Julia Crawford Ivers' adaptation of Mark Twain's classic 1876 novel is faithful to the highlights of the first half of the book, and since the sequel 'Huck and Tom' hit screens just three months later this film was presumably always intended as Part One of a lengthy two part film. We therefore get the whitewashing episode, the introduction of Becky Thatcher into Tom's life, the business with the bible study tickets and the exaggerated reports of Tom's death, concluding with his appearance at his own funeral.But Muff Potter, Injun Joe and the scenes in the caves would have to wait for the appearance of 'Huck and Tom' (1918), in which the amiable tone that has so far prevailed presumably darkens considerably. Robert Gordon doesn't actually have that much screen time as Huck Finn in this first film and presumably comes into his own in the sequel (especially with his name coming first in the title).

Only the second adaptation of the classic 1876 novel "The Adventures of Tom Sawyer" by Mark Twain, this is a hugely enjoyable silent comedy adventure film. The first adaptation was released in 1907 and is now lost but it is notable as being the only film version of any of Twain's works made during his lifetime. This film has an excellent script or, use the vernacular of the time, photoplay by Julia Crawford Ivers which sticks closely to the source material. That said, only the first half of the novel was adapted for the screen on this occasion as it ends with the "funeral" scene. The remainder and parts of its sequel "Adventures of Huckleberry Finn" formed the basis of the film's 1918 sequel "Huck and Tom", which is likewise lost. The film is very well directed by William Desmond Taylor. Between them, he and Crawford Ivers were able to create a charming slice of Americana which is suitably evocative of the novel. Rather appropriately, the film was shot in Twain's home town of Hannibal, Missouri. Taylor may be best known as the victim of one of the most (in)famous murders in Hollywood history in 1922, which was never solved. At only 58 minutes, the film is very short by today's standards but I think that it was about average for the time. While I have seen a few older Chaplin Chaplin shorts, this is the oldest feature film that I have ever seen but it probably won't stay that way for too long.The film stars Jack Pickford in a first rate performance as the rambunctious title character. The lesser known younger brother of the Queen of Hollywood and brother-in-law of its King Douglas Fairbanks, the great success enjoyed by his relatives eluded him but he nevertheless had a pretty decent career. As was the case with many actors of later generations, it was curtailed by his drug and alcohol abuse and he died of multiple neuritis in 1933 at the age of only 37. The people who worked on this film were clearly not the luckiest bunch. At 21, Pickford is perhaps the oldest actor to ever play Tom Sawyer on screen but I understand that it was a fairly common practice in the silent era for adults to play children. A particularly egregious example occurred when his elder sister, then 27, played the 12-year- old title character in "Pollyanna" (1920). In any event, Pickford is very effective in communicating the young scamp's mischievousness, which is nicely contrasted with his basic goodness and innocence, through his facial expressions. His devilish grin when it occurs to him that he can fool others into whitewashing Aunt Polly's fence is a joy to behold. After a few minutes, I was able to accept him as being a young boy due to the body language that he adopts and the way in which he treats every minor task that Aunt Polly and other adults expect him to perform as a major affront to his pursuit of happiness. The Canadian Pickford was very well cast as the iconic all-American boy.Two of my favourite scenes in the film involve Becky Thatcher. When Tom meets her for the first time outside her house, it is clear - again from Pickford's expressions - that he is smitten with her but that he has to work up the courage to have a proper conversation with her. It is a lovely little moment. When he sits beside her in school the following Monday and he tells her that he loves her, there is a real sense of the awkwardness and shyness that typically accompanies such early adolescent encounters. Thankfully, Clara Horton is just as capable as Pickford in portraying this or the scene would not have been nearly as sweet as it was. Robert Gordon does not have much screen time as the "juvenile pariah" Huckleberry Finn with whom Tom is "under strict orders not to play" but he is very funny in the role. It certainly comes across that Huck is even more of a troublemaker than Tom but just as well-meaning in his own way. Edythe Chapman is pretty over the top as Aunt Polly but it mostly works to the film's benefit and Antrim Short offers good support as Joe Harper. It's a terrible shame that "Huck and Tom" is lost as I'd have liked to have seen more of Pickford and Gordon as the two boys. Almost the entire cast from this film returned for the sequel, as did Taylor and Crawford Ivers.Overall, this is a great adaptation of one of the great American novels.

Jack Pickford (as Tom Sawyer) is not the model boy of his village; in fact, he beats up the model boy (Carl Goetz). Mr. Pickford is impressed with the "juvenile pariah" of the village, Robert Gordon (as Huckleberry Finn) - although Pickford is "under strict orders not to play" with Mr. Gordon, the boys are attracted to each other; and, Gordon brings Pickford a large watermelon to eat. Sore from tussling with the model boy, and sporting a "sore toe", Pickford is, nevertheless, ordered to whitewash the Sawyer fence. Along comes Antrim Short (as Joe Harper), eating an apple, and pretending to be a Mississippi river steamboat; Pickford tricks Short into giving up his apple, and whitewashing the fence. Pickford is munching on a different apple when he notices "new girl in town" Clara Horton (as Becky Thatcher)… Director William Desmond Taylor and writer Julia Crawford Ivers' adaptation is first rate; the production team would finish the lads' adventures with "Huck and Tom" (1918) and "Huckleberry Finn" (1920). This beginning is a surprisingly good, and relatively faithful, version of the Mark Twain classic. The focus is on Pickford's "Tom", and his friendships with Gordon's "Huck" and Short's "Joe". The three boys take off together, going down the Mississippi river; while, back home, the villagers think they are dead. Jack Pickford proves himself to be as good a performer as his more famous sister (Mary Pickford); he is more than capable in the "Tom Sawyer" role - skipping, pouting, flirting, jumping fences, and getting sick on fresh catfish; he brings the character to life. He and the other "children" appear too old for their roles in many instances; so, for example, Pickford stealing a kiss from Horton loses its innocence, and looks more like an attack. Yet, most of the time, the performers make themselves believable. Though most faithful, this is definitely an interpretation of Twain's characters. There is some symbolism in this film that I don't recall from the novel (which I will have to re-read); director Taylor uses food (like the Apple) from the novel; but, possibly, in a different way. Pickford and Gordon create a particularly interesting dynamic: drawing lines with their feet, rubbing shoulders, and drawing in their knees. I found the recurring "sore toe" of Tom's fascinating; and, note that when the boys "escape", he is relieved from this malady. This is another nuance to track in a re-reading of "Tom Sawyer". ******** Tom Sawyer (12/2/17) William Desmond Taylor ~ Jack Pickford, Robert Gordon, Antrim Short

It is said that director William Desmond Taylor intended a sequel that would detail the rest of Mark Twain's classic. Two hour movies were not popular in 1917, despite the success of D.W. Griffith's work. Since the original book was just a series of episodes, it is surely no grounds for condemning this old film for the same quality. Actually, it is rather entertaining and faithful to the book for the episodes it contains. For proper enjoyment, though, you have to project yourself via mental time warp back to 1917 and the film technology of the era. If you can, you can see Mary Pickford's brother Jack doing a good job of bringing that eternal scamp Tom Sawyer to life. And it is a chance to see the work of William Desmond Taylor whose death a few years later was one of the greatest Hollywood mysteries of all time.