Treasure of Tayopa
Treasure of Tayopa
| 01 January 1974 (USA)
Treasure of Tayopa Trailers

Modern day western about an expedition led by Winters to find a lost treasure in the Mexican badlands. Psycho Trapani turns the search into a bloodbath.

Reviews
Rainey Dawn

Another Mill Creek Drive-in 50-pack film. This one should be retitled to "Garbage of Tayopa" -- it's completely garbage. 100% trash not one thing salvageable about this snooze-fest.Z-grade acting. Almost anyone can do this film because acting talent is not what they were looking for - everything sounds staged and phony. The one scene with the sun glaring in the camera seemed to drag on and on... time filler I would guess.This is the most boring treasure hunt you can watch. You are much better off gathering up your family and friends to treasure hunt in your back yard - you'd have more fun than watching this dreary film.1/10

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Red-Barracuda

Treasure of Tayopa is about four people who go on an expedition in Mexico in search of lost gold. The group consists of a no nonsense female leader, an exposition-spouting older man, a long haired hothead called Sally and a Mexican side-kick. It's a real obscurity and a bit of an oddball movie overall. Much of its strangeness is on account of how shabbily it has been brought to the screen. Its poorness in most areas has resulted in a film with a somewhat strange ambiance.It could best be described as a semi-western adventure film. But it's quite difficult becoming very involved with the mission itself as it's never exactly very well presented. In fact, it's more than a little boring for much of the time unfortunately. Events are enlivened, however, with some scenes of excessive violence committed by the character Sally, who turns out to be a bit of a psychopath, albeit a somewhat annoying one. His crimes include doubling back to massacre a group of Mexicans for a decidedly minor infraction and administering a bloody whipping to the leading lady. As I say, it's all rather strange but it does feature some decent folk rock on the soundtrack, of a type that I am quite partial to. On the whole, this is one only for the most intrepid cinema fan.

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chamilton-10

This is a very strange movie from start to finish. We follow a bunch of characters that we know little about. We have no reason to root for them or hope they get the treasure/make it out alive/whatever. Then the leader (Rena Winters) goes out of her way to be distant, cold and boring. The other male leader of the group is just basically there for exposition, so the only character interaction is between the ridiculously bad overacting of a guy named "Sally". There is a fourth member of the team Phillipe, but rarely says or does much (or even appears in shots) unless they need a Spanish translator or a fourth vote.Sally is supposed to be crazy, but he just seems to be an annoying idiot, but a harmless one at first. Eventually we learn a little about Sally and Phillipe, but not much, and not enough to care about either of their fate, or to justify or explain Sally's later actions.There seemed to be at least one scene missing from my DVD (Mill Creek "Drive-In Classics" 50 movie pack) because Rena Winters' narration stops mid-sentence at one point and the scene changes. Maybe that was the scene where everything is explained so we care if she makes it out OK. The possibility of more missing scenes would explain why when our group of four meet a group of Mexicans, none of them acknowledge or seem to notice that they'd already met one of them in their travels, even though he'd been the source of much suspicion and discussion afterward.The local Mexicans they encounter encompass every bad stereotype imaginable. I admit I've never been to Mexico, but I'm pretty sure that even by the 70's the stereotype of "banditos" with sombreros, covered in bullets and swigging tequila was already long outdated and offensive.Pretty boring up to this point (I was about to give up) the movie suddenly jumps to unprovoked bloody violence. Back to total boredom for a while, then even more killing, beating, whipping until pretty much everybody is dead. None of the deaths really seem to have meaning or are presented with any sense of emotion at all.Between all this oddity there's some pretty bizarre camera work with the "passage of time" montages using sometimes triple, sometimes quadruple exposures to have sunsets, mountains, closeups, and our four "heroes" walking all in the same frame. Pretty arty stuff for such a dumb movie.The appearance of on-camera storyteller/narrator at the beginning and end was also very strange.

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smittie-1

Joking aside, this is a competently made, if rather low budget, thriller about a bunch of gringos (and Fillipe) who trek off into the Sierra Madres in search of . . . the treasure of Tayopa. Duh. Despite the cowboy hats and six-shooters it's less of a western and more of a '70s survivalist movie, with Trapani stealing the show as crazy ass Sally . . . though all of the actors are good, especially Rena Winters, who I could swear I've seen elsewhere, though the IMDb lists this as her sole credit. Numerous spoilers follow.After being introduced to our main characters the film jumps into a bit of back story, with "host/star" Gilbert Roland's narration accompanied by murals of the (fictional?) 17th century Tayopa mission, where Jesuit priests mined gold until they were massacred by Indians. Quickly enough we segue back into our tale, where, as already mentioned, Sally proves himself to be one messed upped mutha, coming on to Rena with increasing frequency and intensity, harassing Fillipe the guide, and locking horns with the ineffectual Stoppard. Along their merry way to Tayopa Sally murders some bandito types ("They pushed my horse - nobody does that" is a cheesy line, but Trapani made me believe it), resulting in the party being stalked by the ruffians' former employer, a sinister looking fellow dressed all in black. And he has a scar. But he's nice to his horse. Upon reaching their destination Sally snaps completely, attempts to rape Rena, kills Stoddard and Fillipe, and finally dies laughing maniacally, after his head is bashed in with a rock. The sinister fella only shows up to witness the aftermath. He is NOT the villain of the piece after all, despite what Mill Creek's product write up states. Really, most of the action centers on Rena and Sally, as individuals and as antagonists to each other. Rena shows herself as particularly resilient, at one point eating raw rattlesnake to stave off death, only after crawling out of a creek half-drowned and covered in welts. In her dying moments, she hallucinates (as I interpreted it) a priest, who offers her water. She dies. The end.After all that unpleasantness, Roland again addresses the audience, restating his assertion that "Tayopa's past will continue to drive people to search today, and plan to search for tomorrow." ---Spoilers end---Despite its low budget, Treasure of Tayopa makes good use of editing techniques and cinematography. I really can't see why it's as obscure as it is, or why nobody connected to it went on to bigger and better things.

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