Three and Out
Three and Out
| 12 October 2008 (USA)
Three and Out Trailers

A London tube driver considers pursuing a third fatal accident to collect a huge payout.

Reviews
demonchessmaster

Firstly, I have to say that the controversy surrounding this film is totally unfounded. I can see why many train drivers and other people would object to a film about suicide (and trying to convince people to commit suicide), but if they actually SAW this film, I think they'd agree that the subject matter is handled very well. It doesn't make a joke about it and it's very heart wrenching as you delve deeper into Tommy's life as he tries to make up for the mistakes he made. In many ways, he see's suicide as a form of redemption to help his family. And just when you think it's going to have a happy ending--you'd be surprised! Overall, while I don't think it's the best British film to come out in recent years, it's certainly not a bad film in general. The acting is brilliant and the story (while a little far fetched) does follow nicely and makes the film easy to watch. If you watch this expecting a laugh out loud comedy, look elsewhere. But if you fancy a emotional, yet slightly depressing, storyline that will tug at your heartstrings... go ahead and give it a go. Don't believe the controversy surrounding this film until you've seen it, it's worth a look.

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jenn-yd1

After so many years of waiting for a worthy British comedy since Bridget Jones' Diary, this fine piece of work came as a breath of fresh air. After watching it half way i thought they could have done better but at the end of the movie everything made sense. Well its a British movie and it is very British, it outlines dilemmas that are faced by day to day men as we all try to work smart and not hard(with less in return). It seems there has been a lot of controversy as most(tube trade union) believe that the movie is insensitive towards tube workers. One wonders, but when did the British lose their sense of humour? this a comedy! I just believe it was an opportunity for some to get onto our screens. Everyone who has been to London knows that the tube is never reliable, but thats another subject. When titanic hit the screens no one went to protest but I am sure far more people have perished in the seas. The first good movie in a decade comes out and all these sharks are coming at it in full swing, please lets give this movie some credit it deserves.

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penguinhunter12

Although the producers have classed it as a comedy, I don't really find it can fit under just one genre. It wasn't a comedy of the sort like "American pie", "School of Rock" or "The Simpsons film" (just to name some really famous ones) in which you get regular jokes, set characters to make you laugh e.g. homer or jack black in that case, where you expect to say or do stupid/funny things, it was more of a literal 'film', perhaps like "Bridget Jone's diary", only whereas the same comedy style mentioned above, featuring some elements of comedy and its few moments, but not an actual pure comedy like the 3 examples I gave earlier.I would actually call it more one of those films like "there will be blood" or "thirteen" that really just make you think or reflect, films that would be good to watch if you are interested in sociology. I must admit I find it hugely ironic that out of the many many films I've seen in my time that this, a classed "comedy" that is the only film other than "ghost" (I was very very young) that has ever managed to actually make me cry. The ending left me feeling very upset, as were literally almost the rest of the audience as they walked out the screen, you grow an attachment to the characters.I was sceptical about seeing the film at first as the issue of the proposed comedy was suicide, but I think the directors didn't handle it controversially or distastefully overall. I also enjoyed how the film made me think about how everyone literally has such a past and a story to tell.Overall I think the film was worth seeing, and would recommend it if you want something abit stronger or harder then the average film. Prehaps the producers were also unsure of how to really class this film into a genre.

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XTRADER

Three and Out (2008) As the overpaid and Naïve London Underground employee's picket this film before they've seen it – complaining that it insults their occupation – I felt it would be fitting to go see this film to see what the fuss was all about. Paul Callow (Mackenzie Crook) has a bad couple of weeks as a London Underground Tube Driver – (Spoiler – but not really giving anything away here) – Paul hits and kills two Passengers while driving his Underground Train. Paul then hears from his matey colleagues that there is a Three and Out Rule in place – if he kills three people with his train within a month he will be retired and paid 10 years salary – so judging by what the average tube driver earns this probably equates to over £500,000+ ($1m+). Hence, Paul sets about to find a third victim – of course this is where the film really begins and the journey for Paul moves from off the track to the streets of Liverpool and the scenery of Cumbria, on this journey Paul may end up finding more than just another victim but potentially finding himself. Now I always like to give British Films a chance and on first impressions this one isn't too bad for a light comedy – however everything about it strikes you while you watch it as "Average". The jokes will make you smirk and maybe laugh occasionally but it's not side-splitting and it's certainly not original. From the word go – the film is predictable and nothing that special. Imelda Staunton and Colm Meaney are the strongest performers in this flick. The St Trinian who only left RADA last year (Gemma Artertan) is the eye candy in this film – but her performance is almost comparable to the cameo of the awful and dire Kerry Katona. However the biggest gripe comes half way into the movie when the Director thinks it would be a good idea to experiment with Angles. Now camera angles rarely bother me – but in this film while Mackenzie and Colm are shouting near a bunch of cows the director really should have re shot – shaky almost out of focus and badly directed – however thankfully the rest of the movie isn't shot in this way. An enjoyable film if you're not expecting anything, but it's certainly not going to make waves over seas as this is no Full Monty or Four Weddings. It certainly doesn't merit the attention of the overpaid Underground Unions; it simply doesn't insult the occupation of driving Underground Train so they really shouldn't bother picketing as this film will be forgotten very quickly.

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