Rarely have I seen a suspense film with such a wonderful premise but with such a lousy execution. This is because there were a bazillion plot holes in a film with a great plot--so many that the plot is essentially ruined. It's a shame, as the film, with a few changes, could have been wonderful. My wife and uncle were a bit more forgiving. As for me, it made me mad that such a great idea sucked me in and,...well....it just sucked! The film begins with the highest ranking living Nazi in custody inexplicably requesting a meeting with an American reporter (Ron Silver). The reporter has no idea what it's all about--and EVERYONE seems to go nuts because the Nazi supposedly knows about the whereabouts of one of the largest diamonds in the world! And, through the course of the film, one group after another chases the reporter after he meets with the Nazi. The problem is with all these folks trying to capture him, he can't help them because the Nazi's message is so vague he has no idea what it meant! I loved this idea. And, when you finally learn how his uncle is THE key--this was brilliant!! But, in the meantime, yuck! Ron Silver was a good actor--but here he is totally miscast. The film called for a man who was a combination of James Bond and the Rock--but Silver was all wrong. A middle-aged paunchy guy who chain-smokes cannot possibly out-shoot secret agents, neo-Nazis and the US military!!! Yet, inexplicably, Silver's character won't accept help from anyone and yet he manages to come out unscathed by the end of the movie!!! In between, there are some other insane moments such as sneaking him into the embassy in a VW trunk when the place is surrounded by police who are told to allow NO ONE inside as well as the women who throw themselves at this very ordinary looking man....and MANY, MANY other insane moments. With a bit of a re-write (such as making the reporter an ex-CIA agent or a god would have helped) and plugging up holes, it would have made a dandy film--perhaps capable of earning an 8 or more. Instead, it's a dumb film with a few great moments.I should repeat that my wife and uncle were far more charitable than I was. When they asked me what I thought of the film, I found I was becoming angry--angry because the film SHOULD have been better and sucked me in--only to disappoint again and again. My wife felt it was fun schlock. My uncle thought he could have used his time better sleeping in his hammock. I felt it was a waste of my life and I felt stupider as a result of having seen it. As for my aunt, who really didn't pay total attention to the film, she was glad she missed it.

**SPOILERS** Laughable and outrageously inept thriller that has to do with this crazed and committed former Kommandant of the Treblinka concentration camp Markus Strand, Jan Nubes. Strand after 40 years in solitary confinement in a Warsaw prison has not opened his mouth, except when he ate his meals, is now about to go public about the missing and fabled Rothschild 287 caret cut diamond "The White Raven" that he and only he knows where it is. It turns out that over the years Strand had become a big fan of Christian Science Monitor and Pulitzer prize winning reporter Tully Windsor, Ron Silver, and wants to tell his story only to him. Tully, playing hard to get, is anything but interested in having the scoop of the century until he finds out that both his mother, who supposedly killed herself, and grandma were somehow connected with the hot rock.The film "The White Raven" has three stories, all very confusing, running concurrently in it. There's the Triblinka concentration survivor Frau Hanna Rothschild, Elizabeth Shephard,who the "White Raven" originally belonged to wanting it back. Hanna is also involved ,with the Paris Rothschild Bank as a front, with the Israeli Mossad in funneling million of dollars, or franks, to Isreal in it's, or the Mossads, many covert and undercover operations in Europe as well as the Middle East. There's also the determined US General Dodd, Doug Lennox, who was involved in the liberation of Treblinka even though it was liberated by the Soviet Red Army. Gen. Dodd feels that he has it coming, the diamond, in that he was the one who saved it's owner concentration camp inmate Hanna Rothschild from a fate worse then death. Dodd is now looking forward to have the rock or the 100 million dollars that it's worth as part, together with the measly government check that he gets from he US Army, of his retirement.The triple, or third story, in this incomprehensible mess of a movie has to do with Warsaw police inspector Zielinski, Jack Recknitz,a man who seems to be not only above the laws of his own country Poland but even the laws of nations like Norway and the United States. Zielinski goes without as much as a fear in the world of being caught and prosecuted, and in full view of witnesses, shooting people down together with his band of Warsaw hit men in all three country's. We learn that Zielinski wants the diamond for less selfish reasons then both Gen. Dodd or Madam Rothchild in his mad dream of jump starting, with the money that he'll get for it, a new and more improved Fascist movement in Europe with him of course as it's top banana or kielbasi.Tully is truly ridicules as a secret agent type, outdoing even a James Bond, as he escapes from every jam or hammerlock that the bad guys get him into even though he's not supposed to be an action hero in the movie. As for his non stop running and acrobatics, as well as dodging bullets, he's anything but in shape to preform them with Tully puffing away and smoking pack after pack of cigarettes in almost every scene, including when he's doing roadwork, in the film. The secret of the missing Rothschild Diamond turns out to be locked up deep in Tully's own Uncle Boy's or Edwin Koch,Jerzy Zydkiewicz, head. But to get Uncle Boy to open his mouth would be somewhat of a miracle on Tullys, or anyone else's, part in that he's never talked, like Kommandant Strand, since the end of WWII. Unlike Strand Uncle Boy is suffering from what seems like an advanced case of Alzheimer's Disease where he couldn't talk even if he wanted too.P.S there's also actor Roy Scheider in the movie as Tully's former boss at the Monitor Tom Heath. Scheider had enough sense to keep himself scarce in the movie "The White Raven" where he was hardly noticed except if you were awake or conscious enough to spot him, in the few minutes that he was in it, in the beginning and end of the film.

Okay we got a story lets funk it up the idea is great for a book by for example Graham. We have the plot the diamanté everybody wants it and blah blah we got some great deaths scenes but thats it the story gets blurry from the very beginning (ok we all know the story but the filmmaker tell's it pretty poorly) the possible best scene is the pool scene with the uncles head but a dead man just don't bleed. i suck at writing comments but believe me i had 2 bottles of wine before i watch this movie and it doesn't even get good so get a bottle of hard alcohol before you start this movie. It's a time killer and nothing more

I guess that when starting a movie like "The White Raven", a team has two basic choices. They can make a James Bond type of film in which the hero will keep falling into traps most terrible from which he will miraculously escape with his life and tie undisturbed - which is quite OK because we all know in advance that he is indestructible. Or they can make a realistic movie in which the hero is very much destructible and has to depend solely on his wits and on some more or less sympathetic people to survive - if he does survive at all; we can never be sure.And then there is the third type which tries to combine the first two - which seems to be a sure formula for disaster. "The White Raven" is, of course, just one of many such movies which may start, as this one does, quite decently in the realistic direction and then suddenly turn around, becoming more and more laughable right to the last "deus ex machina" (in this case one of the most stupid I have ever seen).As such, the movie could perhaps be enjoyed as an unintentional parody if it were not for repeatedly ghoulish scenes which make one think that its authors are fetishists of a rather unpleasant sort; and only to their kind can "The White Raven" be safely recommended.