Tom Brown's School Days
Tom Brown's School Days
| 26 June 1940 (USA)
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When private tutor Thomas Arnold (Sir Cedric Hardwicke) becomes headmaster at Rugby, a boy's preparatory school in England, he puts into place a policy of strict punishment for unruliness and bulying. Arnold finds an ally in Tom Brown (Jimmy Lydon), a new student who is subjected to hazing and abuse by a group of older boys and is pressured by his friends to keep quiet about it. Fed up, he leads his fellow classmates in an underground rebellion against their tormentors. But certain unspoken rules still apply at the school and Brown loses his hero status when he is accussed of breaking the Rugby code of silence.

Reviews
bkoganbing

In Mutiny On The Bounty I remember there's a scene where Charles Laughton is questioning someone about who did what. Someone else owned up to it and got a flogging. The guy who wouldn't rat got the same flogging because as Laughton put it, "when I ask for information I expect to get it."That might have been a whole lot easier on poor Tom Brown who is played here by Jimmy Lydon. His father Ernest Cossart has sent him to Rugby School where the headmaster is Cedric Hardwicke who wants to raise manly and honest kids and not bullies.But that's what young Tom is faced with by an older kid played here with relish by Billy Halop of the Dead End Kids. What to do, because the one thing that's worse than bullying is ratting out your fellow students.Lydon stands up to Halop and actually beats him in a well fought if unofficial bout. But Hardwicke finds out about it and expels Halop.Naturally this could only happen if Lydon ratted him out. Tradition dictates he be shunned and shunned he is. Especially by his roommate and previous benefactor Freddie Bartholomew. These kids have an honor system that West Point would envy. And Hardwicke is a man rock bound in his principles and ideas. It all seems a bit silly, but in this day and age we're finally trying to address bullying in a real way. Although this film has its flaws it has assumed an interesting relevancy for today's kids.In this all male setting some women have some good parts. Mack Sennett comedienne Polly Moran plays the owner of the potato shop where the kids get their 'Murphys' which is a rather unflattering reference to what was the national crop of Ireland and probably some Irish farmers worked hard so these kids could enjoy their treats. Gale Storm plays Moran's young daughter who no doubt gets the lads hormones working. And Josephine Hutchinson plays the supportive and kind Mrs. Hardwicke, supportive to the kids as well as her husband.I'd see the BBC mini-series first, but this is not a bad film.

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JohnHowardReid

"Tom Brown's School Days": A novel? A memoir? An autobiography? I think the third is the best description of this schoolboy's time at Rugby, written by "an old boy". Thomas Hughes was not identified as the author of the book until around the time he was re-elected to the House of Commons in 1871. (He had been a member of parliament since 1864). By that time, Doctor Arnold was long dead, but his educational ideas persisted in the British education system until well into the 1960s. However, he is not a major character in the novel. Indeed, he is a somewhat shadowy figure, remote from Tom's immediate world. It was the 1916 movie version that elevated Arnold's importance, and following that lead, it is our 1940 version that virtually makes the influential educationalist the central character.However, I don't think that elevating Arnold's importance detracts from the movie. Far from it! As brilliantly brought to life by Sir Cedric Hardwicke, Arnold is indeed a fascinating, charismatic figure. Hardwicke is not only ideally cast, he rejoices in the best role of his extensive career, demonstrating how he can not only capture an audience's attention and sympathy, but how he can totally dominate the action if given the right script and director.Nevertheless, the supporting players, led by Billy Halop, also turn in outstanding performances. This was probably the only totally unsympathetic role Halop ever played, but he limns the character with a skill that simply rivets the attention. His is the definitive study of a swaggering bully. Of course, Jimmy Lydon never bettered his role as Tom Brown. Freddie Bartholomew is also solidly convincing as East, and there are fine studies from Polly Moran, Josephine Hutchinson, Ernest Cossart and Charles Smith (who was soon to prove Lydon's mainstay in the Aldrich movies).Adroitly directed by Robert Stevenson, and most expansively produced with marvelous sets and evocative photography, this version of Tom Brown's School Days is not only a really gripping, stirring experience, it's an absolute must-see movie – a credit to all concerned!

