Sammo Kam-Bo Hung has crafted a masterpiece of classic martial arts action. Do not miss this.This film contains some of the best martial arts fight scenes ever shot. Long takes, complex action with large numbers of participants, but most importantly, absolutely stunning choreography and plenty of it. Even in intense action sequences Samo can add a moment of humour before the intensity starts again.The plot is decent (for a martial arts movie). The comedy is slapstick orientated and thankfully mostly works.As any fan of Asian action cinema knows, it's the fights that matter and these action sequences deliver in spades. Samo Hung is a legend amongst fight fans, but sadly largely unrecognised outside Hong Kong aficionados for his absolutely massive contribution to action scenes that Hollywood slowly picked up on. Unfortunately, they still don't grasp many of the concepts Samo and his fellows, like Jackie Chan, created in the 80's Golden years of Hong Kong cinema. Fight editing is dire in Hollywood.Sadly, every copy I can find is not of the best quality, even the DVD. I really wish someone would do a restoration job on it.I've watched this more times than I care to think about. Every single time, the action makes my muscles tense and I hit the rewind too often. It really is that good!A solid 10 for martial arts fans. Do not miss this one. 7/10 for others.

It was overall good, the acting was good, the story was good, the characters were interesting and the fight scenes were good. Leung Kar Yan is as usual a pleasure to watch on screen. His acting often remind of that of another great actor and that particular actor I have in mind is Toshiro Mifune. What Leung and Mifune have in common is they are able to act outrageously but still convincingly. Their energy often comes clearly across the screen. Although I gotta admit Mifune is a far better actor. But the most impressive thing about Leung is he does not have any martial arts background, making the fight scenes more impressive. Sammo Hung, what can I say? He is as good as ever. Except I felt his character was a little incoherent. His character was fun but it was a character who seemed to lack direction, like as if the character was thrown in as an afterthought to make the plot more coherent. There was nothing wrong with Hung's acting and he is more than often good at portraying those kind of characters. The character he was portraying just seemed a little unnecessary.The story was good, but what stalled the movie a bit is the incoherent plot. The plotting of 'The Victim' is a little incoherent compared to movies such as 'The Iron Fisted Monk', 'Warriors Two' or 'Knockabout'. What made it kind of incoherent is its general lack of focus. It jumps from one scene to another with no apparent focus except for going to fight scenes and slapstick comedy. I like both, but what set the Hung movies from the other Kung Fu movies are the focused plots in my opinion. Well, it is not for story or plot movies like this are made but I often feel a solid plot with good acting and fight scenes combined with sufficient production value are what make a solid kung fu movie. So since 'The Victim' lacks a more coherent plot it is not completely solid but it is not bad either. Overall I think this movie has re-watch value and should be worthy of being part of a collection. After all it has some pretty good fight scenes, interesting story, good acting and not bad production value. Don't miss it, any kung fu movie with Leung Kar Yan and Sammo Hung are worth watching. 7/10

In the hope of finding someone worthy of being his teacher, portly fighter Chen Rong (Sammo Hung) challenges random strangers to fight him. After easily beating several opponents, Chen Rong is finally defeated by martial arts expert Chun Yao (Ka-Yan Leung) but is unable to convince him to become his sifu. Not one to give up, Chen Rong follows Chun Yao everywhere, even to his home, where he meets his unwilling sifu's tasty wife Yoo Yi (played by the amusingly named Fanny Wang), who takes pity on the eager young man.When some really bad men turn up to cause trouble, Chen Rong is amazed to see Chun Yao and his spouse seemingly running scared. Curious, Chen questions Yoo Yi and discovers why Chun Yao flees when he could fight: on his wedding night, Chun discovered his older adoptive brother Chong Ming (Yi Chang) making unwanted sexual advances towards Yoo Yi. Rather than fight the son of the man who gave him a home and raised him as his own, and feeling just a little guilty about being responsible for accidentally blinding Ming in one eye, Chun opts to keep out of his brother's way. Unfortunately, Ming hasn't given up lusting after Yoo, sending countless hired help to try and dispose of his brother and make off with his wife. Soon enough, Chen Rong finds himself involved in the familial fracas, with bloody consequences for all.The Victim kicks off in classic kung fu comedy mode, with Chen Rong's search for a sifu resulting in some very silly moments against several comical opponents; the broad humour continues when Chen's pursuit of Chun Yao leads to a brawl in a steamy bath house against several naked men. Even when the film enters darker territory, the zaniness persists, with perhaps the film's most tragic moment weakened by an inappropriate gag featuring Sammo Hung dressed as Dracula. The movie's iffy comedy is easily forgiven, however, thanks to the brilliantly choreographed fight action which is frequent, fast and furious, with Hung displaying his incredible kung fu skills and agility to the full, and Ka-Yan Leung performing some amazing moves despite having had no formal martial arts training.The final fight between the two 'brothers' is bloody, brutal and brilliant, and would have been the perfect way to end matters; unfortunately, the film closes with a bit more silly buffoonery courtesy of Hung which makes no sense whatsoever.7.5 out of 10, rounded up to 8 for IMDb.N.B. All character names in my review come from my DVD's subtitles and are more than likely wrong.

What a fantastic film. I really wasn't expecting much, it just seemed like a run of the mill 1970s Kung-fu flicks, but boy was I wrong. Chung Yao (Leung), a martial arts expert, has long been on the run from his step-brother who he caught trying to rape his wife on their wedding night. His brother has never given up the chase however, and Chung Yao lives in constant fear that he and his wife will be murdered by the vengeful step-brother. On one of his visits to the village, Chung meets Fatty (Sammo) who is insistent on becoming his servant. Sammo's attempts at winning Chung's favour takes up the first half hour/ forty five minutes of the film, and it's hilarious. Chung has got no patience for a fool like Fatty, and he tries to dodge and lose him in a number of comical and exciting situations including a hilarious set-up at a sauna.As the film progresses, a really strong story develops, and even though it may initially seem like one of those typical kung-fu vengance movies of that period, it really isn't. There was not one dull moment throughout, and the last half an hour both fight-wise and plot-wise was just mind-blowing. You really wouldn't expect such an powerful and intelligent ending, but watch it and be bowled over. There are some excellent fight scenes between Fatty and Chung, and Sammo gets to do many of his trademark stunts with all the usual wit and energy. But the real icing on the cake has to be the closing fight between Chung Yao and his step-brother, top-notch stuff. From someone who really isn't a fan of the period Kung-Fu flicks of the 1970s/early 80s all I can say is: See it now. 10/10