So this was "Toy Story" before the film was fully realized. How interesting. Today, it looks pretty choppy, especially the baby and its diaper. That is a creepy kid. But I was around in the 1980s as computers were really starting to blossom, and there is no way we could have made a cartoon like this. These guys really changed the industry, and this short is a great example of how. I am not the least surprised that it won an Oscar. It deserved to.Now, whether or not that baby is Andy, I don't know. It looks like the credits say his name is Billy, so unless there's some retcon action going on, it must be a different kid. Not that it matters.

"Tin Toy" is a simple short with only two main characters. A little tin toy band member that walks around and plays the symbols is the protagonist, and the destructive little baby is the antagonist. It's a simple story that follows the very childlike statement that "You don't want something unless someone else does." and vice versa.A little tin toy is lonely. A baby crawls into the room and the tin toy can't wait for the baby to play with it. Soon it finds out this baby is a destructive force, tearing apart and drooling on everything it sees. The tin toy has several changes of heart which end in a bit of a twist ending.This is one of Pixar's earliest shorts, and the animation is far from perfect. It doesn't have the fluidity seen in their later productions, but you can't blame them, this was '80s computer animation. One thing that Pixar has kept over the years it's their perfect way of portraying emotion. Just through little movements of the face, they give great emotion, which is what this short relies on, as there is no dialogue. It's a good and sweet natured short.My rating: *** out of ****. 5 mins.

The third notable short from everyone's favourite 3D animation studio (or fourth, if you're generous to 'Andre and Wally B'), 'Tin Toy' came about when Pixar were clearly gaining more confidence and expertise in their technical field, following 'Luxo Jr' and 'Red's Dream', two very simple but effective shorts revolving around inanimate object characters. Usually credited as the forerunner to the excellent 'Toy Story', 'Tin Toy' is a worthy predecessor even if it has long since been surpassed by the likes of Woody, Buzz and Mr Potato Head, and very enjoyable as a stand-alone film.Unlike the following year's 'Knick Knack' (made famous once again by its recent theatrical coupling with 'Finding Nemo'), the animation isn't quite so timeless in all regards that it could easily pass as an animated short made in this day and age, but it's not too far off. There are many aspects which sport real flair and improvement over their previous efforts, but others which are only too telling of the limitations the studio was currently facing.No complaints with Tinny, the 'tin toy' of the title - he's a very charismatic creation indeed, and extremely well-animated. This being a non-dialogue film, it's up to his facial expressions to do the talking, and they do it well – awe, confusion, pleasure, terror, empathy – rendering him another very memorable and sympathetic character in Pixar's canon, and at the same time setting the ball rolling for the wider range of emotions that would later immortalise the heroes of 'Toy Story'. The human baby, on the other hand, is the short's biggest visual weakness - a bold attempt to combine 3D animation with real human mannerisms, something which it isn't entirely successful in (compared to the vivid realism of all his inorganic co-stars, this chunky little infant can't help but stick out like a sore thumb). Some of his actions are nicely rendered, particularly the drooling and sneezing (pure gold), but on the whole he does look and move rather awkwardly - so, while a good effort, the end result there is a little patchy.Once again, it's the original and surprisingly powerful story that we can really thank for still making this short such stellar viewing today - proving very thoroughly that plot and character are always the wisest investments. 'Tin Toy' presents us with a toy's eye-view of a curious new world that initially seems very inviting, but soon reveals a much more unsettling reality that all local toys live in fear of. Even something as benign and innocent as a human baby from our usual POV can seem positively terrifying from the perspective of a small toy, as this short deftly captures. Its overall air, however, is very sweet, gentle and endearing, and has enough basic charm to be a real winner in the feel-good field.And I got the message well enough too - sometimes there better solutions to our problems than just running and hiding from them.Grade: A-

It's wonderful to watch a short animated film like Tin Toy and then watch one like Geri's Game or For The Birds, because you can really see how far Pixar has come over the years. In Toy Story, one of the things that they never got quite right was the look of human faces, but it is clear after watching Tin Toy that they have really improved in that area as well. What you have in Tin Toy is an extremely simple story of a new toy that is at first fascinated but soon understandably horrified by the hideously misshapen baby that he sees terrorizing toys all around him. Besides foreshadowing a huge amount of the plot of the later Toy Story, this short film also contains a lot of symbolism and adheres to a story structure that dates back to medieval literature. This baby is the representation of the horrible monster that can be found in stories around the world, holding people in horrible fear under its control, waiting for some hero to come along and rescue them. The heroic tin toy spends a few minutes fleeing from the horrifying baby (whose approach is far more fearful than ANY Tyranosaurus Rex), but then when the massive baby falls and begins to cry, the toy realizes his purpose and goes out to amuse the baby ("You're a cool toy!"). Okay, this part never really happened in any of the classic romances where people are held captive by a huge monster, but this is where the film turns from the classic story structure and begins to concentrate on the reality of modern children.One of the more appealing things about this short film is the closeness with which it portrays real children (although they were horribly far off on the physical appearance). Even the child's momentary pause before sneezing is surprisingly realistic, but there are also behavioral things that are captured here, such as the notorious habit of children becoming more interested in the box that their toy came in than they are in the toy itself. Pixar clearly started off early depicting the interests and behaviors of children on screen, and their films have progressed enormously from short films like this one. Tin Toy is not terribly remarkable compared to the later films from Pixar, but from shorts like Tin Toy it can be seen that they have always worked very closely within this particular genre, which is likely a good reason why they are now making children's films that easily rival even the classic Disney masterpieces.