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Atreyu_II

This film is not the first screen adaption of the classic story of Tom Brown's schooldays. There is actually a version made in 1916 which I never saw but even if I could, sincerely I wouldn't bother with it. It's too old even for me and it's silent (I dislike silent movies).The 1940 version was therefore the first version with sound and the first "true" version. It was directed by Robert Stevenson who'd become famous years later for directing several Disney films such as 'Old Yeller', 'Mary Poppins', 'The Gnome-Mobile', 'The Love Bug', 'Herbie Rides Again' and 'Bedknobs and Broomsticks'.I got to know 3 versions of "Tom Brown's Schooldays": 1940, 1951 and 2005. There is also a 1971 version as a TV show but I never saw it. Of all the versions I got to know, my favorite is the one from 1951. It's a very rare case of a remake that's better than the original (even if it's possibly not as faithful to the book than the 1940 version) and therefore more watchable. But the 1940 film is not bad, it is actually a decent alternative. The 2005 version is fairly weak, no matter how hard they tried.Sir Cedric Hardwicke plays the charismatic Dr. Thomas Arnold with wiseness and class. I like him as Dr. Arnold as much as Robert Newton when it comes to acting, although in this version he is more prone to expelling boys and more intolerant in certain things. As a person, I prefer the more sympathetic Dr. Arnold played by Robert Newton.John Howard Davies is my favorite Tom Brown, but I also like this version's Tom Brown sentimentally played by Jimmy Lydon. If you ask me, Jimmy Lydon makes a different Tom Brown but equally likable and interesting.I have mixed feelings about East in this version. Even if he is greatly played by Freddie Bartholomew, the character himself isn't always very sympathetic. In the 1951 version, East is nicer and friendlier to Tom if still occasionally selfish.Billy Halop is an interesting choice as Flashman, as good as the actor in the 1951 version, just different. Comparing to the 1951 version, Flashman is generally less intimidating although almost as vicious.This version seems more detailed and realistic than the others in some ways and yet not as detailed in other aspects. The beginning is considerably different and many events happen much sooner and quicker than in other versions, which also makes its last 30 minutes different from other versions - with stuff missing in them. Having that said, this version has similarities with the others too.

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L. Denis Brown

This is a film of a work of fiction written by Thomas Hughes in 1857 which featured the life of Thomas Arnold, headmaster of Rugby School from 1828 to 1842, and the name Hughes gave to the principal fictional character in his novel was Tom Brown. There appears to be some significance in this choice of name. Hughes himself attended Rugby school during the period of Dr Arnold's headmastership, this is why he was able to write about the school with such authority; so it appears to me that the character of Tom Brown (and perhaps the entire book) is probably semi-autobiographical - but, somewhat surprisingly, I have never seen this discussed elsewhere.There are many famous schools throughout the world which have modelled themselves, with greater or lesser success, on the British Public School, but collectively the British schools have one unique feature - they created an extremely successful method for perpetuating the rule of the established oligarchy in the U.K. over a period of several centuries when the country was the most powerful in the world. In the U.K. Public Schools are private foundations theoretically open to all, but their high fees meant that education was largely limited to the sons of members of the ruling class, and a Public School education became almost a pre-requisite for admission to a University, election to Parliament or recruitment to any senior government position. It is surprising that, despite this, the Public Schools have always been able to keep a fairly low profile although it is clear that they must have considerable importance both sociologically and historically. Most Englishmen can think of several of the leading Public Schools such as Eton, Harrow, Rugby and Shrewsbury, but few know much about them. Almost the only widely read book dealing with the subject has been "Tom Brown's School Days" the book written by Thomas Hughes on which this film is based. It is a fictional work dealing with the reform of the public school system which started in Rugby under Thomas Arnold, its great headmaster from 1828 to 1842. This was a time when abuses had crept into the system and were beginning to discredit it. At Rugby, Arnold largely stamped out excessive bullying and helped establish ethical standards under which telling tales about fellow students or uttering any untruths became totally unacceptable behaviour. During the process Rugby, which had been a fairly minor Public School, became the leading one in the country. This is the background to Hughes' book, and it also forms an integral part of this film, as well as a remake of it that was released a decade later. Both films were made more than a half century ago but have remained of sufficient interest to justify them retaining ongoing availability on videotape. Nevertheless today this ongoing interest probably arises primarily from readers who have enjoyed the book, former students at one of these schools, educationalists or sociological historians, so today sales of these tapes are probably small and I would guess that we are unlikely to see either film on DVD in the near future. Although the two films are well made, with well acted stories that most people can watch with enjoyment, their unfamiliar scenario would make it unlikely that many of today's movie patrons would make any effort to search them out and this makes rating them a little difficult. PARTIAL SPOILER FOLLOWS - The book relates how Tom Brown goes to Rugby as a new boy and falls victim to the older bully Flashman. Eventually he obtains boxing training and successfully fights Flashman to establish his place in the sun. When Flashman contravenes the unwritten school ethical code Arnold takes the opportunity to expel him and, by the time Tom graduates, the headmaster, together with other boys like him, have succeeded in transforming the old atmosphere in the school. The story in the book is followed fairly closely by this film, which was made in 1940 with the famous and very prolific actor Sir Cedric Hardwicke giving a great performance as the headmaster. Unfortunately, in the U.K. 1940 was the darkest period of World War II and films released then did not attract a great deal of attention, so the film was remade only a decade later with a different cast who also gave a number of very fine performances, and it was spiced up with a much more melodramatic screenplay in which Flashman is not merely a bully but exhibits behaviour verging on the criminal. Since both films provide good meaty stories which most viewers should enjoy, this is one of the rare cases where both an original film and its remake are still worth watching. However for my money I prefer this 1940 film because it is more faithful to the book on which it is based, and (although we can no longer ask anyone what life in the school was actually like in the early nineteenth century) in my opinion is probably much closer to the actual historical story. Primarily because of its somewhat limited appeal I do not think rating this film at more than 6 out of 10 would be justified, but it certainly remains well worth watching by anyone of any nationality with an interest in education.

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