up to the challenges set out for something of this magnitude.Any amount of taste garnered by the dignified responses of the main characters is undermined by the films total focus on tourists as the main sufferers of this tragedy, totally bypassing what this event meant for the millions of locals who were affected.As a person who is very well acquainted with the toll a natural disaster can take I was extremely bored and disillusioned with this portrayal.

Tsunami: The Aftermath ranks up there with movies such as Titanic, Nicholas and Alexandra, and many other historical movies! This was a great protrayl of the tsunami tragedy that happened in Thailand 2004! The acting was great, everything was top notch! Seeing possible events occur in the film/mini-series was heart wrenching and sometimes made me angry or depressed! Anger at the Hotel Chains for being so greedy, and depressed and sadness at the loss of loved ones! This is a great movie and I hope it gets the recognition it deserves!! And the actors all deserve an award for playing such a diverse set of characters coming together in tragedy, especially Toni Collete, Chiwetel Ejiofor, Sophie Okonedo and many others!

A group of European scuba divers are out at sea off the coast of Thailand on Boxing Day 2004. They return to the shore to find destruction as far as they can see, an ocean full of bodies and no sign of the loved ones they left behind. Meanwhile, on the shore itself the survivors of the tidal wave flee for higher ground for fear of a second wave hitting. As the authorities struggle to return some sense of order or control, the survivors try to find their missing relatives whether they are dead or alive.I wasn't sure about whether to watch this or not because I found it difficult to imagine how a film could adequately capture the sheer sense of horror and the loss of so many hundreds of thousands of lives. And of course, having watched it, the film doesn't really ever manage to give the viewer a sense of how destructive and devastating the disaster was. Of course this is not really the fault of the film but it is generally just difficult to picture that many people dead and difficult to look at footage of missing villages and understand what happened. So this leaves the film to try and deliver it the best it can and fill the film with a handful of characters that can be followed from pre-disaster into the aftermath of the title.In doing this it was never going to be perfect but it does build a cross section of characters and also deal with the emotional impact of the disaster as well as the organisational nightmare that followed as well as the inevitable search for someone to blame or be angry at. The film doesn't manage to do all of these well and indeed some of the threads fall flat; Tim Roth's journalist as an example of one aspect that could have been scaled back a bit. The result of it trying to do a lot is that the film is a bit too long and does feel baggy at some points. The strongest thread is that of the couple played by Ejiofor and Okonedo. They convey the emotions of those who have lost relatives without knowing if they are dead or alive. This part is engaging because of their performances – both of which are wonderful and painfully convincing. Their relationship is real before and after and it hurts to watch what they go through – they are the heart of the film and, although they are European, they embody the loss and pain. The Peabody's (McKee et al) and Machielsen's Tan do this as well but it is not as raw and emotional. The rest of the cast are left with the other material to work with and they all mostly do good work. For all his character's relative unimportance, Roth still does well and he does provide a glue to hold the bigger picture together. Bonneville and Collette provide the organisational side with teeth and meaningful performances.Although the plot wanders a bit in the second half, this film still has enough about it to engage and move. Occasionally baggy it is mostly interesting and holds the attention. The cast are mostly good but the emotional heart of the film is wonderfully delivered by two guttingly real performances from Ejiofor and Okonedo.