Trouble with Johnny explores the recurrence of loop, tempo, and flicker. The project uses found footage as a method for emphasizing the cinematic collisions between audio and visual composition. Working within the margins of structural filmmaking, Trouble with Johnny creates a visceral experience of fragmented sounds and cyclical imagery. Likewise, Trouble with Johnny functions as a parody of the mainstream movie industry. The source material derives from the 1980’s coming of age film, The Karate Kid. Throughout the story, the main antagonist, a bully who goes by the name “Johnny”, is revered by a dedicated clique of subservient underlings. Applied as an experimental technique, the repetitive use of the word “Johnny” draws attention to the stereotypical and recurring tropes found in many teen movies.