Kirk Morris is Maciste, one of the Sons of Hercules! Again we have an evil character sacrificing young virgins to a fire god this time and the villain is the the wicked Queen Tenefi! Of course Maciste will come to save the day for the women and restore the throne of Memphis its rightful ruler, Prince Iram.We have the same thing, almost the same story as most of the others of this nature - just different faces and names for the characters. And this version of the same basic story plot is not all that grand.My Mill Creek copy is severely faded, not that that it really matters because it's a terrible film. Easy to see why this one (along with most of the others) fell into the public domain. No need for a restore here.1/10

This movie trots out all the usual peplum clichés, but gives some of them a little spin. The good girl, for once, is a brunette, which makes her confusingly resemble the evil queen who bewitches Maciste, making him her love slave, in a plot twist stolen from HERCULES UNCHAINED. In the typical test of strength, the hero here has to survive with a team of horses chained to each arm -- this scene occurs in a number of pepla, but here they add the touch of having sharp scythes attached to the chariots, threatening to decapitate proisoners buried up to their necks in the ground ... a little extra creative sadism, lol. Kirk Morris is, as always, a beautiful physical specimen, with the face of a Botticelli angel.I've only viewed this film in the awful, fuzzy, color-faded print in the WARRIORS DVD pack.Can someone explain one thing to me? This is billed as Morris's first peplum, yet it contains a long underground sequence lifted from THE WITCH'S CURSE, released the following year. Was WITCH made first and released later? Or was the WITCH footage added to this one some time after its release, maybe to pad its length?

Maciste Triumphs finds him in ancient Egypt which was more ancient than ancient Greece where these muscle dudes usually operate. It seems as though an evil queen has triumphed over the rightful heir to the throne of Memphis and is keeping her subjects in line with sacrifices to a fire God aka volcano and some black magic tricks of her own.In fact when her soldiers capture Kirk Morris as Maciste she doesn't want him killed, but simply to serve as her slave in all kinds of capacities. One look at him and who could blame the lady, but even her allies think she's behaving badly.When Maciste has to confront the volcano to save his true blue girl friend he has to deal with some creatures that look like they escaped from Dr. Moreau's island. That's the highlight of the film because it sure isn't an original peplum plot.

Using the traditional sword-and-sandal plot about the muscular hero freeing a populace from the tyranny of a beautiful but predatory queen, "Triumph" proceeds in a predictable manner which may please those who are undemanding and who expect no surprises. As usual the hero must pass a "Test of Strength" involving being pulled between two teams of horses, (a la Steve Reeves in "Goliath and the Barbarians"), and as usual the hero becomes the slave of the queen, (who lusts for his body), after she enchants him with a bit of magic. As usual, there's a "good girl" who also desires the hero and whose virtues stand in stark contrast to the queen's faults."Triumph" benefits from the presence of 23-year-old Kirk Morris who has all the required musculature but who possesses a youthful, almost boyish quality which sets him apart from the likes of Steve Reeves, Gordon Scott, Dan Vadis, etc. Unfortunately, "Triumph" doesn't find a way to effectively exploit this quality in Morris -- who's admittedly no great actor -- and it badly miscasts the part of the "good girl." She's played by Cathia Caro who's simply too old, too dark, and too heavy to serve as a proper counterpoint to the wicked queen. As the queen, Liuba Bodina is no more than adequate.In terms of the plot, "Triumph" stumbles when it sets up a revolt which will dethrone the queen in favor of the rightful ruler, Prince Iram, but then this revolt is skimmed over in favor of a climax which has the hero, (called "Maciste"), entering a volcano in order to rescue his about-to-be-sacrificed love interest. This climax mixes in footage from Morris's "The Witch's Curse," including a scene in which he wrestles a lion and a scene in which he pushes through a wall of flame, which explains why he mysteriously changes back and forth from a light-colored peplum and a dark-colored loincloth.Alas, available prints of "Triumph" suffer from severely washed-out color, but Kirk Morris's bare chest still shines through and by the end of the movie, its sweat-gleaming skin and well-formed nipples -- constantly on display -- will almost seem like old friends.