Tightrope
Tightrope
R | 17 August 1984 (USA)
Tightrope Trailers

Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women. The murders are getting personal when the killer chooses victims who are acquaintances of Block. Even his daughters are threatened.

Reviews
Brian T. Whitlock (GOWBTW)

Clint Eastwood is known to play law enforcement in his film. In "Tightrope", I hope you got good balance. Eastwood plays Wesley Block, a detective in New Orleans who uncovers the murders of prostitutes. He is divorced, his daughters love him very much. They don't like the mother's new beau that much. He tried his best to be with them, but his work always seem to get in the way. A new partner helps him out a lot in his cases, and the daughters take a liking in her. The killer in the film happened to be an ex cop. Talk about giving law enforcement a bad name. This movie has got a lot of suspense. A lot of darkness surrounding the main character. But there is less gunfire than the Dirty Harry films that I am used to. It could have been been more intriguing. It is a nice film. 2.5 out of 5 stars

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r-angle

Inefficient, slow, cumbersome. Makes its plot points awkwardly and makes them several times unnecessarily. Geneviève Bujold is good, and she looks good. She is a good counterpoint to Clint. But there are too many hookers and blonde bimbos. "A dark side in all of us." Good speech. The worst thing is the movie's lack of efficiency. It takes so long to make its plot points and advance the story that it's like listening to story told by someone who has a bad cold and is on some medication that makes them talk slowly and only make sense about half the time. I wanted the movie to blow its nose, clear its throat, and get on with it. Bad movie.

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James Hitchcock

During what I have come to think of as his "early period" in the sixties, Clint Eastwood was best known for acting in Westerns, but by his "middle period" in the seventies and eighties the Western genre was in decline so (with a couple of exceptions such as "The Outlaw Josey Wales" and "Pale Rider") he was forced to reinvent himself. During this period he was probably best known for cop thrillers. He made no fewer than five featuring his iconic "Dirty Harry" character, but also played a detective in several other films.Eastwood tried hard to make each of his characters an individual in his own right; they might also be police detectives but that does not mean that they are simply Dirty Harry under another name and transferred to a different city. His character in "Tightrope", Wes Block, is quite different not only from Harry but also from Walt Coogan, Eastwood's "cool dude" cop in "Coogan's Bluff" or from Ben Shockley, the washed-up alcoholic he played in "The Gauntlet". Block is a divorcée whose wife has left him to bring up their two daughters Penny and Amanda. (Amanda is played by Eastwood's real-life daughter Alison). He is hard-working and conscientious and is devoted to his two girls, as well as to the family's numerous pet dogs. He is often seen with a drink in his hand, but his drinking is not made a plot point as it is with Shockley in "The Gauntlet". As we shall see, however, he also has a dark side.The action takes place in New Orleans. A serial killer is preying on the city's vice girls, and Block is assigned to the case. He has, however, something more than a purely professional interest in the case. He is himself a user of the services of prostitutes, and some of the dead women were personally known to him in the course of their profession rather than his. (It is implied that he only began using prostitutes after his wife left him and that this was not the reason for the break-up of his marriage). As the story progresses we also discover that the killer has a personal interest in Block, and that not only Block but also his daughters and his new girlfriend Beryl are in danger. (But then we could have guessed that from the start. It is one of the unwritten rules of Hollywood that in any police procedural involving a serial killer the villain must have a personal grudge against the detective, or take a sadistic pleasure in playing psychological mind-games with him, or both).The film is perhaps overlong, and the plot is occasionally obscure, making it difficult to work out exactly what is going on. One thing that is never explained is why Block's superiors never took him off the case when they realised that he had a personal involvement. (In a high-profile homicide case like this one he would not have been working alone but would have been part of a team). Director Richard Tuggle, however, manages to generate an atmosphere not only of suspense but also of seediness and moral corruption. Although New Orleans is one of America's most photogenic cities, we do not see much of its glamorous touristic side, only its dark underbelly. Eastwood also gives a good performance, making Block someone we can sympathise with despite his flaws. The film is not in the class of the original "Dirty Harry", but it is considerably better than the weaker entries in that franchise, such as "The Dead Pool", or the ludicrously improbable "The Gauntlet". 6/10

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Predrag

Tightrope is probably the most unusual Clint Eastwood film. But its also a brilliant film in dealing with his characters dark side and similarities with the killer. I also think that Alison Eastwood, Clint's real life daughter, gives a great performance.This Eastwood film portrays a much darker view of life than previous Eastwood efforts. A very suspenseful and gripping film. In it, Eastwood plays Detective Wes Block. Block is pursuing a serial killer who is murdering prostitutes in the seedy underside of New Orleans. Block finds himself strangely drawn into this underworld and walking the "tightrope" between right and wrong, good and evil, as he balances his search for the killer. Meanwhile, his behavior eerily shadows the killer's deviant pursuits quite often leaving the viewer gasping in shock. Also Geneviève Bujold plays the aforementioned defense-expert. As Beryl Thibodeaux, Bujold is the perfect counterpart to Eastwood. Another major success of the film is the location, New Orleans beats not with life, but with death as the Mardi Gras takes a back seat and Tuggle explores the dark and seamy nightlife of this soulful and mysterious town.A must see for Eastwood fans and people who like strange movies alike.Overall rating: 7 out of 10.

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