The protagonist in True Heart Suzie is regularly credited with pioneering subtle acting in front of the camera, as opposed to sweeping, dramatic acting of theater players attempting to transition to the new medium. In some parts of the film, it's a little difficult to believe, given today's films with high definition technology, more sophistication, and able to catch every nuance in an actor's face. Compared to earlier films, however, miss Suzie is quite the refined actress.The story centers on True Heart Suzie, who sells her cow in the name of love to send her neighbor boy, William, to college. When he eventually returns, Suzie is heartbroken to find that he has (and marries) a modern young lady named Bettina. Through Bettina's propensity for partying and enjoying pursuits away from her more mild-mannered husband, she eventually becomes ill and dies. Susie and William end up getting married afterwards, and it's happily ever after for True Heart Suzie, proving that true love can eventually conquer anything, even another marriage.The film is a simple country love story, and it reminded me a little bit of the children's tale of the city and the country mouse. When William goes off to college, he's blinded somewhat by the city and returns with a city girl. Eventually, through pain and suffering, he finds what's been waiting in the country for him all along, and he finds a different kind of happiness with the girl who's loved him all her life.True Heart Susie is a little bit boring, a little bit cute, and a little bit heartbreaking (especially when Susie discovers William's engagement). A lovely film to watch and a nice break from nonstop action flicks of today.

This is a classic case of allowing society and traditionalism hold you back from what you really desire. There was once a time in society where the belief was that things had to be done strictly by the book and if you did them any other way then you were wrong. This belief system was not only for one part of life, but for all. There was a strict way for church's to operate, people to dress, families to conduct business, and also for people to interact with each other and if you did any of these differently than the norm then you were out of order. This was not the time to be different in society; it was a time to conform to traditionalism. Susie was as true to the traditional ways as "the needle to the pole." Susie allows her traditional ways to keep her from getting the man that she longed for from childhood. She was never willing to tell him what she truly wanted to neither through actions nor words while other girls did. Susie sat on the sideline and watched as other women robbed her of the stock she had invested so much in. Susie was so caught in tradition and being nice that it was too a fault. In the end it hurt her more than it helped. One thing I noticed was that Susie was more loyal to her mother than she was to her own desires and that loyalty cost her many years of happiness. Susie eventually married the man of her dreams, but it was well into her later years of life and she could never be as happy as she could have been had she gone with her gut feeling and told the young man how she felt. Susie surely had a true heart.

D.W Griffith is considered the first director to implement narrative techniques to his filmmaking and "True Heart Susie" is a great example of this. While I wasn't immediately impressed, I found that as the movie progressed I connected with the characters more and more. Susie is a plain girl with completely honorable intentions who falls in love with William. Lillian Gish does remarkable job acting "for film." Her facial expressions are not too over- produced but it is easy to read her thoughts from a simple arch of her eyebrow. Griffith is definitely making a social statement on old-fashioned values. Susie is a pure character and the film really remains honest throughout. For a silent film, it really kept my attention. The thing I really loved was the character Clarine Seymour played because I think her acting; along with Lilian Gish's was a real testament to the time. Seymour's character is not meant to be hated and she does a lovely job pulling off the "vampy" personality without losing the viewer completely. Also, since I was watching this for a film history class, it was a nice departure to see more subtle acting. This is not similar to "Birth of a Nation" at all so if you are looking for a more epic film by Griffith, this is not it. "True Heart Susie" is an intimate, honest journey of a young girl whose values are tested in serious ways. No matter what statement D.W Griffith was trying to make with this film, he made it enjoyable to watch.

It's rare that the ending of a film can undo so much of the rest of the movie, but "True Heart Susie" by D.W. Griffith is one of those films. It's really a shame, as the movie had been quite good up until that point and had a lot to recommend it.The film begins with Lillian Gish wanting to help her sweetheart (Robert Harron) get the money for college. When a rich guy meets Harron and promises to one day help him (but doesn't), Gish decides she'll be his benefactor--secretly giving him money he assumes is from this rich man. Using the money Gish obtained by selling her farm animals, Harron is able to work on campus and earn enough to get his education. When he returns, he's now an ordained minister and appears ready to settle down in his home town. However, he still doesn't know that Gish helped him. She assumes they'll one day marry, but he never has popped the question.When a flirty lady bent on marriage arrives in town, Gish's subtle and lady-like ways are no match. Even though it's obvious to the viewers that this new lady is a tramp (as you see her doing lots of evil things behind Harron's back), the guy never realizes his new girlfriend is just plain bad. Now you'd think that Gish would lay it on the line and just tell him that she paid for his education as well as her love for him, but she doesn't. Perhaps she only wants him if he wants her--perhaps this is just a plot device! Either way, Gish is simply beautiful and sweet in the film and it's hard to imagine Harron marrying the tramp...but he does.The marriage soon turns out to be a huge mistake, as the new wife really could care less about being married or any aspect of domesticity. Harron, though, is easily manipulated and time after time, his cheating, no-good, scumtastic wife breaks her marriage vows--partying with old friends, kissing other men and just being a skank.Now up until this part, I'd liked the film. It had nice production values and very nice acting. I thought Griffith had done himself proud. Then, however, bad writing really sunk the film. First, when Gish sees that the new wife is a cheat, she does NOT tell Harron. This is odd, but perhaps understandable. However, when the cheating wife is caught out in the rain (as she'd sneaked out to go partying), Gish actually agrees to help the wife hide her actions. Why?! This made no sense. Second, and this was dumb, Gish didn't tell Harron a thing. Third, and this was just awful, the cheating wife gets sick and dies as a result of her being out in the rain!! This is the sort of death that can only happen in movies and just seemed to come from no where. Fourth, after the awful wife dies, Gish STILL doesn't say anything to Harron!!! However, you know that somehow it will all work out--and the entire last 10 minutes of the film is a mess--and it's a shame, as the rest of it was lovely.